See Will Forte in Amusing National Lampoon Biopic Trailer


Gags, naughty cover shoots, cocaine and other debauchery are showcased in the new trailer for the David Wain-directed A Futile and Stupid Gesture, the upcoming biopic on National Lampoon cofounder Doug Kenney.

Will Forte plays the younger Kenney while Martin Mull portrays the older Kenney in the film, which is based on the book A Futile and Stupid Gesture: How Doug Kenney and National Lampoon Changed Comedy Forever by Josh Karp.

The trailer highlights the wild antics that took place behind the magazine, reflecting its ethos, and features the characters that shaped the publication, which also spawned the classic comedies Animal House and Caddyshack.

The cast includes Domnhall Gleeson as magazine cofounder Henry Beard, Joel McHale as Chevy Chase, Seth Green as Christopher Guest, John Gemberling as John Belushi, Jackie Tohn as Gilda Radner and Jon Daly as Bill Murray.

A Futile and Stupid Gesture will premiere on Netflix on January 26th and will be featured during Sundance Film Festival next month as well.

All the News That Fits. . . Pentagons Quagmire Plans, Cali Bringing Treason Back and More


  • Pessimistic Pentagon plans include no troop withdrawal until 2010.
  • For the first time since the Second World War, American courts indict a man for treason. Twenty-eight-year-old al-Qaeda agent of Californian origins faces the death penalty, if the FBI can find him.
  • New Orleans officials say the airline industrys reluctance to fully service their city is keeping away large conventions and big money tourism.
  • Out of Control, Ridiculous, Goofy. Those are adjectives the former second-in-command of the Faith-Based Initiatives office says the Bush Administration privately uses to discuss evangelical Christians a base Karl Rove refers to as the nuts. Soon-to-be-released tell-all book describes a White House that uses departments of government and taxpayers money to mobilize the religious vote, while merely feigning piety itself.
  • For the book version of An Inconvenient Truth, Al Gore wins a literary prize. NBC to broadcast the awards show.

The Modest Ways of Emile Hirsch


Since being selected by Sean Penn to play wanderlust Christopher McCandless in his 2007 film Into The Wild, Emile Hirsch has sustained a streak of provocative work thats the envy of young Hollywood. Though overlooked for his understated but strong turns in movies like Milk and Savages, his performances are so subtle and authentic that theres always room for his costars shiner characters (like Matthew McConaugheys Joe Cooper in Killer Joe). The same could be said of his latest work, The Motel Life (out in limited release on November 8th), where he plays Frank Lee, a working class guy who is put in a difficult position when his adoring amputee brother Jerry Lee (played tear-jerkingly by Stephen Dorff) accidentally kills a kid in Reno, Nevada. Coming off David Gordon Greens Prince Avalanche with Paul Rudd earlier this year, the 28-year-old Venice native is rounding out 2013 with a slew of projects, including Peter Bergs Lone Survivor and the title role in David Carpenters Bonnie & Clyde.Rolling Stone chatted with Hirsch about drug busts, bonding with his co-stars and his anticipated portrayal of tortured comedian John Belushi.

See the 10 Best Movies Made by Saturday Night Live Alumni

The Polsky Brothers are first-time directors. What about The Motel Life captured you?
It was a passion project, a tiny little film thats an uncompromising look at life. I thought the idea of using animation in some of the scenes was interesting, too. It has a lot of heart and an amazing soft side but isnt necessarily commercial. That all appealed to me.

Stephen Dorff gives a moving performance as your down-and-out brother. Howd you make that bondbelievable on screen?
Stephen and I have this natural rapport. Wed met before, a long time ago at a party, where he said, Were going to play brothers in a movie some day. I was like, Where are the police? But here we are. There were a lot of great actors who came in and really sought after the Jerry Lee role its a great part. But I always thought of him in this role and its great to see people responding to him. I feel like hes been great in a lot of overlooked movies. Hes one of our unsung actors.

Do you have any favorite scenes together?
Reno is a very interesting underbelly of a scene with the casinos there. The motel scenes feel exactly how it does in real life. There are so many motels surrounding you, you cant even believe it.

Seems like there could have been some dangerous people around.
We met an interesting cast of characters. We heard people being hauled out by the cops for selling meth while were trying to shoot. There was some screaming outside, but it didnt get too bad.

How was it working with Peter Berg and the cast of Lone Survivor?
The cast I loved Taylor (Kitsch) and Mark (Wahlberg). I had worked with (Ben) Foster on Alpha Dogs, so I knew what kind of amazing actor he was. Shooting was this intense and enthralling, this high-altitude shoot over mountains that were doubling for Afghanistan. We had a lot of Navy SEALs on location, including Marcus Luttrell, who was the lone survivor. He showed us what it was really like.

Im sure Berg did plenty to get ready for that shoot physically.
He put me in a sports camp where they train pro athletes on Venice Beach and that was four months before I had to be on set. It was about getting me strong, but I think he was also trying to get me there psychologically.

Did you see how real soldiers train?
Oh yeah. If you want an idea, just YouTube BUD/S training its crazy to watch those videos. I went down to Coronado and actually saw those guys and explored what that facility is like. Its really crazy. Those guys are pushed to the edge, then beyond.

Were you ever in any danger?
Its a big action movie, so of course there were a lot of special effects and logistical dangers. But there were times when we were training with live fire. . . With that, there are always risks.

Soldiers have a good time when theyre off duty. Were there any shenanigans?
We had a bar session on Halloween everyone had a few drinks. We had some good times, you know?

