Ride Along 2


It should be fun to watch Kevin Hart and Ice Cube in a comedy. Sadly, its a stretch to call Ride Along 2 a comedy. Its simply a retread of the first Ride Along, a 2014 box-office hit, and proof positive that a bigger budget doesnt buy bigger laughs.

If you want to play catch-up, here goes: Ben Barber (Hart) has moved up from his job as an Atlanta security guard. Hes now a rookie cop trying to follow in the footsteps of James Payton (Cube) the hard-assed detective whose sister, Angela (Tika Sumpter), is making the supreme mistake of marrying the little bastard who is a perpetual thorn in James side. When these bickering, almost brothers-in-law take off to Miami to track drug lord Antonio Pope (Benjamin Bratt), its a chance for Ben to show hes got the stuff. And a chance for James, who hates the motormouthed pest he calls a dwarf, to get rid of Ben once and for all.

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Thats right, folks. Its the same damn plot as before moved to a new location. The fresh additions are Ken Jeong (doing his standard Ken Jeong schtick) as a hacker and the delectable Olivia Munn as a possible cop love interest for James. Tim Story directs as if hes painting by the numbers. He is. And screenwriters Phil Hay and Matt Manfredi dont even show that much energy.

A laugh could die of loneliness in this setup if it werent for the two stars. Cube, enjoying the fruits of seeing his own life as a gangsta rapper on screen in the superb Straight Outta Compton, which he produced and Oscar stupidly ignored, has gone from rapping Fuck Tha Police to joining them. The idea still makes me grin. And Cube clearly enjoys slapping his most menacing glares on his costar. Hart, a comic force of nature in concert, damn near knocks himself out trying to breathe life into this sequel and pulls off a stylishly funny car chase right out of Grand Theft Auto. Still, this sequel keeps flapping around desperately like a fish out of water. Hart and Cube are too good to settle for hawking leftovers. They deserve better. So do we.

Weekend Rock Question: Whats the Best Movie of the 2010s?


Its hard to believe it, butwere lived through more than half of the 2010s. Its a decade without a real name, though its destined to be known as the teens. A lot of good movies hit theaters this decade, including Boyhood, Moonrise Kingdom, The Social Network and Her.

Now we have a question for you: What is the best movie of the 2010s? Any movie that came out after December 31st, 2009 counts. Feel free to vote for an animated flick like Toy Story 3, a big budget space film like Interstellar or Gravity, a foreign picture like A Separation, an historical epic like Selma or 12 Years a Slave or an art house movie like Upstream Color. Vote for whatever movie you want, but please only vote once and only for a single selection.

You can vote here in the comments, on facebook.com/RollingStone or on Twitterusing the hashtag #WeekendRock.

The Dressmaker Review: Kate Winslet Returns to Sew Up Loose Ends


Kate Winslet can do anything except save this movie from quirky overkill. The Dressmaker, based on a 2000 novel by Rosalie Ham, gives the actress a hell of a role. Shes Tilly Dunnage, a 1950s fashionista whos decided to return home to dusty Dungatar (an apt name), the small Aussie town that spawned her. Tilly got run out of Dungatar 20 years ago, when she was just a 10 year-old, for allegedly murdering her schoolmate Stewart Pettyman. Everyone believes she bashed the kids skull in including her snaggle-toothed old mum, Molly (Judy Davis, deep bows), who the townsfolk call Mad Molly and not for nothing. Tilly decides to open shop and do fashion makeovers on the towns dowdiest women. Im back, you bastards, the pariah says, busting out a trunk of fabrics from Paris. Some are thrilled. But not Evan Pettyman (Shane Bourne), the dead boys father who lords it over the town and his put-upon wife (Alison Whyte).

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You might be wondering why Tilly, who looks absolutely fabulous, is bothering to spiff up her former tormentors. Simple. She wants to know what really happened. Tilly was so traumatized back in the day that she cant remember if she killed Stewart or not. Its a potentially gripping set-up, concocted by director Jocelyn Moorhouse with her co-writer husband P.J. Hogan. The Dressmaker is a homecoming not just for Tilly, but for Moorhouse who hasnt directed a movie in almost 20 years. After a smashing Aussie debut with 1991s Proof, Moorhouse worked in Hollywood with scant success on How To Make an American Quilt (1995) and A Thousand Acres (1997). The filmmakers vitality hasnt dimmed with the years. Its good to have her back.

The problem with The Dressmaker, both the book and the film, is that it doesnt know when or how to stop. One bizarre character after another is introduced. Its an eccentricity pile-up, played by a team of Aussie all-stars. I was fine with Hugo Weaving as Farrat, the cross-dressing police sergeant. And Liam Hemsworth, of all people, has some sweet moments as Teddy McSwiney, the hottie soccer hero who falls for Tilly. But, oh, the crazyass parade: a religious fanatic (Barry Otto), a spinster schoolteacter (Kerry Fox), a dressmaking rival (Sacha Horler), an amateur production of Macbeth, an accidental death, a not-so-accidental murder, an explosion, and various events all set to a relentlessly irritating score by David Hirschfelder. Its too much. The scenes between Winslet and Davis, especially a visit to local a moviehouse to see Sunset Blvd., almost make up for it. But with this A-list crew, almost doesnt cut it. Its not good news when a movie called The Dressmaker doesnt hang together.

Ben Stiller Daydreams in Walter Mitty Trailer


The morning routine of Ben Stillers character in the first trailer for the remake of The Secret Life of Walter Mitty features the usually funny man as the title character as he goes through the motions of his existence: open the closet to pick an unremarkable shirt, eat breakfast alone, tidy the bed, make the commute to the office in a city filled with empty people doing the same thing.

Stuck in an office that feels more like a prison, Stillers character passes the day at his desk by inhabiting the role of bold and decisive men in his fantasies: explorers, or the type of guy who knows his way around Home Depot. Ironically, he works at Life magazine, but has no real one of his own. Hes a caged animal ready to be released ready to do something other than remain unnoticed.

The trailer also features Stillers ineffectual Mitty lusting after Kristen Wiig, cutting to a shot of him in one of his fantasies as a hero, catching her attention as Of Monsters and Mens wistful Dirty Paws plays in the background.

Photos: Ben Stiller

The Secret Life of Walter Mitty opens in theaters on Christmas Day.

Snooki and JWoww Play Would You Rather?


Nicole Snooki Polizzi and Jenni JWoww Farley have only been famous for two-and-a-half years. But in the world of reality TV, thats practically a lifetime. Now, after six seasons of MTVs Jersey Shore, Snooki and JWoww are stepping front-and-center as the stars of their own spinoff show.

Snooki & JWOWW, which premieres tonight on MTV, follows the two self-described BFFs as they move into an apartment together in Jersey City. There was one slight hiccup, however: early in the shooting process, Polizzi revealed to Farley that shes not only engaged to her longtime boyfriend, Jionni LaValle, shes also pregnant. Hell probably dress like Pauly D, Polizzi says of her unborn son.

Rolling Stone rang up Snooki and JWoww for a classic game of would you rather, inviting the reality stars to spill their preferences on everything from Jersey City versus the Jersey Shore to whether theyd rather get it in or party with friends.

Hi, ladies. Down for an old-fashioned game of would you rather?
Nicole Snooki Polizzi: Fun!

Jenni JWoww Farley: Lets do it!

OK. Well start with a simple one. Would you rather go to the gym or get a tan?
Snooki: Gym.

JWoww: Gym. Obviously, youve gotta be in shape or its pointless to be tan. They really go hand in hand together. I feel like being in shape and feeling healthy is most important.

Snooki: Yeah, being in shape I think is better than being tan.

Would you rather live on the Jersey Shore or in your new home for this show, Jersey City?
JWoww: Jersey Shore, because thats where it all began. We wouldnt have Jersey City without the Shore.

Would you rather be lounging around in slippers or rocking out in stilettos?
Snooki: Stilettos. I love my heels! And Im a short person, so I like to be at least five foot.

JWoww: Im the opposite.

Heres a throwback. Would you rather listen to NSync or Backstreet Boys?
JWoww: NSync.

Snooki: NSync. I hate Backstreet Boys because I love NSync. I was like a Justin Bieber fan to NSync. I love Lance Bass.

Its late at night and the TV is on. Would you rather watch Leno or Letterman?
JWoww: Leno.

Snooki: Yeah, I like both but I dont know. Jimmy Kimmel is pretty hot.

JWoww: I love Craig Fergusons accent. Hes hot in a weird way.

Who would you rather see win the presidential election, Barack Obama or Mitt Romney?
JWoww: Obama.

Snooki: Obama, cause hes our president.

JWoww, would you rather be helping out pregnant Snooki or protecting drunk-off-her-ass Snooki?
JWoww: Pregnant all the way. She was easy breezy.

Snooki: I was hilarious, but just grumpy.

Snooki, would you rather be with drunk, party-girl JWoww or sober, maternal JWoww?
Snooki: I enjoy both. When Jenni is drunk, shes fun and shes crazy and she makes me crack up. When Jenni is sober, shes like a sister and I can talk to her about anything. So I would say both.

Would you rather meet Lady Gaga or Madonna?
JWoww: Lady Gaga.

Snooki: I love Madonnas old music, but I love Gagas style.

JWoww: [To Snooki] You cried when you saw Lady Gaga.

Snooki: Cause her style is amazing. Madonna is more like her mom.

Lets end with a tough one. Would you rather have a guaranteed amazing smush or a solid night partying with friends?
Snooki: I always have a good smush. So, friends.

JWoww: Good night partying with friends, because I can get it in whenever I want.

Steve Jobs


If youre going to interpret on film the searching mind of an indisputable genius, it helps not to make too many dumbass moves. On that basis, score a triumph for Steve Jobs, written, directed and acted to perfection, and so fresh and startling in conception and execution that it leaves you awed. Michael Fassbender rips through the role of the volcanic Apple co-founder and CEO who sucked at personal interaction but soared at transmogrifying personal computing and everything digital from music, animation (Pixar) and publishing to those iPhones we wear like a second skin. Fassbenders Jobs is a tornado of roaring ferocity and repressed feeling. Hes also charming and seductively funny, which makes him dangerous if you get too close. Fassbender gives a towering performance of savage wit and limitless firepower. Is he really that good? Hell, yeah.