Bonnie and Clyde has been done before. How did you make yours different?
I didnt watch any of the other versions until I was done shooting, so my interpretation was just based on what Id read about them. Then I watched Warren Beatty and Faye Dunaways Bonnie and Clyde, and I dont think ours couldve been more different. Beatty was great, but he played it a little more jokey than our version. I had more of a grim take on Clyde.

A lot of people are excited for this John Belushi biopic. How did you get attached to it?
It came up fairly recently. [Director Steve] Conrad had a strong vision and I feel like I just fit into that. Then I read the material and really responded to it. Everything about it is interesting.

So you were you a fan of Belushi?
I was familiar with him, but Im getting more familiar. He was a little bit before my time, so theres an educational process in there. Its exciting to present this guy to a generation of comedy fans who may not be too knowledgeable about his work. Were trying to do him justice.

Are you putting on some weight for this film?
[Laughs] Im wading in very slow now. Im not going to get too far ahead of myself.

Do you have a favorite skit of Johns?
The Samurai is timeless. Im sure people will agree. Its dynamite.

Oscar Week: Box-Office


Before Daniel Day Lewis wins his Oscar on Sunday for There Will Be Blood hes as close to a lock as anyone in the race hell have to drink up a sour milkshake: Of the five films nominated for Best Picture, Blood has amassed the lowest box-office take so far: around $31 million since it debuted in December. Thats $3 million less than the jumbled Jumper just finished taking in on its opening weekend. Since Blood is brilliant and Jumper is, well, junk you get my point.

Since its Oscar week, I dont want to concentrate on the parade of puke that made a killing between Valentines and Presidents Day.

Just look at the stuff following Jumper into box-office pig heaven: Step Up 2 the Streets, The Spiderwick Chronicles, and our old friend Fools Gold.

Instead, lets look at the five Oscar nominated movies still in play. Juno continues to lead the pack, bringing its total to a killer $125 million this weekend with no sign of slowing down. Weve got a phenom here, my friends an Oscar contender audiences are actually paying to see instead of waiting for the DVD. To show you the difference, just look at Number 2 among the Big Five. That would be my favorite to win No Country for Old Men. Its total take so far is around $60 million, less than half of Juno. But, hey, at least its decent money. Huffing and puffing to stay in the middle are Michael Clayton and Atonement, with around $48 million each. And, in the rear, is There Will Be Blood.

Is there a lesson to be drawn here? Yes siree. If youre tempted this week to see, say, Jumper, resist it. By now your friends must have told you it sucks. Instead, see one of the Oscar nominated films you missed. Its like voting for change think Obama and oh brother do we need change now.

Robin Williams Bicycle Collection Hits Charity Auction


UPDATE:Robin Williams auctioned bicycles brought in more than $600,000, with the highest-bid item, a custom-designed bike by artist Futura 2000, going for $40,000.

Eighty-seven of Robin Williams rare, prized bicycles are expected to bring $200,000 in a massive online auction at Paddle 8. Sales from the bikes which include a unicycle, a childs Schwinn cruiser and a handmade Responsorium by acclaimed builder Dario Pegoretti will benefit the Challenged Athletes Foundation and the Christopher and Dana Reeve Foundation, two of the late actors favorite charities.

As Mashable reports, the bicycles were donated by Williams children Zak, Zelda and Cody. We hope these bikes will bring their new owners as much joy as riding them, and helping these causes, always brought him, they said in a statement.

Robin Williams' Greatest RolesSci-Fi & Fantasy at Emmy Awards: Who's Won, Who's Been FrackedThe Strange Birth and Near Death of Weezer

Williams was an obsessive cyclist, often seen riding throughout the Bay Area. Watching my dad get on a bike was like watching a penguin spread its wings and take flight, Zelda Williams reflected at the Noble Awards gala in 2015, according to the Paddle 8 site. Hed take off at inhuman speed, a smile on his face, and never look back.

Though bright, skin-tight spandex still remains one of the more embarrassing outfits to regularly witness your Dad wearing growing up, the sport of biking and the people Dad helped through his love of it, will always hold a special place in the hearts of our family, the family said in an statement. Causes like the Reeve Foundation, championed by his longtime friends Chris and Dana Reeve, and the Challenged Athletes Foundation, in whose triathlons he often biked, were both deeply important to him and were honored to be able to continue to support them both in Dads name.

In a video essay, Conan OBrien recalls how, during kind of a low moment in [his] life, Williams lifted his spirits by gifting him with a unique bicycle. He tried to make it Irish by having it painted all sorts of embarrassing green colors, he says. It was a brilliant and generous and funny gesture from an amazing guy.

The ongoing Paddle 8 auction closes Tuesday, October 25th at 1 p.m. ET.

Cate Blanchett Vanishes in New Whered You Go, Bernadette Trailer


Something unexpected has come up, says Bernadette Fox, portrayed by Cate Blanchett, in the new trailer for Whered You Go, Bernadette. Theres much more explanation coming, but I have this one shot. It seems an odd thing for Bernadette to confess as she seems to have it all, living in Seattle with her loving husband (Billy Crudup) and daughter (Emma Nelson). But while on the surface everyone looks happy, a mystery is about to unravel.

The new clip opens on Bernadette and her family happily enjoying time together, playfully discussing her daughter being promised anything she wanted if she got perfect grades (it was once a pony, now its a trip to Antarctica. Ponies are cute and maybe not as much trouble as we thought, Bernadette jokes).

It also gives glimpses into her relationship with her husband (Billy Crudup), who says I was taken by her beauty and talent alongside Bernadette supporting her daughters activities. However, things take a turn when a door is kicked down to a room Bernadette is expected to be in, and the window is open with no sign of her. Her shocked family and friends embark on a mission to find her, which, as the trailer hints, seemingly puts them on an adventure themselves.