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The script, by Aaron Sorkin, an Oscar winner for The Social Network, is sheer brilliance. Sorkin didnt so much follow Walter Isaacsons bestselling Jobs biography as absorb it into his DNA and release it with a daring structure and point of view all his own. Sorkin divides the movie into three time frames, each filmed in different formats by the gifted cinematographer Alwin Kchler and each involving the launch of a new Jobs product.

The first part, shot on low-res 16mm film, is set in 1984 in Cupertino, California, where Jobs, 29, debuts the Macintosh. The second part, presented on widescreen 35mm, unfurls at the sleek San Francisco Opera House in 1988 when Jobs, axed by Apple, presents his NeXT cube to mass indifference. The final part, utilizing high-def digital, takes place in 1998 at San Franciscos Davies Symphony Hall, where Jobs, back calling the shots at Apple, gives the iMac its famed send-off. Dazed by the tech-speak and whirling innovations? Sorkin offers no sympathy. Echoing Jobs rush to the next big thing, Sorkin counts on you to keep up. Its a challenge worth taking.

Cheers to master filmmaker Danny Boyle (Slumdog Millionaire, Trainspotting, 127 Hours) for directing Sorkins three-act play with the hurtling speed of a white-knuckle thriller. Boyle also knows how to fill the spaces between words so they reveal the emotions of the multitudes who come and go in Jobs hectic life. Sorkin moves characters around his cinematic chessboard (shades of Birdman) with little regard to whether they were actually present during Jobs backstage rampages. Still, their actions and reactions have the ring of harsh, abstract truth.

The actors could not be better, as they thrust and parry over 14 years with the man who compares himself to Julius Caesar, an emperor surrounded by enemies. A superb Seth Rogen finds the bruised heart in Steve Woz Wozniak, the Apple co-founder who cant laugh off Jobs refusal to credit his team with the success of the Apple II computer. Michael Stuhlbarg shows us the pain in software developer Andy Hertzfeld, who suffers the wrath of Jobs for failing to make the Mac prototype say hello. And Jeff Daniels, an iconic Sorkin interpreter on HBOs The Newsroom, nails every nuance as John Sculley, the Apple CEO who fires Jobs and sparks his cruel revenge.

Can anyone tame this perfectionist beast? Polish-born marketing chief Joanna Hoffman comes close. As played by the glorious Kate Winslet, award-caliber and radiating grit and grace, Hoffman is the one person ready to give shit to the boss. She berates Moneybags for letting his former lover Chrisann Brennan (Katherine Waterston) live on welfare and for denying paternity of their five-year-old daughter, Lisa (Makenzie Moss). Nine-year-old Lisa (Ripley Sobo) gets closer to the old man. But its not until 19-year-old Lisa (a stellar Perla Haney-Jardine) fights her controlling, withholding dad on his terms that Jobs takes his first real steps toward her.

Sorkin never goes soft on his protagonist, an adopted child with an ugly streak built to keep those closest to him at a distance. But Fassbender lets us see flickers of humanity. What we dont see is the older, even richer Jobs who married Laurene Powell, had three children, created more Apple miracles, fought the pancreatic cancer eating away at his body and died in 2011 at age 56.

Steve Jobs the movie aims to catch the man at three public points when people who defined their lives in relation to his showed up at the last minute to give him holy hell. Harsh? Yes. But essential to a film about a pioneer who created products with a slick, spotless veneer to hide all the tangled circuits inside. In Steve Jobs, sure to rank with the years very best films, we see the circuits without ever diminishing the renegade whose vision is still changing our digital lives.

Patti Smith Doc, Times Up Event Headed to Tribeca Film Festival


The Tribeca Film Festival has added a new Patti Smith documentary to its lineup and announced that it will host the inaugural New York event for Times Up.

Horses: Patti Smith and Her Band is a concert film centered around the final show of Smiths 2015 tour celebrating the 40th anniversary of her debut album, Horses. Steven Sebring directed the movie, which was filmed at the Wiltern Theater in Los Angeles. Horses will make its world premiere April 23rd at the Beacon Theater, and after the screening Smith and her band will perform a short set. Tickets go on sale April 2nd at 12 p.m. ET.

Meanwhile, Times Up will host a day-long program of conversations April 28th at the Tribeca Festival Hub. Among the participants are Ashley Judd, Julianne Moore, Sienna Miller, Sarah Jessica Parker, Marisa Tomei and Amber Tamblyn. Along with members of the film industry, the event will also feature activists, lawyers, artists, journalists and business leaders.

The Times Up coalition was formed January 1st after a wave of sexual harassment scandals unseated some of the most powerful men in Hollywood. The coalition aims to combat sexual harassment and misconduct in the workplace, while it also boasts a legal defense fund to help women protect themselves from sexual misconduct. Per a statement, the Times Up event at Tribeca will explore how we got here, the women who came before us to make this work possible and whats next for Times Up and beyond.

The 2018 Tribeca Film Festival runs from April 18th through the 29th in New York City. A full of films and events is available on the festivals website.

Bruce Springsteen, Heath Ledger Win Golden Globes; Mickey Rourke Thanks Axl Rose


Bruce Springsteen beat out Beyonc, Miley Cyrus and Peter Gabriel to take home a Golden Globe last night, winning Best Original Song for The Wrestler, from the Darren Aronofsky film of the same name. The Globe nod was Springsteens second: He also won in 1994 for Philadelphias Streets of Philadelphia. With the victory, the Jersey legend is now the favorite to take home his second Original Song Oscar at this years Academy Awards, having also won for Philadelphia (he was nominated but lost in 1996 for Dead Man Walking). In his acceptance speech, Springsteen thanked actor Mickey Rourke for calling him and getting him involved in the film.

Later in the evening, it was Rourke who was called to the podium after winning Best Performance by an Actor in a Drama for The Wrestler. In what was the most rock & roll moment of the night, Rourke thanked Guns n Roses Axl Rose for allowing the low-budget film to use Sweet Child O Mine for almost nothing.Rose has often credited Rourke as being someone on his small list of friends. Equally awesome: Rourke also thanked his dogs.

In the nights only other musical moment, Indian composer A.R. Rahman was given the Best Original Score award for his propulsive Slumdog Millionaire score. And in what the most touching moment of the evening, Heath Ledger was posthumously awarded Best Supporting Actor for his performance as the Joker in Peter Travers pick The Dark Knight. Director Christopher Nolan accepted the award on Ledgers behalf, telling the star-filled crowd, All of us who worked with Heath on The Dark Knight accept with an awful mixture of sadness but incredible pride. For any of us lucky enough to work with him, he will be eternally missed, but he will never be forgotten. Ledger is the favorite to win the same award at this years Oscars. The Academy Awards nominations will be announced January 22nd, the one-year anniversary of Ledgers death. For the full list of Golden Globes nominees and winners, click here.

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Michael K. Williams, Chris Evans Lead Rescue Mission Out of Sudan in The Red Sea Diving Resort Trailer


Netflix released the official trailer for its upcoming film, The Red Sea Diving Resort, coming to the platform July 31st. The film stars Chris Evans and Michael K. Williams and is directed by Israeli filmmaker Gideon Raff.

Inspired by true events,The Red Sea Diving Resort details a series of rescue missions in the late Seventies and early Eighties in Sudan. Evans portrays Ari Kidron, the de facto leader of an undercover team of international agents; together they set out to smuggle a group of refugees from Sudan in the midst of a revolutionary uprising and subsequent civil war to Israel, all by using a deserted holiday retreat as a front.

In addition to Evans and Williams, the film also stars Haley Bennett, Alessandro Nivola, Michiel Huisman, Chris Chalk, Greg Kinnear and Ben Kingsley. In addition to penning the script, Raff produced the film alongside Alexandra Milchan and Aaron L. Gilbert.

See Bruce Springsteen Cameo in Trailer for Indie Film Broken Poet


Broken Poet is a new film by Emilio J. Ruiz about a 1970s rock star presumed dead who reappears in Paris.

The film tells the story of Jake Lion, a former acclaimed rock star who is presumed to be dead by suicide, until a former roadie rides the Paris Metro 40 years later and encounters a street performer who sounds just like him. A fictional Rolling Stone publisher, Kathy Madison, sends a music journalist named Meg Trudeau to investigate, gaining insight into Lions successful life and supposedly tragic demise while trying to discern if the street performer is really Jake Lion.

The film is adapted from the short story The Lion Sleeps Tonight by singer-songwriter-author Elliott Murphy, who co-wrote the screenplay, provided the soundtrack and co-stars in the movie alongside Marisa Berenson, Michael OKeefe and Joanna Preiss. Bruce Springsteen and Patti Scialfa also make cameo appearances.

Broken Poet will be released later this year and Rolling Stone is an official sponsor of the independent film project.

Sanctum


Beware the marketing campaign on this movie about cave diving in Papua, New Guinea. The ads make it look like something James Cameron wrote and directed right after Avatar. He didnt. Camerons title as executive producer sort of comes to down to Sanctum using the same 3D equipment Cameron did on Avatar.

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The director of Sanctum is Alister Grierson and he and screenwriters John Garvin and Andrew Wight have the instincts of hack filmmakers trying to sell us knockoff goods. The underwater cavers of Papua are indeed one of the last unexplored places on the globe. But Wight and his Aussie crew shot on sets and exteriors in Queensland, Australia. And sometimes the sets look like, well, Styrofoam. So do the actors. Richard Roxburgh overacts shamelessly as Frank, the great white adventurer leading a team through the underwater caverns. Rhys Wakefield plays Josh, Franks teenage son who never gets enough attention and love from daddy. Want more clichs? Theres Carl the moneyman played by the usually reliable Ioan Gruffudd and the babe-in-distress played by Alice Parkinson.

Peter Travers reviews Sanctum in his weekly video series, At the Movies With Peter Travers.

A storm whips these cardboard figures into a soggy frenzy. Screenwriter Wight reportedly led a similar expedition, but everyone survived. Sanctum tries to kill off as many characters as it can, presumably to create excitement. I was just grateful it shut them up. Dialogue like this needs silencing. There are a few scary moments when the characters have to squeeze through underwater passages. Maybe thats why a better title for Sanctum would be Scrotum. But the movie ultimately reveals itself as a pretender with no balls. Creatively, its all wet.

Ghostbusters Fend Off Looming Apocalypse in New Trailer


The new Ghostbusters trailer finds the female paranormal-hunters working to avoid mass hysteria and possibly the apocalypse after someone creates a device that amplifies paranormal activity. No one should have to encounter that kind of evil, an unnamed big-wig (Michael McDonald) tells the crew. Except you girls I think you can handle it.

The latest clip features receptionist Kevin (Chris Hemsworth), up-close looks at several ghosts (including Slimer) and a handful of solid punchlines from the Ghostbusters, played by Kristen Wiig, Melissa McCarthy, Leslie Jones and Kate McKinnon. Something big is going to happen, Wiigs charactersays.

The first trailerearned a hostile Internet reception, and even McCarthy admitted during an interview that the opening 30 Years Ago title cards werevery confusing.

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Its a reboot, not a remake, the actress told The Johnjay and Rich Show last month. I know its weird that they say 30 years ago, but in this movie its like the first one didnt happen. Its that great story but told totally differently. But its the same thing of four unlikely heroes: its in New York City [and] ghosts are taking over.

Since debuting in early March, the first Ghostbusters trailer has racked up roughly YouTube 782,000 thumbs down ratings (as of this publication), making it the 12th-most disliked clip in the sites history, trailing behind two Justin Bieber videos, Psys Gangman Style and Miley Cyrus Wrecking Ball, among others.

Some of it is that people dont want an old property touched Im sympathetic to that, director Paul Feig told The Guardian, claiming some of the negativity is stems from misogyny. But the ones who are hating it because its about women? Thats just a non-starter.

The new Ghostbusters hits theaters July 15th.

Jon Polito, Coen Brothers Character Actor, Dead at 65


Jon Polito, a character actor known for his long association with the Coen Brothers as well as memorable roles on Seinfeld, Modern Family and Homicide: Life on the Streets, died Thursday night, according toThe Hollywood Reporter. He was 65. Polito, who was diagnosed with melanoma in 2008 and recently suffered an infection following a surgery, slipped into a coma Sunday and was taken off life support Thursday evening.

Politos friend, director John McNaughton, also confirmed the actors death on Facebook. Very sad to learn that my dear friend and collaborator, Jon Polito has passed away, McNaughton wrote. He appeared in over 100 films, countless TV episodes and on Broadway. Jon was a born actor and will be deeply missed by his legion of friends, fans, family and of course his long time partner, Darryl Armbruster to whom I send my condolences. R.I.P. old pal.

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Comedian Scott Aukerman was one of many to pay tribute to the actor.

One of the coolest days on Bang Bang recently was when Jon Polito guest starred on our You Made Your Bed, Now Lie In It sketch. As a big fan, I was nervous about how he would feel about being in such a stupid sketch, but the minute he saw me, he laughed and said, Ive been watching your show, and youre a sick twist! He spent all day delightfully regaling us with stories about Millers Crossing, Barton Fink, and Death of a Salesman. Then, when the cameras turned on, he slipped into his classic hard-boiled character. A great actor and cool dude! RIP.

A photo posted by Scott Aukerman (@scottaukerman) on

Born in Philadelphia in 1950, Politos resume spans more than 200 credits over the past four decades. After winning an Obie in 1980 for his off-Broadway work with Dodger Theatre Company and the BAM Theater Company, Polito segued to both the big and small screens, proving himself to be equally adept at playing tough-talking criminals or bumbling comedic roles.

Politos association with the Coen Brothers began in 1990 as the rival Italian crime boss Caspar in the duos gangster classic Millers Crossing; the following year, Polito appeared in the Coens Barton Fink. The partnership continued in small but memorable roles in The Hudsucker Proxy, The Big Lebowski and The Man Who Wasnt There.

Polito was also cast in the first season of Homicide: Life on the Streets, appearing as Detective Steve Crosetti in a dozen episodes before he acrimoniously split from the NBC procedural. The actors TV credits also included stops on Seinfeld (as the cuckolded landlord Silvio in the episode The Reverse Peephole), Dream On, Gilmore Girls and dozens more.

Polito also appeared alongside Marlon Brando in 1990s The Freshman, worked with directors Tim Burton (Big Eyes) and Clint Eastwood (Flags of Our Fathers) and played a villain in a pair of 1994 films, Blankman and The Crow.

Watch Godzillas Composer Discuss the Films Organic Score


A big-budget monster movie doesnt have to be generic and neither does the accompanying music. In this exclusive behind-the-scenes video,Godzilladirector Gareth Edwards and composer Alexandre Desplat ruminate on that important concept as they analyze the orchestral score for the upcoming reboot.

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My biggest inspiration is music, Edwards says. It shouldnt be a separation between, This is a blockbuster, therefore its cheesy popcorn, and this like is a high-brow movie.I grew up with films where the two are combined, and it was like trying to find this hybrid thats classic blockbuster territory that has an emotional heart at the center of it.

After making a phone playlist of his favorite soundtracks, Edwards realized that Desplat had scored more of the entries than anyone else. The two then came together for the project, with Desplat eager to workon a monster movie. I always try to do movies that are different from the ones Ive done before, he says. And this is a perfect example.

The biggest challenge for Desplat was discovering and sustaining an emotional center against a backdrop of burning buildings, dazzling explosions and monsters. The solution was to keep the score organic, utilizing the various colors of an orchestra to match the nuances of the films ensemble cast and emphasize these characters broken souls.

Edwards is more than satisfied with the results, impressed by Desplats rare sensitivity and attention to detail. Hes elevated our movie, for sure, he says.

Between the interviews and shots of the orchestra, the video also features some visual teasers of the films frenetic action smoldering city skylines, a dismantled Statue of Liberty and shots of star Bryan Cranston wandering through the chaos. Last monthsGodzillatrailer offered up some more clues to the films plot, including a good look at the titular monsters face.

The madness is scheduled to hit theaters on May 16th.You can purchase the soundtrack now.

Jay Z at Sundance: New Kalief Browder Series Will Save a Lot of Lives


Jay Z was at the Sundance Film Festival this week promoting an upcoming six-part docuseries,Time: The Kalief Browder Story, which he produced. I believe this young man, his story, will save a lot of lives, Jay Z told the Associated Press on Wednesday.

The Kalief Browder Story, slated to debut in March on Spike TV, focuses on a 16-year-old boy held at Rikers Island for three years without trial after being accused of stealing a backpack. Two of those years were spent in solitary confinement. Browder was eventually released and later committed suicide.

Jay Z read Browders profile in The New Yorker and decided to reach out. It was meant to happen, he said at Sundance. [Browder] came to my office. I wanted to see him, give him encouragement for those three years of life that he had missed just offer encouragement and anything I could do for him.

What was done to him was a huge injustice and I think people will see his story and realize, man, this is going on, Jay continued. This is not like one case that happened. This is happening a lot for people especially where I come from in the boroughs and the Marcy Projects and the Bronx and Brooklyn and all these places.

Jay Z recruited Harvey Weinstein also in attendance at Sundance to help produce the project, which was directed by Jenner Furst and written by Nick Sandow. The first two installments of The Kalief Browder Story premiered at the film festival. The series debuts for the general public on Spike TV on March 1st at 10 pm EST.

Phil Spector HBO Film Protested by Lana Clarksons Former Publicist


A group of protesters gathered around the Los Angeles County Museum of Art yesterday to oppose the HBO film Phil Spector, accusing the movie of implying the deceased actress Lana Clarkson committed suicide. One of the protesters was Clarksons former publicist, Edward Lozzi, who said the group changed their focus from preventing the films production to blocking the movie from Emmys recognition.

To see that this film was going to be made was a slap in the face, Lozzi told The Hollywood Reporter. We were so happy Phil Spector was in prison. Lozzi and two other men held a sign that read, HBOs Phil Spector murders the truth. No Emmy for the film that hurts people alive today. Lozzi said the protest represented around 50 core members of the group Friends of Lana Clarkson.

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Phil Spector is a true-crime biopic starring Al Pacino as Spector and Helen Mirren as defense attorney Linda Kenney Baden. Lozzi said he had seen the film and was unhappy with its focus on Spectors defense, which revolved around the idea that Clarkson killed herself. According to Lozzi, the film suggests Clarkson committed suicide because she was depressed after turning 40.

Clarkson was found dead in Spectors Alhambra, California mansion in February 2003, and Spector was convicted of second degree murder in 2009 and sentenced to 19 years to life in prison. Director David Mamet suggested in 2011 that Spector might be innocent. They should have never sent him away. Whether he did it or not, well never know, he told the Financial Times, but if hed just been a regular citizen, they never would have indicted him. Last February, Spector had an appeal shot down by the U.S. Supreme Court.

Jamie Foxx Set to Star as Mike Tyson in Upcoming Biopic


Jamie Foxx will likely weigh in as Mike Tyson in an upcoming biopic about the legendary, notorious boxer, Variety reports. The as-yet-untitled film is being written by Terence Winter, who penned The Wolf of Wall Street and regularly contributed screenplays to The Sopranos and Boardwalk Empire.

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While Foxxs role has yet to be officially confirmed, sources told the industry rag the actor is currently attached to play Tyson, and his manager, Rick Yorn, is producing the project. With other elements still coming together as well the film hasnt found a studio just yet though that likely wont be a problem once the final package is presented.