Based on Maria Semples 2012 novel of the same name, the film also stars Kristen Wiig, Judy Greer, James Urbaniak, Troian Bellisario, Zoe Chao and Laurence Fishburne. Whered You Go, Bernadette arrives in theaters on March 22nd.

Watch Errol Morris Compare Steve Bannon to Lucifer in New American Dharma Trailer


Errol Morris tries to dissect the ideology and actions of President Donald Trumps infamous former advisor Steve Bannon in the new trailer for his upcoming documentary, American Dharma.

The film is based around an extensive interview Morris conducted with Bannon, and the clip opens with the filmmaker comparing the right-wing extremist to Lucifer in Paradise Lost. Morris even offers up a line from the Milton poem, which Bannon cheerfully completes Better to reign in hell than serve in heaven before adding, I love that line.

The rest of the trailer finds Morris trying to wrap his head around Bannons worldview, from the influence of movies likeTwelve OClock High to the ways he weaponized Breitbart and its comments section to fuel the rise of Donald Trump. Morris also challenges Bannon on the racism and xenophobia thats central to his philosophy and mission, though Bannon unsurprisingly tries to dismiss those accusations while touting an unspecified revolution.

American Dharma is structured similarly to The Fog of War and The Unknown Known, Morris documentaries on former Secretaries of Defense, Robert S. McNamara and Donald Rumselfd, and the respective wars they oversaw (Vietnam and Iraq). American Dharma is set to open November 1st.

Watch Gripping New Star Trek Beyond Trailer


Star Trek Beyond has unveiled its gripping new trailer for the third film in the rebooted sci-fi series. In the preview, Captain Kirk, Scotty and other members of the USS Enterprise must survive being marooned on a faraway planet after a powerful, unknown adversary destroys their spaceship and takes some of the crew hostage.

While the blockbusters first Beastie Boys-assisted trailerwas roundly criticized for being perhaps too carefree and action-packed even actor and Star Trek Beyond co-screenwriter Simon Pegg admittedof the first trailer, I didnt love it. I know theres a lot more to the film. the second preview offers up much more in terms of plot, characters and emotional breadth.

Its not uncommon, you know? Its easy to get lost in the vastness of space, a character played by actress Shohreh Aghdashloo warns in the trailer. Theres only yourself, your ship, your crew. The latest trailer also boasts an extended look at the sci-fi series newest cast mates: Sofia Boutella as an alien with martial arts skills and an almost-unrecognizable Idris Elba as the films main villain.

Star Trek Beyond, directed by The Fast and the Furious series Justin Lin and the follow-up to 2013sStar Trek Into Darkness, opens July 22nd.

Water For Elephants


Sara Gruens 2006 bestseller about forbidden love in the heated atmosphere of a Depression-era circus seemed a natural for the screen. And director Francis Lawrence (I Am Legend) and screenwriter Richard LaGravenese (The Fisher King) keep it carefully tended. So do its three stars. Its good to see Robert Pattinson, Twilights pale vampire prince, with color in his cheeks in the role of Jacob Jankowski, a Cornell student in veterinary medicine about to take his final exams when his parents die in a car crash. Jacob hits the road in penniless desperation, hopping a train that belongs to the Benzini Bros. traveling circus and finding a life among the freaks, sideshows, trapeze artists and gorgeous animal flesh.

Peter Travers reviews Water for Elephants in his weekly video series, At the Movies With Peter Travers

Of course, theres also a babe. Shes Marlena (Reese Witherspoon in bombshell mode), a spangled beauty atop the horses she strides in the ring. Hard luck for Jacob that Marlena is married to August Rosenbluth (another Bingo! for Christoph Waltz), a ringmaster with a sadistic streak when it comes to animals and people who wont heel to his command. August is brutal on Rosie, the 9,000-pound elephant who becomes the shows (and the films) star attraction, and Marlena when her eyes lock too hungrily on Jacob. Even nonreaders of the book can figure out what happens next. Its all in the telling. Gruen provided grit and pungent detail. The movie settles for gloss. Pattinson and Witherspoon smolder under the golden gaze of Rodrigo Prietos camera. But the story cries out for harsh glare, sexual torment, the acrid smell of sawdust and sweat. Thats why the films most memorable presence is Rosie. Shes not faking it, not for a minute.

The Complete Archive: Over 20 Years of Peter Travers Movie Reviews Now Online

South Park Video Game Puts the Dung in Dungeon Crawler


Its a well-documented fact that licensed video game adaptations often begin with much fanfare and end in bitter disappointment. But based on the demo being shown at this years Electronic Entertainment Expo in Los Angeles, South Park: The Stick of Truth will stand head and shoulders above the glut. Its like South Park meets Game of Thrones in video game form a cultural trifecta, of sorts.

Having moved from the care of now-defunct publisher THQ to its new home at Ubisoft, the game is being developed by Obsidian Entertainment, with an assist from South Park creators Matt Stone and Trey Parker. Its a side-scrolling role-playing game, and the authenticity is obvious within seconds of seeing it. The games stylized, lo-fi aesthetics lovingly recreate the texture and tone of the show. The locations are pixel-perfect, voices come directly from the South Park recording booth, and character animation moves at a perfectly janky 12 frames-per-second. It looks, sounds and moves uncannily like an episode of the Comedy Central show.

Random Notes: Hottest Rock Pictures

A demo of the game happening off the main E3 show floor depicted a battle taking place at South Park Elementary, in the midst of a town-wide LARP game. Cliques of humans, elves and goths are at war; as the new kid in town, you adventure through hallways and classrooms alongside perennial show favorite Butters. (Cartman, the human races Grand Wizard, dubs you Commander Douchebag, and the name seems to stick.) The game is uncensored, la South Park: Bigger, Longer & Uncut, and theres something deeply amusing about hearing Cartman drop an indignant F-bomb when missing an attack.

Weapon creation isnt quite like the crafting systems of other RPGs, either. At one point you head into the boys room, lower your pants and hop onto the urinal. After taking care of business (number two), you save the shit nugget to your inventory, and eventually fling it at an enemy for massive damage. Stick of Truth puts the dung in dungeon crawler.

The shows fiction feels like a part of its gameplay systems, and the demo nicely illustrated some of this connective tissue. Cartman spits epithets at you during a turn-based battle (Dont let him Jew-wash your brain!), and weapons include Cartmans Moms Vibrator. You navigate the politics of South Park Elementarys social factions humans, goths, girls, etc. and manage these relationships through the games version of Facebook, which it simply calls Facebook.

The demo culminates in an epic, real-time screen-filling fart battle between you and Cartman, and it looks plucked directly from a South Park feature film.

The original concept of the game is that it looks like youre in a South Park episode, Stone told The Associated Press. Its funny that it took all this high technology to make it look like the show. It is just the show. Its not a 3D version or a new look of the show. It just looks like youre in South Park. You can actually run around South Park, and we actually figured out where all the buildings are in relation to each other. We had never done that before.

Contrary to Parkers tongue-in-cheek claims (Its starting to look like in the next 10 years its going to come out, he told the AP. Weve been working on it for 26 years now), the game is expected to ship later this year for Windows PC, PlayStation 3 and Xbox 360.

Always at the Carlyle Review: How This NYC Hotel Became a Timeless Hot Spot


We know what youre thinking: Why see a movie about a posh Manhattan hotel that most of us could never afford to stay in even for one night? Its not just the fascination of watching how the one-percent lives; its because this storied 88-year-old hotel, filled with impossibly glamorous ghosts from the past, radiates an elegance that seems like an anomaly in this shallow age of Trump-style glitz. The POTUS has been spied on the premises, only to be overheard saying, This place is a joke. Unless style, sophistication and grace make you double over in laughter, thats just more of his typical #FakeNews.

Always at the Carlyle, the dazzling, sometimes hilarious and surprisingly emotional documentary from writer-director Matthew Miele (Scatter My Ashes at Bergdorfs, Harry Benson: Shoot First!), is not some advertorial to persuade suckers to blow their stash on the chance to rub elbows with kings and rock stars. Its a look at the hard work of maintaining refinement in a world that increasingly fails to see the point.

Summer Movie Preview 2018: From 'Infinity War' to 'BlacKkKlansman'Emmys 2019: 10 Biggest SnubsPerforming With Missy Elliott, 17 Years Later

Miele takes us right through those revolving doors on Madison Avenue, letting a host of boldface names George Clooney, Harrison Ford, Wes Anderson, Sofia Coppola, Anthony Bourdain, Roger Federer, Lenny Kravitz weighing in on why the hotel is the Gotham-deco lodging of choice. The former Han Solo is a particular hoot, claiming to be amazed at the luxury on view when he paid $1100 a night for a room with a peeling radiator. Thats a far cry from the opulent splendor afforded Prince William and Kate Middleton on their first visit trip to New York in 2014 when the Carlyle a favorite of the Princes mother, Diana became a must stop.

Still, its the institutions staffers, many of whom have been serving their guests for decades, who provide the most delicious fun. Pay close attention to long-time concierge Dwight Owsley, bellhop Danny Harnett and Tommy Rowles, whos been tending bar at Bemelmans for half a century. Named after Ludwig Bemelmans, the artist who drew the Madeline books for children, the hotels in-house drinking establishment has become a global attraction just to see the Bemelmans drawings on its walls. And the Caf Carlyle, where singer-pianist Bobby Short entertained sophisticates from 1968 until his death in 2005, is still a haven for performers; Alan Cumming talks of breaking the rules by posing nude for an album cover outside the Cafes doors.

Wickedness, in fact, remains an integral part of the Carlyle mystique famous for its discretion, the staff insists that nothing will be revealed. Still, the doc lets more than a few naughty details sneak through about such favorite guests as Jack Nicholson, Mick Jagger and Naomi Campbell. And what of those alleged secret tunnels through which Marilyn Monroe was reportedly swept before arriving at JFKs 34thfloor suite after his 1961 inauguration? If only those walls could talk.

Happily,
in this movie they do, thanks to Mieles personal touch that blends a scrappy, playful
style with unfakeable affection. And the gifted director of photography Justin Bare
lights each room and glittering interviewee with the burnished beauty befitting
an iconic subject. In the end, Always at the Carlyle not only captures the intangible essence of a
one-of-a-kind hotel but the soul of a
time and place, a piece of Manhattan that literally and figuratively reaches
for the stars. The Carlyle is more than a hotel made of brick and mortar like
this indispensable movie, its the stuff that dreams are made of.

Game of Thrones Creators Tapped for New Star Wars Saga


David Benioff and D.B. Weiss, the creators of HBOs Game of Thrones, will write and produce a new series of Star Wars films.

The movies will be separate from the franchises primary Skywalker saga, as well as the recently-announced trilogy that Last Jedi writer-director Rian Johnson will helm. A release date for Benioff and Weiss films has yet to be set.

In the summer of 1977 we traveled to a galaxy far, far away, and weve been dreaming of it ever since, Benioff and Weiss said in a statement. We are honored by the opportunity, a little terrified by the responsibility, and so excited to get started as soon as the final season of Game of Thrones is complete.