Back in January, Tyson and his wife Lakiha Spicer said they were producing a movie about the boxers early life, though it appears that film is a separate project. At the time, the couple said they would love to get Kevin Spacey to play Tysons trainer, mentor and surrogate father, Cus DAmato, and added that they were hoping to find an unknown actor to play Tyson.

Foxx, of course, is an established star with plenty of experience in the realm of biopics. He appeared alongside Will Smith in Ali as Muhammad Alis assistant trainer and cornerman, Drew Bundini Brown, and in 2004 won the Oscar for Best Actor for his portrayal of the iconic pianist Ray Charles in Ray.Foxx appeared as Electro in The Amazing Spider-Man 2 earlier this year, and will close out 2014 with roles in the comedy Horrible Bosses 2and the upcoming reboot of Annie.

Tysons story, of course, is ripe for the screen: At one time the most indomitable fighter in the world, Tysons career began to spiral out of control after he lost the heavyweight title to Buster Douglas in 1990. He went on to spend six years in prison after being found guilty of rape, and following his return to boxing infamously bit part of Evander Holyfields ear off during a bout.

Tyson retired from boxing in 2005 and has been making a comeback in recent years outside the ring. In 2012, he took his hit one-man Broadway show, The Undisputed Truth on the road, and published a tell-all memoir under the same name the following year. Hes also set to appear in the sure-to-be ridiculous upcoming animated Adult Swim showMike Tyson Mysteries, aScooby-Doospoof that finds the boxer solving crimes with his adopted Korean daughter, the Marquess of Queensberrys ghost and a carrier pigeon.

Screwball Director Billy Corben on A-Rod, Steroids and Baseballs Craziest Scandal


In baseball and comedy, the term screwball has roughly the same meaning something that breaks in a wildly unexpected direction. Or a series of them, in the case of director Billy Corbens new documentary Screwball, which shines a light on the comedy of errors that led to the 2013 Biogenesis scandal, arguably the biggest in Major League Baseball history. Named for the Miami-area clinic where an unlicensed doctor dispensed performance-enhancing drugs to a variety of athletes, the affair blew up after a whistleblower walked off with boxes of medical records and leaked to a local indie paper. The records which proved that pro baseball players were intentionally using banned substances were then stolen from the whistleblowers car trunk and sold, leading to the suspension of 14 Major Leaguers including All-Stars Alex Rodriguez and Manny Ramirez.

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The film focuses on the misadventures of the shady doctor, Anthony Bosch; the angry whistleblower, a patient-turned-disgruntled-business-partner; and Rodriguez and MLBs race to buy back the damning evidence. Corben and producing partner Alfred Spellman, best known for the documentary Cocaine Cowboys, an exploration of the Seventies and Eighties Miami drug trade, retell the story the MLB and Rodriguez want forgotten as a memorably madcap caper. The films tagline is A Batsh*t Tale of Steroids, Schemers and Baseball Stars, but when I spoke with Corben his description of Screwball (which is in theaters March 29th and available on VOD April 5th) was even more uncensored: Florida fuckery distilled like freebasing Florida fuckery and crony capitalism.

Youd made Cocaine Cowboys and the ESPN 30 for 30 film The U, about the sordid rise of the University of Miamis athletic programs in the Eighties, so you knew about drugs and sports in South Florida. But when did you first decide this story was going to be your next film?
In November of 2013, we got a call from Alex Rodriguezs publicist, who said, Alex would like to meet. This was in the midst of his arbitration with MLB [over the length of his suspension, which was eventually reduced from 211 to 150 games]. We figured wed meet at a quiet place. Instead they made it a power lunch at [Coral Gables, Florida, restaurant] Hillstones at like high noon. Alex is holding court at a back-center booth, on literally an elevated platform. So we were escorted down the center aisle right to Alex, up on a stage. My ice-breaker was actually So, whos gonna call Page Six, you or us? It did appear inPage Six. Id never felt like such a pawn on a chessboard before in my life. This was, as it turns out, all part of this kinda hastily coordinated PR offensive against Major League Baseball, to look like Alex was going to quote-unquote tell all.

Was there ever a real chance Rodriguez was going to come clean to you? Would his team even have allowed that?
They werent interested in really doing anything. A-Rod lied to everybody. Everybody. So I dont take it personally. I make documentaries. When people ask me what I do for a living Im like, People lie to me for a living, thats what I do. I wasnt offended or anything. Alex was trying to desperately salvage his reputation and his legacy and his career.And listen, [then-commissioner] Bud Selig and MLB were doing exactly the same thing. The truth may have been on their side, but it was how they pursued it.

Screwballs release was planned to coincide with the start of baseballs regular season, but its also following on the heels of A-Rods engagement to Jennifer Lopez. And hes reinvented himself as a TV broadcaster for MLB and a real-estate magnate. Is his is radical image rehab now complete?
Well, Im sure it was a total coincidence they got engaged the day after our trailer came out. I think its extraordinary. This is the guy who was never beloved. He was booed by his own fans, for crying out loud. Without so much as a mea culpa tour, he hasnt rehabilitated his image, hes created an entirely new one that never existed before. Hes now this beloved pop culture figure. My mom knows who he is she calls him J.Los boyfriend. Its pretty impressive. I think its going to be a PR case study that people will teach in colleges.

Life in general is turning into the WWE. Like, when Alex was useful as a heel, he was the villain. When Bud Selig needed to salvage his own reputation as the steroid commissioner and was trying some kind of redemption and legacy-saving measures, Alex was the villain. And now that Bud Seligs gone, [current commissioner] Rob Manfred, who was responsible for this entirely botched, potentially illegal investigation of Biogenesis, ascends [within MLB] into a position of power and decides, Oh, Alex is an ally. They let bygones be bygones now? Like after the shitshow that they put each other through? It certainly goes to show how not legitimate MLBs concerns are about steroids and shooting up in baseball, because its obviously good for business.

Did you hear anything from Rodriguez or Major League Baseball as you were making this film?
No. But Ill say that Alex and J.Lo can be my guests to any screening theyd like. Rob Manfred has to buy a ticket. To your point, we knew that we were dealing with very moneyed and litigious people and organizations, so we were meticulous. Weve been making documentaries for almost 20 years, and this was our most meticulously researched piece. I dont care about steroids. But what kind of role models are these men who lie, cheat and steal to get ahead? And that, to me, is what Screwballis about. Its what I call the New American Values. And where we used to teach our kids honesty, integrity, tell the truth, do unto others as youd have done unto you, now the message is: Lie, cheat and steal, kids, and you too can be the highest-paid player in baseball history; Lie, cheat and steal, kids, and you too can be the commissioner of baseball; Lie, cheat and steal, kids, and you too can be President of the United States.

People have remarked on the fact Tony Bosch looks a bit like Michael Cohen. But Bosch comes off strangely sympathetic, despite the fact hes prescribing steroids to kids, cops and college and pro athletes, and blew the fortune he made on coke-fueled benders. Was that your intention?
Yeah. Hes a bit of a rascal. Tony is just a product of his environment, which is highly permissive. You have to understand: Miami is a gray-market economy. We exist in the gray here. There is no indigenous industry. We subsist from hustle to hustle. And usually people have multiple hustles, and their side-hustles got side-hustles. Its a sunny place for shady people. It always has been. You see that in this case. You have a bunch of criminals from different places sort of hatching an insane conspiracy to steal stolen medical records and sell them not to the highest bidder, but to every bidder every single one.

Well, both A-Rod and MLB were willing to pony up.
Heres a funny thing: Alex actually paid six figures for a blank hard-drive. It had video of MLB buying the stolen records in the diner, but the guy got nervous and deleted it. Alex still bought a hard-drive. They allegedly sent it around the world to data recovery services, and werent able to recover it. So Alex is paying six figures for a blank fucking hard-drive, for crying out loud.

Among the other notable names in those records is the singer Jon Secada, who was treated by Bosch at Biogenesis. Was he bidding to buy them back too?
[Laughs] Well, Jon Secada was very clearly and publicly suddenly in very good shape. You know, showing up with his top off or what have you Shirtless and svelte. But Jon Secada was not an athlete, you know? And I have no doubt that Jon Secada thought that Tony was a real doctor, prescribing legitimate HGH and testosterone, and administering safe and legal substances.

Bosch never took the advice Stringer Bell gave inThe Wire: Dont take notes on a criminal conspiracy. Bosch kept notebooks full of his steroid protocols for, among others Manny Ramirez, Ryan Braun and A-Rod, who he called A-Rod. Couldnt think up a code or at least a better nickname?
Theres total inconsistency in his nicknames, too. Sometimes theres nicknames, and sometimes theres not.He put Alex, he put A-Ro, he put A-Rod. But I think it speaks to the hubris. I also think it speaks for the addiction. I mean, the man was pretty candid about his drug problem, and the fact that he was partying too much. And if he had just continued to operate sanely, its possible he could still be going now, you know?

The crazy, truth-is-stranger-than-fiction thing about this story is that Boschs multimillion-dollar Biogenesis empire all came undone because of roid rage, in a sense. When Porter Fischer, Boschs patient and business partner, blew the whistle he was pretty angry over money.
Yeah, really what we were attracted to and why we were like, oh, wait, A-Rod is not the story here is the idea that the highest-paid baseball player in historys career was ended over a $4,000 debt between a cocaine-addicted fake doctor and his fake-tan-addicted steroid patient, who blew the whistle on the whole thing. I mean its just too batshit to believe. When you meet Tony Bosch and Porter Fischer you know that theyre the story, you know what I mean? Alex Rodriguez was collateral damage, as Porter says.