The next addition to the ever-expanding Star Wars universe will be Ron Howards upcoming anthology film, Solo: A Star Wars Story, which opens May 25th. The next installment in the Skywalker saga, the as-yet-untitled Episode XI, will arrive December 20th, 2019, with J.J. Abrams taking over as director following the departure of Colin Trevorrow.

As for Weiss and Benioff, the pair are working on the eighth and final season of Game of Thrones, which will air in 2019.

The Dark Knight


Heads up: a thunderbolt is about to rip into the blanket of bland we call summer movies. The Dark Knight, director Christopher Nolans absolute stunner of a follow-up to 2005s Batman Begins, is a potent provocation decked out as a comic-book movie. Feverish action? Check. Dazzling spectacle? Check. Devilish fun? Check. But Nolan is just warming up. Theres something raw and elemental at work in this artfully imagined universe. Striking out from his Batman origin story, Nolan cuts through to a deeper dimension. Huh? Wha? How can a conflicted guy in a bat suit and a villain with a cracked, painted-on clown smile speak to the essentials of the human condition? Just hang on for a shock to the system. The Dark Knight creates a place where good and evil expected to do battle decide instead to get it on and dance. I dont want to kill you, Heath Ledgers psycho Joker tells Christian Bales stalwart Batman. You complete me. Dont buy the tease. He means it.

The trouble is that Batman, a.k.a. playboy Bruce Wayne, has had it up to here with being the white knight. Hes pissed that the public sees him as a vigilante. Hell leave the hero stuff to district attorney Harvey Dent (Aaron Eckhart) and stop the DA from moving in on Rachel Dawes (feisty Maggie Gyllenhaal, in for sweetie Katie Holmes), the lady love who is Batmans only hope for a normal life.

Everything gleams like sin in Gotham City (cinematographer Wally Pfister shot on location in Chicago, bringing a gritty reality to a cartoon fantasy). And the bad guys seem jazzed by their evildoing. Take the Joker, who treats a stunningly staged bank robbery like his private video game with accomplices in Joker masks, blood spurting and only one winner. Nolan shot this sequence, and three others, for the IMAX screen and with a finesse for choreographing action that rivals Michael Manns Heat. But its whats going on inside the Bathead that pulls us in. Bale is electrifying as a fallibly human crusader at war with his own conscience.

I can only speak superlatives of Ledger, who is mad-crazy-blazing brilliant as the Joker. Miles from Jack Nicholsons broadly funny take on the role in Tim Burtons 1989 Batman, Ledger takes the role to the shadows, where even whats comic is hardly a relief. No plastic mask for Ledger; his face is caked with moldy makeup that highlights the red scar of a grin, the grungy hair and the yellowing teeth of a hound fresh out of hell. To the clown prince of crime, a knife is preferable to a gun, the better to savor the moment.

The deft script, by Nolan and his brother Jonathan, taking note of Bob Kanes original Batman and Frank Millers bleak rethink, refuses to explain the Joker with pop psychology. Forget Freudian hints about a dad who carved a smile into his sons face with a razor. As the Joker says, What doesnt kill you makes you stranger.

The Joker represents the last completed role for Ledger, who died in January at 28 before finishing work on Terry Gilliams The Imaginarium of Doctor Parnassus. Its typical of Ledgers total commitment to films as diverse as Brokeback Mountain and Im Not There that he does nothing out of vanity or the need to be liked. If theres a movement to get him the first posthumous Oscar since Peter Finch won for 1976s Network, sign me up. Ledgers Joker has no gray areas hes all rampaging id. Watch him crash a party and circle Rachel, a woman torn between Bales Bruce (she knows hes Batman) and Eckharts DA, another lover she has to share with his civic duty. Hello, beautiful, says the Joker, sniffing Rachel like a feral beast. Hes right when he compares himself to a dog chasing a car: The chase is all. The Jokers sadism is limitless, and the masochistic delight he takes in being punched and bloodied to a pulp would shame the Marquis de Sade. I choose chaos, says the Joker, and those words sum up whats at stake in The Dark Knight.

The Joker wants Batman to choose chaos as well. He knows humanity is what you lose while youre busy making plans to gain power. Every actor brings his A game to show the lure of the dark side. Michael Caine purrs with sarcastic wit as Bruces butler, Alfred, who harbors a secret that could crush his bosss spirit. Morgan Freeman radiates tough wisdom as Lucius Fox, the scientist who designs those wonderful toys wait till you get a load of the Batpod but who finds his own standards being compromised. Gary Oldman is so skilled that he makes virtue exciting as Jim Gordon, the ultimate good cop and as such a prime target for the Joker. As Harvey tells the Caped Crusader, You either die a hero or you live long enough to see yourself become a villain. Eckhart earns major props for scarily and movingly portraying the DAs transformation into the dreaded Harvey Two-Face, an event sparked by the brutal murder of a major character.

No fair giving away the mysteries of The Dark Knight. Its enough to marvel at the way Nolan a world-class filmmaker, be it Memento, Insomnia or The Prestige brings pop escapism whisper-close to enduring art. Its enough to watch Bale chillingly render Batman as a lost warrior, evoking Al Pacino in The Godfather II in his delusion and desolation. Its enough to see Ledger conjure up the anarchy of the Sex Pistols and A Clockwork Orange as he creates a Joker for the ages. Go ahead, bitch about the movie being too long, at two and a half hours, for short attention spans (it is), too somber for the Hulk crowd (it is), too smart for its own good (it isnt). The haunting and visionary Dark Knight soars on the wings of untamed imagination. Its full of surprises you dont see coming. And just try to get it out of your dreams.

Renowned Cinematographer Robby Muller Dead at 78


Robby Mller, the cinematographer known for his collaborations with Wim Wenders and Jim Jarmusch as well as his work on Repo Man, Honeysuckle Rose and To Live and Die in L.A., has died at the age of 78.

Dutch newspaper Het Parool (via The Guardian) reported that Mller, known as the master of light, died at his home in Amsterdam, the Netherlands following a lengthy battle with vascular dementia, a degenerative disease that left him unable to talk or move for several years prior to his death.

We have lost the remarkable, brilliant & irreplaceable Robby Mller, Jim Jarmusch tweeted. I love him so very much. He taught me so many things, & without him, I dont think I would know anything about filmmaking. R.I.P. my dear friend Robby. Mller served as Jarmuschs cinematographer on five films, including Down By Law, Mystery Train and Dead Man.

Vilmos Zsigmond, Oscar-Winning Cinematographer, Dead at 85Haskell Wexler, Oscar-Winning Cinematographer, Dead at 9350 Country Albums Every Rock Fan Should OwnSee 13 Rare Images From New Jim Marshall Book, 'Show Me the Picture'

The British Film Institute tweeted, Were very sad to hear about the passing of cinematographer Robby Mller, master of light, who collaborated with Jim Jarmusch, Wim Wenders, Sally Potter and William Friedkin to create some of the most striking images in all of cinema.

The Curacao-born cinematographer began his career as director of photography on Wim Wenders 1970 debut feature Summer in the City; Wenders and Mllers partnership would span 10 films, from the directors German-language movies to 1984s acclaimed Paris, Texas, featuring Mllers breathtaking images of the American Southwest.

Following Peter Bogdanovichs 1979 film Saint Jack Mllers first American film as cinematographer Mller would help compose the unforgettable images and era-defining lighting in Eighties classics like Repo Man, Honeysuckle Rose, To Live and Die in L.A. and Barfly.

The cinematographer also worked on Michelangelo Antonionis final film Beyond the Clouds, Michael Winterbottoms 24 Hour Party People and Lars Von Triers Breaking the Waves and Dancer in the Dark. Mllers final feature film credit was for Jarmuschs 2003 anthology Cigarettes & Coffee.

In 2016, Amsterdams Eye film museum held a Master of Light Robby Mller retrospective. He taught me later a lot about color, as well, and how it relates to your emotions, or how the sky at magic hour changes every ten seconds and becomes a different shade, Jarmusch told the New York Times of Mller in 2016.

Robby would teach me things like, it says in the script that its a sunny day, but then on the day of the shoot it would be cloudy and about to rain. Most people would just say, O.K., lets not shoot today. Robby would always say, lets think, maybe the clouds and the rain is better, lets not be closed off, lets be open to what we might do.

Ron Howard Says Directing Made in America Was a Challenge


Ron Howard admits he felt out of his element directing Jay Zs Made In America documentary. The two-time Oscar winner was finishing his Formula One film Rushat the time, and didnt know many of the artists on the bill (Kanye West, Run-D.M.C. and Skrillex included). Still, the 59-year-old tells Rolling Stone he went in with open eyes (and ears!) and just followed the story as it unfolded.

See Why Peter Travers Calls Ron Howards Rush Alive and Vibrant

How did you meet Jay Z?
It was through Brian Grazer, who got to know Jay Z through American Gangster, a movie he produced. Through that, I got to meet Jay Z a couple of times. Then suddenly, I got a call and had a meeting. He talked about this event, and asked if I would be interested in covering it. And I didnt really know what it meant!

Rock docs like Monterey Pop and Woodstock have stood the test of time. What will people think about Made In America 40 years from now?
As a documentarian, you think, follow your curiosity. I felt like a stranger in a stranger land: I was meeting artists I didnt know and others I had barely heard of, and I found it fascinating. The film very much reflects that. So if thats useful down the road if its a snapshot of the moment then thats that.

Rush, Gravity and 23 More Must-See Fall Movies

Its not just a concert film you wove in stories about the American dream.
The phrase made in America put people in a wavelength; this is what they talked about. There was this inspiring expression of possibility, self-reliance and an entrepreneurial spirit, which was what Jay Z was talking about initially, and I kept seeing it pop up over and over again. Again, I wandered into this without any predetermined idea what the film would be about, but this was consistently something that the cameras were picking up.

Can Made In America be the next Lollapalooza or Warped Tour?
Thats what Jay Z and his team are hoping for. It is a very conscious attempt to break down barriers of genre, an idea that Jay Z thinks is antiquated. He keeps citing his own iPod mix. He said music is binary its either good, or it doesnt resonate.

Robot & Frank


Like the best movies, the ones that manage effortlessly to work their way into your head and heart, Robot & Frank has a deceptive simplicity. It also helps to have Frank Langella, a stellar actor at his magnificent best, in the starring role. Langellas Frank is a retired burglar, a second-story man ready to hang it up at 70. His children, Hunter (James Marsden) and Madison (Liv Tyler), dont know what to do with him. His parental neglect extended to two prison stints.

Enter Robot (voiced with droll wit by Peter Sarsgaard), a talking machine that will keep the old-timer in line. Or so Franks kids think. After a few days of Robots lectures on diet and exercise, Frank gets his own ideas to enlist Robot in a new robbery scheme. Theres bracing humor here, and a dash of heartbreak just dont expect to be wrapped up in a warm and fuzzy cinematic blanket. Robot & Frank, crisply directed by newcomer Jake Schreier from a fluid script by Christopher D. Ford, is made of tougher stuff. Just like Franks flirtation with a librarian (a tangy Susan Sarandon), the movie keeps springing scrappy surprises. It also addresses questions of aging and neglect that Hollywood likes to run from. Langella, whos played everyone from Dracula to Nixon onscreen, is giving a master class in acting. Enroll now.