A-Rod was a marked man, though. Rob Manfred, who led Major League Baseballs investigation into Biogenesis, was willing to buy medical records he knew were stolen to get the goods on Rodriguez. Were you surprised at the lengths MLB would go to expose A-Rod?
No. I mean, how would you expect a multibillion monopoly to behave? They have their own internal law enforcement that behaves however it wants with no accountability. Then everybody signs NDAs so theres no transparency either. Their business model has been, as with all the professional sports leagues, to go around pleading poverty to every municipality, to get taxpayers to finance venues, to get taxpayers to be on the hook for everything that they do. Privatize profits and socialize losses. And our government has allowed them to behave that way. And when a couple guys take too much vitamin C, they get dragged in front of Congress. But only the workers, mind you not the owners, not the management or the commissioners get raked over the coals.

The baseball player most raked over the coals for steroid use, Jose Canseco, recently came out of the woodwork and accused A-Rod of cheating on J.Lo with his ex-wife on Twitter. Are you surprised theres bad blood among juicers?
Cansecos a wild man. I dont know if what hes saying is true or not, but it certainly makes for good Twitter, man. And Canseco was the villain of this era for a long time.His book Juicing is like the Steele Dossier on steroids in baseball. Everybody thought it was a bunch of bullshit when it first came out, and then slowly but surely it got verified, and everybodys like, Ohhhhh. In a certain way, Canseco sort of took the bullet for a lot of guys in this world. Hes this villain, this quote-unquote disgraced former cheater, and Alex is all good. I understand Cansecos frustration, and I can appreciate the frustration of other guys who paid a price. I mean, look at Lance Armstrong that guy would apologize to anyone that would listen. Hes got one nut and no one wants to talk to that guy.

Speaking of wild, you made the unorthodox choice to use young kids, in costumes and wigs, to re-enact the scenes between Rodriguez, Ramirez, Bosch, Fischer and the rest. Where did you get the idea for an underage Drunk History on steroids?
Listen, everybody acted like children in this story, and thats what ultimately led us to cast kids. I said, Oh shit, we canDrunk Historythis, and all the actors will be eight years old! But the original inspiration was Spike Jonzes video for Biggies Skys the Limit. Jonze had an interesting challenge doing a video for a posthumous artist and his solution was: Im just gonna do the video, straight-faced, Bad Boy Records, late-Nineties music video with all the tropes the fancy cars and the mansion and the girls and the hot tubs and the Versace but theyre all gonna be eight-year-olds lip-syncing the song. I always loved that and thought it would come in handy at some point.

Its not revealing a huge spoiler to note that as the credits roll we see those kids, out of costume, frolic on a baseball diamond, reminding us of the innocence baseball has lost thanks to its stars. After everything thats transpired, is the game still Americas pastime?
Of course baseball is still Americas pastime its filled with lying, cheating and stealing.

Bill Clinton Books Interview with Stephen Colbert


Bill Clinton will sit down for his very first interview with Stephen Colbert, and the TV host will lead the closing session of the Clinton Global Initiative University's annual meeting on April 6th. Colbert will interview the former president at Washington University in St. Louis, and the taped segment will air during the week of April 8th on The Colbert Report.

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"I am thrilled and honored to be interviewing President Clinton, and I assume he is aware this is happening," Colbert said in a statement. Clinton is also the subject of an upcoming HBO documentary directed by Martin Scorsese.

Winters Bone


Every once in a rare while a movie gets inside your head and heart, rubbing your emotions raw. The remarkable Winters Bone is just such a movie. Having won the Grand Jury Prize at this years Sundance Film Festival, plus the Waldo Salt Screenwriting Award, Winters Bone faces the challenge of finding an audience in a blizzard of multiplex crap. This story of a dirt-poor Ozark family may just be the antidote to the designer porn of Sex and the City 2. Director Debra Granik has adapted the 2006 novel by Daniel Woodrell into a brutally honest movie about secrets that fester among families in the Missouri backwoods. In the absence of her father, who has put the family shack up as bond for a court date he failed to meet, Ree is now the caregiver for her younger brother and sister and a mother barely standing on the shaky tightrope of her sanity. It falls to Ree to find her father, way over his head in a crystal meth scam involving local characters without an ounce of sympathy. Even her dads junkie brother, Uncle Teardrop (John Hawkes in a brilliant portrayal of buried tenderness), is scared of going up against the unwritten law of the mountains.

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Granik handles this volatile, borderline horrific material with unblinking ferocity and feeling. She did the same with her 2004 debut feature, Down to the Bone, with the great Vera Farmiga as a cocaine-addicted wife and mother. In Lawrence, Granik has found just the right young actress to inhabit Ree. Her performance is more than acting, its a gathering storm. Lawrences eyes are a roadmap to whats tearing Ree apart. Her pride wont allow her to cry or beg. Dont ask for what should be offered, she tells her siblings. Winters Bone is unforgettable. It means to shake you, and does.

Unraveling the Mysteries of Lost


No other show on television delivers mystery in quite the same way as Lost, the ABC serial drama about people trying to escape an island that their fates seem bound to. For five seasons now (with a final one to come in 2010), the show has taken a straightforward dilemma survivors of a plane crash in the South Pacific strive for rescue, while coping with one another, with furtive enemies and with their own hidden pasts and infused it with uncommon themes of destiny and redemption and allusions to philosophy and literature, as well as with plot elements that are almost supernatural in the most impenetrable of ways.

Just as baffling for many, though, is how Losts co-producers and main creative team, Carlton Cuse and Damon Lindelof, have chosen to tell this story. In its early seasons, the show moved back and forth between the strange life on the island a place where a smoke monster (among other oddities) roams, where an indigenous population violently guards the lands strange powers and the lives of the survivors before their plane fell from the sky, marooning them. Flashbacks, of course, are timeworn methods storytelling. But the way Cuse, Lindelof and Losts other writers have used that mechanism weaving intricate mosaics of how these peoples histories inform the choices they make there has amounted to something matchless and haunting. Some of these survivors have done terrible things: Kate Austen and Sawyer murdered for the sake of family members, and Sayid Jarrah tortured fellow Iraqis while in Saddam Husseins Republican Guard. Others, such as Dr. Jack Shepard and John Locke (the shows central cipher), had their sense of purpose shattered by fathers who could never see beyond their own significance. These pasts helped bring Losts characters to the island, and have informed their choices while there. The real mystery about our show, says Cuse, is not what is the island; its who are these people? Weve always approached it from that angle. Thats what we are really untangling: Who are these people?

Those answers are still coming (theres a lot of characters to keep track of presently about 15), but in odder and more remarkable ways. In the final episode of Season Three, Cuse and Lindelof pulled off a trick that left viewers stunned and that opened up entirely different possibilities in the epic series. The background story showed Dr. Jack Shepard the shows main character lurching pathetically during a seriously depressed, drug and alcohol-riddled phase of his life, and contrasted that period to the present tense story, in which Shepard steers the survivors through the events of the brutal day that leads up to their long-awaited rescue. In the episodes closing moments, though, as the castaways await the helicopter that will bring them to deliverance, the scene cuts again to the background story, where we see a desolate Jack in a late night meeting with Kate at the L.A. Airport. Because Jack hadnt known Kate prior to the plane crash, it was suddenly clear that this wasnt a flashback at all, but rather from a future we didnt yet know anything about. In what may be the most powerful moment in the series so far, Jack tells Kate, in palpable agony, that they should never have left the island that they have to go back for the sake of those they left behind.

It was a moment without equal in TV history, and it was also a crucial shift: Life on the island was now in fact the past story three years past, it turns out. Some people made it off the island and others didnt, and misery rather than deliverance had followed for everybody. In between it all lay new mysteries, in which the true meanings of Lost remained hidden. Watching that scene, we realized we could never again imagine what might happen next. We did know, however, that we were in a realm of genius storytelling, unlike any risk that a mainstream series had taken before. While it would be nice to say that its also the sort of transformation that opens up new potentials in TVs narrative form, no other shows have yet managed anything comparable (though some, like ABCs short-lived The Nine, have tried, and Heroes lurches every which way compellingly). It could be that Lost is a revolution unto itself, or just too radical and inventive to be easily emulated.

Even so, Damon Lindelof acknowledges a key influence on the shows storytelling. The idea of approaching Lost in a non-linear fashion, he says, and showing the audience bits and pieces of things out of order especially this season Quentin Tarantinos Pulp Fiction was a game changer. When you went to see that movie for the first time, and you watched the narrative style of it, you see that youre starting with the story about a guy who takes a girl out for a date and she overdoses, then that guy gets shot in the next story, but is then remarkably alive again for the final act of the movie it basically changes the entire way you perceive the story being told. By telling the story out of order, youre able to infuse it with this tremendous amount of thematic reality. Youre not just doing it because its cool.

The true turning point for Lost came in May 2007, when Cuse and Lindelof persuaded ABC to let them end the series with its sixth season. Before that, says Cuse, the problem was we had this mythology that wed built but we didnt know if it had to last two seasons or nine seasons, and it was utterly paralyzing. We didnt know how fast we needed to dole out our storytelling. Actually, the problem might have been a little worse than that. Over the course of the first three years, Lindelof adds, the pervasive sort of thinking about the show even if you were a fan of it was, This show is going to fuck me. No offense, we love the show, but we dont trust you. By negotiating the endpoint, and by ABC allowing us to do fewer episodes per season, it allowed us to make the storytelling a lot more intensive.

A key example of how they were about to step things up came that same month, in an episode entitled The Man Behind the Curtain, when the enigmatic leader of the islands original inhabitants, Benjamin Linus, introduced Locke to Jacob the man who holds all the islands secrets yet remains invisible to almost everybody. (Read Rolling Stones Q&A with Michael Emerson, who plays Linus.) Unlike anything earlier in Lost, this spooky moment went beyond any naturalistic explanation. It was also a sign that, years into its life, Lost still dares to defy any easy meanings; that is, its not afraid to give up its mysteries both slowly and suddenly, according to the creators own designs and agenda. We always had a plan that the sort of genre elements of the show would become more overt over time, says Cuse. Theres a sense of weirdness that existed right from the beginning of the series a mysterious monster in the jungle, plus a polar bear on an island. We always felt we were interjecting elements that suggested that this was not a normal, real, scientifically grounded place. As you move downstream, the natural progression is for those sorts of elements to become more overt. It was just a question of when they could be revealed.