Celine Dion Biopic The Power of Love in the Works


A biopic on Celine Dion is in the works, Variety reports. The Valerie Lemercier-directed The Power of Love is slated for a 2020 release and will feature the singers music. Lemercier will also star as Dion in the French film.

Dion and her record company authorized the project and gave the film rights to her songs, including hits such as All by Myself, My Heart Will Go On, and Im Alive. The film will trace the Canadian singers life from childhood to her career rise that began while she was a teenager. It will also traverse her family relationships, including with late manager and husband Ren Anglil and her mother, Thrse.

I discovered the strength of their love story and their great humor, and I better understood how the alchemy of their three individual ambitions made an unwanted, little girl the greatest star on the planet, Lemercier said per Variety.

Dion recently announced that she is concluding her long-running Las Vegas residency at the Colosseum at Caesars Palace in 2019, with a 28-date run that ends on June 8th. The singer, who also recently removed her Im Your Angel duet with R. Kelly from streaming services, will appear in an Aretha Franklin tribute TV special later this year.

Two Days, One Night


Let me be clear to all of you with serious allergies to European art films: Two Days, One Night one of the best ones, by the way is in French with English subtitles. Its Oscar-winning star, Marion Cotillard, is indeed a hottie. But the Belgian filmmaking brothers, Luc and Jean-Pierre Dardenne, arent interested in that. For all of Two Days, One Night, the brothers have Cotillard going from door to door trying to get her job back. Yes, thats the plot. No sex, no chases, no cyberterrorism. Just people interacting.

Now that Ive scared off the pussies, let me continue: Cotillard plays Sandra, the wife of Manu (Fabrizio Rongione), a kitchen worker, and the mother of their two kids. Sandra is a worker bee, proud of having landed and kept her job at a solar-panel factory. Now, on Friday, shes learned that her job will be eliminated. The company foreman (Olivier Gourmet), eager to dump Sandra after a recent bout of depression kept her at home, put the question to Sandras 16 co-workers: Either eliminate Sandras job or lose their annual 1000 euro bonuses. On a secret-ballot vote of 14 to two, she was ousted. In desperation, she orchestrates a weekend plan to win another seven votes and regain her job by Monday morning.

10 Best Movies of 20145 Devices You Need to Set Up Your Smart HomeFleetwood Mac's 50 Greatest Songs

Thats the movie. Sandra pleading, with the camera on her tail like a Dardennes drone. Astonishingly, it all works. From the theme of global downsizing, the filmmakers wring humor, heartbreak, suspense and stirring social drama. Cotillard, a consummate actress, fits like a natural into the workaday world of the Dardennes (Rosetta, The Son, The Kid With a Bike). Whether her character is popping Xanax, entreating co-workers whose problems dwarf her own, or sitting in a car listening to rock, Cotillard is magnificent, her luminous eyes reflecting a soul in crisis. The Dardennes have been creating major cinematic miracles out of minute details since La Promesse in 1996, and this film ranks with their finest. Two Days, One Night is a filmfor its time, bristling with peril and alive to every flicker of human decency.

Fyre Fest Documentary: Bahamian Cook Surpasses $123,000 Fundraising Goal


A Bahamian cook who lost her life savings in the aftermath of the disastrous Fyre Festival has been reimbursed and then some thanks to a fundraising effort that followed her appearance in the Netflix documentary Fyre.

As Maryann Rolle tearfully recounted in the film, she drained $50,000 from her life savings to pay back fellow Bahamians and employees after Billy McFarland and the Fyre Festival management abandoned the island without paying the Bahamian workforce for months of work.

It has been an unforgettable experience catering to the organizers of Fyre Festival, Rolle wrote on her verified GoFundMe page. Back in April 2017 I pushed myself to the limit catering no less than a 1000 meals per day. Breakfast, lunch and dinner were all prepared and delivered by Exuma Point to Coco Plum Beach and Rokers Point where the main events were scheduled to take place. Organizers would also visit my Exuma Point location to enjoy the prepared meals.

Ja Rule Blasts Fyre Festival Docs: 'Let's Blame the Rapper LMAO''Fyre' Review: Doc on Disastrous Music Fest Is One Three-Alarm AutopsyWar of the Crowes50 Country Albums Every Rock Fan Should Own

Rolle continued, Fyre Fest organizers were also checked into all the rooms at Exuma Point Resort. As I make this plea its hard to believe and embarrassing to admit that I was not paidI was left in a big hole! My life was changed forever, and my credit was ruined by Fyre Fest.

Rolles GoFundMe, launched four days before Fyre premiered on Netflix, set a $123,000 goal; three days after the documentarys arrival, the GoFundMe has already surpassed its goal with over $135,000 at press time. Thank you ALL, Rolle posted on Facebook after clearing the goal.

Fyre co-founder Ja Rule, who criticized both Fyre documentaries Sunday, apologized to Rolle on Instagram. My heart goes out to this lovely lady MaryAnne Rolle weve never met but Im devastated that something that was meant to be amazing, turn out to be such a disaster and hurt so many ppl SORRY to anyone who has been negatively effected by the festival, he wrote.

Mila Kunis, Kristen Bell Get Drunk, Talk Sex in Bad Moms Trailer


The first trailer for Bad Moms finds protagonist Amy (Mila Kunis) at the end of her rope: shuttling her kids to school, booking a last-minute vet appointment for the family dog and clinging to insanity in the face of an emergency PTA meeting. Fed up with modern societys definition of motherhood, she cements a pact with two other moms(Kristen Bell, Kathryn Hahn) to rebel.