Cuse and Lindelof have said that, with the fourth and fifth seasons, theyve reached a point in which the show is now answering more questions that it is raising. It doesnt always feel that way, though in fact, anything solved only leads to more mystified territory. In recent episodes, not only have many of the events been out of proper time order, but time itself has been out of time order. The hoped-for rescue at the end of the third season turned out instead to be a killing party, meant to seize the island. In order to save it and everyone on it, Benjamin Linus (easily the most riveting and disturbing character on television in years) pulled off the wondrous coup of moving the island, hiding it almost wholly from detection. But that salvage came at a devastating cost: The effort unhinged the island not only in place but in time, and the remaining crash survivors (and a few other interlopers) found themselves hurling abruptly and painfully from one year or season to another, even to different eons that might include the future (and certainly include the ancient past), until some end up stuck in the year 1977, and others seemingly in 2007. Worse, this principal band of survivors, who were once compatriots, may now find themselves at deadly cross-purposes: The powers between them are now inverted, and their belief systems have swapped out. Even deaths perpetuity has come undone at least for some. (Benjamin Linus murdered John Locke in Los Angeles, for no seeming reason, yet now, back on the island, Locke is yet alive when Ben next meets him).

The storytelling is now marrying the mysteries of the characters and the island, says Lindelof. Why are these people intertwined with the island? Why them? I think the audience has always gotten a sense that Oceanic 815 did crash for a reason, and those people on that plane were brought to the island to do something. The audience has been buying that they want to feel that this crash wasnt arbitrary. This is the shift were moving into.

That still leaves a lot to reckon with. Whether Losts characters ever leave the island or not, they still have to live with themselves with the horrible things theyve done, with the moral and emotional wreckage theyve become, whether on an isle of miracles or not. Yet amid all the shows loss and darkness there runs a steady if uneasy current of hope: Some of these people have been looking for ways to atone, no matter the price. The focus on redemption, says Cuse, is something that is endlessly fascinating to both Damon and me the fact that we are all sort of imperfect as people. Our characters are in extreme circumstances. Theyve confronted on the island various manifestations of the exact issues that they struggled with as people their whole lives. We feel theres an incredible universality to that. Its the human journey. Redemption is something that everyone seeks, and thats something we try to hold out in the show. If we acknowledge our imperfection, and if we ask for forgiveness for our imperfection, are we able to actually reset the clock?

Theres a shift, Lindelof adds, that started around the time we announced an end date, and that corresponded with the Obama campaign, towards faith. Carlton and I have made no secret of the fact that were big Obama supporters, and were very high on hope and change and optimism, and we hope the final seasons of the show will be infused with that idea. And were seeing that reflected in the attitude of the viewers. People started to say, Maybe the show wont fuck me. Maybe if I believe in it, and change my thinking, I will get answers.

We have always known what the very end of this series will be, Lindelof continues. We are going to present the audience with the empirical answers to these questions the questions that we care about and that we feel are really important to understand in order to give the show the necessary closure. We will not be cutting to black as a Journey song plays. But as for the grander questions Lost raises you know, does free will win out over destiny? these sort of larger thematic questions cant be answered by a single show, and we certainly wouldnt have the hubris to try.

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Think Like a Man Too


This will be quick. If you laughed at Tim Story's first Think, based on Steve Harvey's bestselling advice book for women, you'll probably ride along for this jacked-up, Vegas-set sequel in which dudes and dolls offer sexist approaches to throwing a bachelor party. The only reason I'd Think again is the return of Kevin Hart, who mines comic gold out of sloppy seconds.

Watch the Rowdy, Restricted Trailer for Booksmart


Booksmart, the teen comedy directed by Olivia Wilde and starring Kaitlyn Dever and Beanie Feldstein, got its final restricted trailer leading up to its release this Friday, May 24th.

The clip gives a wider glimpse to the films debaucherous party sequences, and shows a new scene where Feldsteins character gets Devers to admit that she masturbates with a stuffed panda.

Booksmarttells the story of two high school best friends who, after working hard throughout high school and getting accepted into good colleges, realize that their classmates have gotten into similar schools while partying throughout the past four years. The two friends make a pact to spend their final spring of high school doing all the debauchery they thought they were too busy for, and one late-semester night of parties turns into a hilarious comedy of errors.

Elvis Costello Comes Back for More on Fallon


Elvis Costello was back for more yesterday on Late Night With Jimmy Fallon, bringing a string section and guest vocalist Marisol as he and the Roots glided through Cinco Minutos Con Vos from their new album together, Wise Up Ghost. Costello sang in sultry tones, trading verses in English for La Marisouls throaty Spanish vocals, delivered over a thrumming baseline and rich horns.

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As they did earlier this week, Costello and the Roots stuck around for a web-exclusive; this time, it was a version of the foreboding Wise Up Ghost, pairing moody orchestral parts with a descending piano line as Costello issued vocals that sounded like a warning.

Wise Up Ghost came out this week, and Costello and the Roots celebrated Monday night with a show at Brooklyn Bowl.

Muse Will Play at World War Z Premiere


Muse will perform to a crowd of 15,000 in London after the premiere of zombie thrillerWorld War Z, according toBillboardreports.which will be equal parts full-scale concert and film premiere

The film features 14 minutes of Muses music, mostly the song Isolated System from the trios latest album, The 2nd Law. The band will perform at the Horse Guards Parade Ground in St. James Park following the film screening in Leicester Square.

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It made the movie feel and sound really cool, said Randy Spendlove, president of Paramount Pictures movie music division. After we layered in the music, we reached out to their management in the U.S. and the U.K. to see how we could reach beyond the movie. We wanted (the relationship) to be bigger than that.

Marc Beltramis score will be the soundtrack release, but Muses music will be used for trailers on all platforms.

World War Z, starring Brad Pitt, centers around a former United Nations investigator (Pitt) as he travels around the world trying to end a pandemic threatening to obliterate mankind, opens in theaters on June 21st.

Talladega Nights: The Ballad of Ricky Bobby


Funny. Funnier. And more fun. And then the fun skids to a stop. You know how it goes: Plot gets in the way. Somebody decides its time to get all warm and fuzzy. But until then, Talladega Nights is a chance for Will Ferrell to let it rip as an indelibly stupid NASCAR driver from North Carolina named Ricky Bobby. Thanks to Rickys pal and wingman, Cal (John C. Reilly, slumming with no shame) they call themselves Shake and Bake Ricky is riding high with a white-trash wife (Leslie Bibb), two incredibly bratty sons (Houston Tumlin and Grayson Russell) and the feeling that his career is being watched over by the baby Jesus. Ricky has no interest in the grown-up Jesus.

Working again with his Anchorman director and co-writer Adam McKay, Ferrell is a smart actor with a natural clowns gift for playing dumb. That makes for a delicious contrast in his scenes with Sacha Baron Cohen (a.k.a. Ali G) as Rickys archrival Jean Girard, a gay French Formula Un driver with an outrageous accent, a flouncy husband (Andy Richter), a mad desire to kiss Ricky full on the lips and a habit while racing of reading Camus and sipping a macchiato.

Cohen and Ferrell riff off each other with inspired lunacy. So its hard to watch when the plot thickens and congeals with scenes involving Rickys love for his absentee daddy (Gary Cole) and a totally unnecessary romance with his assistant, Susie, well played by Amy Adams but quite a comedown from her Oscar-nominated turn last year in Junebug. Even the baby Jesus cant save Ricky Bobby after that.

Avengers: Infinity War: Watch Thanos Wreak Havoc in Chilling Trailer


Supervillain Thanos (Josh Brolin) gleefully aims to conquer Earth in the first trailer for Marvels highly anticipated Avengers: Infinity War. The film, which unites big-screen Avengers from the past decade, showcases the destruction Thanos wreaks as he attempts to collect six powerful artifacts, the Infinity Stones. In time, you will know what its like to lose, Brolin intones in a chilling voiceover.

From there, the clip showcases the heroes united to defeat the antagonist, including Tony Stark/Iron Man (Robert Downey Jr.), Bruce Banner/Hulk (Mark Ruffalo), Thor (Chris Hemsworth), Natasha Romanoff/Black Widow (Scarlett Johansson), Peter Parker/Spider-Man (Tom Holland), Black Panther (Chadwick Boseman) and the Guardians of the Galaxy crew.

There was an idea to bring together a group of remarkable people to see if we could become something more, the Avengers narrate in the clip. So when they needed us, we could fight the battles that they never could.

Brothers Anthony and Joe Russo directed Avengers: Infinity War, the ultimate fruit of Marvels universe of interwoven superhero films. The movie hits theaters May 4th, 2018.

The Lego Batman Movie Review: Welcome to the Funniest Dark Knight Movie Ever


Is it possible that every movie would be better with Legos? Suicide Squad, for sure. And, of course, Batman v Superman: Dawn of Justice. How do I know? Because The Lego Batman Movie, animated with love and lunacy, is the funniest Caped Crusader movie ever. Will Arnett may have found the role of his career voicing the growly Dark Knight as a delusional, ego-centric freak willing and eager to mine laughs out of his own psychosis, Hollywoods plastic soul and every Bruce-Wayne/Batman from Adam West to Ben Affleck. The kids are gonna love it, even if the inside jokes, Freudian subtext and subversive jabs at corporate America sail right over their towheads. As for the, grown-ups, theyll eat up the antics of this newly lighthearted DC vigilante. I have aged phenomenally, he beams. And for the under-10 crowd pampered with poopy-level sight gags and wanna-get-nuts action everything is PG awesome.

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If any shadow hangs over this enterprise, its 2014s The Lego Movie, which got there first and struck creative gold in the madly creative hands of co-directors/co-writers Phil Lord and Christopher Miller. That team is gone now, off to make a Han Solo-centered Star Wars movie, and their cheeky irreverence is much missed in Gotham City. But Chris McKay steps in ready to party. And since McKay was animation director and editor on The Lego Movie, he already knows the drill.

It begins in the dark: All important movies start with a black screen, explains Arnetts Batman, satirizing the comic-book universe in one fell voiceover swoop. (Funny idea. It would have been funnier if Deadpool hadnt beaten it to the punch, but still.) The plot, cooked up by more writers than I care to type, kicks in as Batman the loner is confronted by the Joker (hilariously voiced by Zach Galifianakis), the surprisingly sensitive arch-villain who wants the dude in the mask to admit that they complete each other. Rattled, Batman zaps the Joker into the Phantom Zone, a kind of iCloud for super-baddies (including Sauron, King Kong, the Wicked Witch, Dracula, Godzilla, Lord Voldemort and Agent Smith from The Matrix). Naturally, theres a breakout, with the likes of The Riddler (Conan OBrien), Harley Quinn (Jenny Slater), and Two-Face (Billy Dee Williams) joining forces. Can this masked orphan, who cant get over the murder of his parents, defeat them alone? Are you kidding? How long do you think this dude can sit alone in his Lego Batcave eating microwaved Lego lobster thermidor before he realizes he needs a surrogate family to help him?

So come on down Alfred (Ralph Fiennes), Waynes butler and resident father figure, and Dick Grayson (Michael Cera), the adopted son whos soon running around in a Halloween costume and calling himself Robin. Hes not my son, insists Batman. Its even weirder if hes not, says new police commissioner Barbara Gordon (Rosario Dawson, priceless), also tops in the sass department. He wants to call her Batgirl. How about I call you Batboy? she replies.

As the mayhem commences, the movie spins out of control in ways the first Lego movie did not. Its easy to get distracted with all these pieces flying around and never quite connecting into a coherent whole. My advice? Dont obsess over the rough edges. The Lego Batman Movie rises on its own goofball spirits. Wanna get nuts and shake your sillies out? This is the place to do it.

I Love You, Beth Cooper


For about five minutes make that two minutes I thought this movie might have something. Dweeb valedictorian Dennis Cooverman (Paul Rust, looking like a clone of the young Sean Penn that didnt quite take) urges graduating high-school students to release the feelings inside. (Watch Peter Travers video review of I Love You, Beth Cooper.) I love you, Beth Cooper, he blurts out to the cheerleading hottie (Hayden Panettiere), who squirms in her seat at being namechecked by a loser. Larry Doyle, adapting his much (make that a double much) better novel for the screen, appears ready to twist the John Hughes formula into frisky new shapes. Dont get your hopes up. Chris Columbus, who directed the first two Harry Potter films (the bad ones), flattens every joke and sucks the life out of the actors. Panettiere, so winning as the cheerleader on Heroes (and they say Hollywood takes no casting risks!), substitutes posing for a performance this time out. Columbuss flair for sight gags reaches its peak when Dennis uses two tampons to stem a nosebleed. Aiming for the heartfelt hilarity of Superbad, I Love You, Beth Cooper is just super bad.

(Click here for more news and reviews from Peter Travers on the Travers Take.)

Taken 3


Be warned, sequel fanboys: This thing sucks! If you go by the hype, it all ends here. Hell, it should have ended with Taken 2. But nooooo. Heres Taken 3 to cap a trilogy that gave Liam Neeson a new career lease as ex-CIA black-ops dude Bryan Mills, an action hero impervious to knives, bullets, grenades and death.

At 62, Neeson still has a glare that means badass. Nothing else in Taken 3 makes a damn lick of sense. In the first Taken, in 2008, Neesons killing machine massacred every goon in Paris to rescue his 17-year-old daughter, Kim (Maggie Grace), from Albanian slave traders. In Taken 2, in 2012, pissed-off relatives of those Albanians captured Mills and his ex-wife, Lenore (Famke Janssen), during a vacation in Istanbul. Sheesh. Why doesnt this Los Angeles family stay the fuck home? Silly question. With Mills retired to Enfamil, slippers and C.S.I. reruns, thered be no way to raid the box office and trade on audience affection for the first movie which was no lie a guilty, gritty pleasure.

But Taken 3, people, goes past cashing into cynical exploitation. The new script, byLuc Besson and Robert Mark Kamen, is empty of ideas, fun and purpose. At least, Mills is home in LA. this time, trying to get things going again with Lenore, now unhappily married to a wealthy suit (Dougray Scott). The triangle ends in a murder with Mills getting framed for the crime. Theres a lot of running around while Neeson pretends hes in a better movie, The Fugitive, and director Olivier Megaton edits frantically to compensate for the lack of anything really happening. Mills had skills once. No more. The only thing getting taken this time is the audience.

I Now Pronounce You Chuck and Larry


Say it isn't so. Not that Adam Sander as Chuck and Kevin James as Larry play idiot hetero fireman who fake being gay for health benefits. I mean that Sideways writers Alexander Payne and Jim Taylor actually contributed to a script that trots out every fag joke yes, even dropping the soap and then tells us how wrong it is to laugh. No comedy this year can beat this dud for mealy-mouthed hypocrisy.

The Emoji Movie, Tom Cruise Honored at 2018 Razzie Awards


The Emoji Movie won four Razzies, including Worst Picture, as the 38th Annual Golden Raspberry Awards honored 2017s worst films and performances on the day before the Oscars.

The animated film which Peter Travers wrote in his Rolling Stone review isnt a steaming pile of poop but its close also earned Worst Screenplay, Worst Director (Tony Leondis) and Worst Screen Combo (Any two obnoxious emojis).

Tom Cruise finally took home his first Razzie for Worst Actor thanks to his role in The Mummy, the stars first win in three nominations following Razzie losses in 1988 (Cocktail) and 2005 (War of the Worlds). Tyler Perry was awarded Worst Actress for playing Madea in Boo 2! A Madea Halloween.

Fifty Shades Darker also scored a pair of Razzie Awards for Worst Supporting Actress (Kim Basinger) and Worst Remake, Ripoff, or Sequel; the trilogys final installment, Fifty Shades Freed, arrived in 2018 to a zero-star Rolling Stone review.

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Transformers: The Last Knight, Rolling Stones Worst Film of 2017 and the Razzie frontrunner with an industry-leading nine nominations, went home empty-handed.

In a Razzie spin, the ceremonys In Memoriam section is dedicated to Hollywood figures whose careers ended in 2017, a list that notably includes Harvey Weinstein, Kevin Spacey, James Toback, Louis C.K. and more men exposed by the #MeToo movement. Very sorry, but we wont be missing you or your kind, the Razzies wrote after the tribute.

2018 Golden Raspberry Winners

Worst Picture: The Emoji Movie
Worst Actress: Tyler Perry, Boo 2! A Madea Halloween
Worst Actor: Tom Cruise, The Mummy
Worst Supporting Actor: Mel Gibson, Daddys Home 2
Worst Supporting Actress: Kim Basinger, Fifty Shades Darker
Worst Screen Combo: Any two obnoxious emojis, The Emoji Movie
Worst Remake, Ripoff or Sequel: Fifty Shades Darker
Worst Director: Tony Leondis, The Emoji Movie
Worst Screenplay: The Emoji Movie
Special Rotten Tomatoes Award: The Razzie Nominee So Bad You Loved It! Baywatch
Barry L. Bumstead Award: CHiPS

Male Stripper to Movie Star: The Evolution of Channing Tatum


I didnt want to move or act like a rich man. I wanted to dance in a pair of jeans. I wanted to dance like the man in the streets. Gene Kelly

Its hard to imagine let alone remember living in a world where it wasnt a universally acknowledged truth that Channing Tatum used to be a stripper. Today, that particular chapter of his origin story seems as inextricable from the 35-year-old actors story as Ginger Rogers is from Fred Astaires career, or Scientology is from that of Tom Cruise, or Michael Fassbenders penis is from that of Michael Fassbender. And yet, considering that the news only broke a few years ago, theres a pretty good chance that you were alive and present for such a blithely ignorant time in our history.

Before the news of his past life was made public, Tatum was just another Hollywood lunk with a square chin, an easy charm, and a body that most men took as a personal insult. Somewhat famous but far from a household name, recognizable but difficult to place, he played characters with names like Zip, Jake, Leo, Caine, Mark, and Rowdy. Just Rowdy.

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His best early performances each worked to underline a singular quality that couldnt be replicated by the next vanilla talent in a casting agents Rolodex. His breakthrough turn in 2006s Step Up showcased his history as a free-style street dancer, while his standout work in A Guide to Recognizing Your Saints a Sundance coming-of-age drama from earlier that same year hinted at an actor whose radiant sweetness was ready to be exploited by the violence indicated by his body (the perfect equation for a contemporary action star). His charm was easy to feel, even in endearingly lobotomized turns in films like the Amanda Bynes vehicle Shes the Man (also from 2006). Though it raised questions about his limitations such as: Is this guy really doing enough for his first name to sound that much like an action verb?

(Or at the very least, a slang term. According to Urban Dictionary, a Channing is a very cute boy who is really fun to be around. He sometimes acts like a five-year-old, but he probably treats girls the right way. As a very mature young man, he is talented in many areas. He is gifted and extremely loveable. This boy would have to be the highlight of every party. Sample sentence: I wish I could find a Channing.)

But a trio of filmmakers were intrigued by the kids oafish sensitivity, and seemed eager to prove that the actor was more than the archetypes into which Hollywood had tried to fit him. Kimberly Peirce gave Tatum a choice role in the otherwise unremarkable time capsule Stop-Loss; Michael Mann did the same in the gangster dress-up playdate Public Enemies. And then there was Steven Soderbergh, who enlisted Tatum for some sharp supporting work in his directors attempt to turn MMA star Gina Carano into an action heroine, Haywire. It wasnt long before the dude had made enough people enough money that he could start making actual career choices. And in that regard, his deep dark secret couldnt have become public at a better time.

In August 2009, the guy who had once hired Tatum to perform at a now-defunct Florida strip club sold a video to Us Weekly. Watch the clip, and youll see a lean young man called Chan Crawford gyrating on a stage in front of a banner that reads: You have to see to believe. Women scream with delight from behind the camera. Tatums public relations team was reportedly horrified. The actor himself, on the other hand, took the whole thing in stride Ihad wanted to tell people, he would later insist in this immortal GQ profile. Im not ashamed of it. Im not a person who hides shit.

No kidding.Not long after that, Tatum put his money where his mouth is, and with a kick in the ass from Soderbergh found himself producing, starring in, and co-financing a movie about the eight months he spent as a police officer in tearaway pants.

And just like that, his nature started to become his brand.

Rather than try to withstand the press cycle and embrace a traditional Hollywood narrative of reinvention, Tatum started to leverage what could have been the most embarrassing chapter of his past into the cornerstone of his present. His trajectory from stripper to celebrity to movie-star-playing-a-stripper is easy to trace, and in a time where there have never been more of the former and fewer of the latter. With Magic Mike, Tatum minted his stardom by making his public persona indivisible from his most iconic role. Encouraged by the response to 21 Jump Street, Tatum doubled down on the same flair for transparency that made him such a perfect choice for that endlessly self-reflexive reboot. The gamble paid off: Budgeted at $7 million, Magic Mike grossed $167 million worldwide, making it one of the most absurdly profitable films of 2012. Thats 167,000,000 $1 bills. Were gonna need a bigger banana hammock.

Tatum has never claimed that this magnum opus, in which he plays a veteran stripper who dreams of crafting his own line of bespoke furniture, is his biopic or anything. Its not my biopic or anything, he toldThe AV Club. Its just sort of the world I experienced. While that may be true, Magic Mike film was nevertheless Tatums most personal film to date. The man wasnt just telling us who he was he was telling us who he wants to be.

On screen, his characters journey is depicted as a broad recession fable thats framed as a tug-of-war between the promise of carpentry (represented by a girl) and the profit of stripping (represented by stripping). Like all stories about money, its also a story about integrity. Mike loves being on stage, but he doesnt want to be defined by that, and he cant afford for it to impinge on his ambitions. Theres something both adorable and tragic about the scene in which he tries to score a loan from a local bank dressed in a collared shirt and adorned with a pair of glasses. Its the only time in the film that the dude looks like hes wearing a costume.

Budgeted at $7 million, Magic Mike grossed $167 million worldwide, making it one of the most absurdly profitable films of 2012. Thats167,000,000 $1 bills. Were gonna need a bigger banana hammock.

The film, which ends with Mikes greedy boss getting the better of him, galvanized something for Tatum. As the actor told Details magazine in the months leading up to the films release: I really dont want to be in any more movies that I dont produce . . . My bar for being successful is being able to do movies that really mean something to me and being able to make a living off of that . . . I think its about believing in what you do.

You have to see to believe.

The movie was a pivotal moment in Tatums career for any number of reasons, but chief among them was how it allowed him to publicly announce (and privately determine) that he was going to do things on his own terms. He was going to do things as himself, or not at all. After all, that was the only way he could do it, as the ethos dovetailed with his talent. Hes played a stripper, a gangster, a soldier, an undercover cop, an aspiring Secret Service agent, a troubled Olympic wrestler, and a half-human half-dog hybrid that skates around the galaxy on a pair of rocket shoes, and yet for better or worse it always feels like hes playing himself. Which is the only person hes ever wanted to be.

Magic Mike is the movie that confirmed Channing Tatum as a star. Magic Mike XXL is the movie that confirms why. Hes the Gene Kelly of his generation, and this is his Singin in the Rain.

The sequel, easily one of the better films of the summer (and certainly its most joyful), finds the eponymous conjurer living his dream as a small-business owner, complete with a single employee whom he cant afford to provide health insurance. Hes proud of the life hes made for himself, and yet when it all goes quiet Ginuwine calls to Mike in the night. Hes tried his damnedest to stifle the stripper inside him, but some beasts cant be tamed. Cue Mike pantomime-fucking his entire woodshed.

All it takes is a call from Tarzan, the Magic Mike Cinematic Universes Nick Fury equivalent, for our hero to put a pin in his entrepreneurial zeal and hit the road with the gang for one last ride (#OneLastRide). A bro-mantic odyssey that has all the conflict of masturbating, Magic Mike XXL delights in its gratuitousness from start to finish, and yet its nevertheless a vital corrective to a concession made at the end of the original film.

The original ends with our hero abandoning the stripper community cold turkey and trying to find happiness through denial. Magic Mike XXL systematically defenestrates that choice. Gone are all of the characters that prompted Mike to choose between his loves and his dreams, replaced instead by an ever-expanding party of pals who appreciate, support, and respect each other for the multitudes they contain. The movies euphoric final set piece explicitly hinges on the dancers incorporating their personalities into their routines, building to a sequence in which Mike strips in front of a human mirror, a poetic grace note for someone getting paid millions of dollars to mime an idealized version of his former self. Hes turned the looking glass into the two-way mirror of a peepshow, and hes invited the world to look through it. Magic Mike XXL is a portrait of two guys clearing their personal bars for success. Both of them have washboard abs and know their way around a stage. One of them is a fictional character.

Super Troopers 2 Secures Distribution, Begins Fundraising


UPDATE: TheSuper Troopers sequel has already raised more than $1.5 millionin less than 24 hours of fundraising.

The long-awaited sequel to Super Troopers has scored distribution from 20th Century Fox, and Broken Lizard, the comedy troupe behind the 2001 cop comedy, has begun fundraising for the film on Indiegogo, Pastereports.

Fans can start donating right meow to the Indiegogo campaign, which has already raised over $200,000 in just a few hours. Broken Lizard Jay Chandrasekhar, Kevin Heffernan, Steve Lemme, Paul Soter and Erik Stolhanske and their longtime producer, Richard Perello, are hoping to raise at least $2 million in the next 31 days, though as the group noted in a video, the more money we raise, the more great, fun shit youll get to see.

The clip finds Thorny, Rabbit, Mac and Foster pulling over Farva, who quickly finds out he hasnt been included inSuper Trooper 2plans,but weasels his way into the movie by convincing the mustachioed crew he had the best bits in the first film. The troopers acquiesce and show Farva his script, conveniently located in the trunk of his car, which they proceed to shove him in.

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The clip also outlines a number of the prizes available to donors, which range from a copy of the films final shooting script and a digital download of the movie to a behind-the-scenes set tour ($12,500) and the chance to go to a baseball game with the Broken Lizard gang ($15,000). While the $10,000 Be An Actor prize has been scooped up, Broken Lizard are also offering themselves up as groomsmen (or bridesmaids) to one $25,000 donor, while $35,000 will earn one person the patrol car used in the movie, complete with vanity plate suggestions.

If the Indiegogo campaign is a success, Broken Lizard plan to begin pre-production in May and start filming over the summer (and release Farva from the trunk). If all goes according to plan, Super Troopers2 could see release earlynext year.

Five Things PBS Could Teach You About Jimi Hendrix


Guitar god Jimi Hendrix got the PBS treatment last night in the American Masters broadcast of the two-hour documentary Jimi Hendrix Hear My Train a Comin. In other words: a thorough, serious-minded consideration of his career that soft-pedals some aspects of his personal life, such as his drug use. While the high priests of Hendrixology will be familiar with most of it, the film has some previously unseen treasures, such as his performance at the 1968 Miami Pop Festival, and smart commentary from the likes of Rolling Stones David Fricke. Even viewers moderately familiar with Hendrixs legend could enrich their understanding of his life. Five examples:

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Hendrix looked good in a uniform.
Although he later became famous for peacock fashion hats with feathers, aquamarine chemises Hendrix looked sharp in a uniform. The documentary has a great vintage photo of him in the military (his unit was the 101st Airborne, and he lasted as a paratrooper until he got an honorable discharge). And although he may have chafed at the musical limitations of backing up Wilson Pickett and the Isley Brothers at the beginning of his career, he could look arresting in a matching leopard-print jacket.

Hendrix had his guitar with him at all times.
Although Hendrix was blessed with abundant musical talent, he honed it by playing the guitar pretty much every waking moment, which meant that he always had an instrument with him wherever he went. (It also served the purpose of deflecting conversation offstage, he was rather shy.) Various friends and girlfriends testify to how he always carried a six-string: for example, in the morning, hed strap it on before walking into the kitchen for breakfast.

Moving to London in 1966 was even better for Hendrix than he could have hoped for.
When he got to town, under the wing of manager and producer Chas Chandler (formerly of the Animals), he needed a place to stay. In the early days, that place was Ringo Starrs apartment.

Hendrix didnt think much of his singing voice.
While his vocals obviously arent as virtuosic as his guitar playing, theyre more than capable but Hendrix was intensely self-conscious about them. We had a constant row in the studio, Chandler remembers, about where his voice should be in the mix. He always wanted to have his voice buried and I always wanted to bring it forward. He was saying, Ive got a terrible voice, Ive got a terrible voice. Id say, You may have a terrible voice, but youve got great rhythm in your voice.'

The Jimi Hendrix Experience got their career-altering Monterey Pop appearance on the recommendation of Paul McCartney.
The Beatle saw Hendrix at an early London gig and became huge supporters. You may have heard about Hendrix kicking off a 1967 show with the title track to Sgt. Peppers Lonely Hearts Club Band, only days after the album came out but this film has great footage of McCartney, in Pepper garb, rocking out at the show. When McCartney was asked if the Beatles would play the Monterey International Pop Music Festival, he declined, but suggested Hendrix instead. Given the opportunity, Hendrix blew the crowd away, lit his guitar on fire and launched his American career.

Creed Bratton Dishes on Season Eight of The Office

A few months ago, Creed Bratton sat down with the entire cast of The Office to read through the script of last seasons penultimate episode ...