We all work too damn hard trying to make our kids lives amazing and magical, Kunis says with a drink in hand. Their lives already are amazing and magical. Lets be bad moms!

The movies Red Band trailer finds takes aim at the June Cleaver archetype. These bad moms drink at bars,let loose athouse parties and are hilariously candid about their sex lives.Bells character laments:I just have to kinda fold his penis up like a balloon animal and then shove it up inside me. Sometimes I take the balls and shove them up there too because at least theyre firm.

Bad Moms, out July 29th, features Christina Applegate as the evilPTA mom, Jay Hernandez, Clark Duke, Annie Mumolo and Jada Pinkett Smith. The film was written and directed by Jon Lucas and Scott Moore (The Hangover).

Please Give


Bare breasts, young and old, pert and drooping, fill the screen at the start of Please Give, an unnervingly hilarious and heartfelt comedy of bad manners from writer-director Nicole Holofcener. As youd probably guess from that mammogram montage, the film takes you in directions you dont see coming, which makes it rare and remarkable just for starters. Please Give stars Catherine Keener, as do all of Holofceners films so far (Walking and Talking, Lovely and Amazing, Friends With Money). The glorious Keener, incapable of a false move or a bullshit line reading, plays Kate, a New Yorker who runs a furniture store with her husband, Alex (a sublimely funny and touching Oliver Platt). We buy from the children of dead people, notes Alex dryly. Their business is thriving, which makes Kate feel guilty. She doles out money to the homeless in increasingly large bills. Guilt defines Kates feelings about her job, her insecure teen daughter (Sarah Steele), her roving husband and her neighbor Andra (the comically appalling Ann Guilbert), an old lady whose death will mean that Kate and Alex can annex her apartment and make theirs bigger. Andras unmarried granddaughters, shy Rebecca (the ever-amazing Rebecca Hall) and provocative Mary (a flinty Amanda Peet), know that is Kates master plan. A dinner party to melt the frost in honor of Andras birthday is an uproarious disaster. No fair saying more about a movie that transacts delicate business with such dazzling skill. The pitch-perfect performances help Holofcener stir up feelings that cut to the heart of what defines an ethical life. Theres no movie around right now with a subject more pertinent. Itll hit you hard.

No Country for Old Men


Misguided souls will tell you that No Country for Old Men is out for blood, focused on vengeance and unconcerned with the larger world outside a standard-issue suspense plot. Those people, of course, are deaf, dumb and blind to anything that isnt spelled out between commercials on dying TV networks. Joel and Ethan Coens adaptation of Cormac McCarthys 2005 novel is an indisputably great movie, at this point the years very best. Set in 1980 in West Texas, where the chase is on for stolen drug money, the film a new career peak for the Coen brothers, who share writing and directing credits is a literate meditation (scary words for the Transformers crowd) on Americas bloodlust for the easy fix. Its also as entertaining as hell, which tends to rile up elitists. What do the criminal acts of losers in a flyover state have to do with the life of the mind?

Plenty, as it turns out. McCarthy reveals a soulless America that is no country for anyone, never mind old men. The so-called codger representing besieged law and order is Sheriff Ed Tom Bell, played by Tommy Lee Jones with the kind of wit and assurance that reveals a master actor at the top of his game. On the page, the sheriff is a tad too folksy, dishing out cracker-barrel wisdom to his good wife, Loretta (Tess Harper), with a twinkle written into his homespun truths. As you already know by now (and In the Valley of Elah categorically proves it), Mr. Jones does not do twinkle. Hes a hard-ass. And when he chews into a good line, you can see the bite marks. Heres the sheriff on how crime has gotten so out of hand: It starts when you begin to overlook bad manners. Anytime you quit hearin sir and maam, the end is pretty much in sight.

That unpretty end takes the form of Anton Chigurh (Javier Bardem), an assassin who rivals Hannibal Lecter for dispatching his victims without breaking a sweat. Bardem, with pale skin and the worlds worst haircut, is stupendous in the role, a monster for the ages. Beneath his dark eyes lies something darker, evil topped with the cherry of perverse humor. Chigurh carries around a bulky cattle gun. Hell politely ask a mark to get out of a car before he caps him in the head; that way the car wont get messy with gristle and brain matter. And he has this little game he plays. Staring at the human species like a visitor from another planet, Chigurh flips a coin. Your choice of heads or tails might just save your life. Only dont piss him off.

Its Llewelyn Moss (Josh Brolin) who comes down hard on Chigurhs bad side. Moss is a cowboy in a world with no more room for cowboys. He enjoys teasing his wife, Carla Jean (the excellent Kelly Macdonald), but you can feel his discontent. Then one day, when hes out hunting antelope, he gets his shot at the big score. Right out there in the desert are a half-dozen dead bodies drawing flies. One man, barely alive, sits in a truck and begs for water. Its a massacre. Theres also a stash of heroin and $2 million in cash. Moss takes the cash and runs. Wouldnt you? That question sets up the films moral dilemma and puts us in Moss boots. This is Brolins breakthrough he rips into the role like a man possessed, giving Moss the human touch the part needs. Moss even returns to the scene that night with water for the dying man. Huge mistake. Shots ring out, and Moss, after packing his wife off to her folks, goes on the run with Chigurh on his tail and the sheriff tracking both of them.

Thats all youll hear from me about plot. The kick comes in watching all the gears mesh with thrilling exactitude. Ive heard some carping about the ending, which stays tone-faithful to McCarthy instead of going for Hollywood pow. Hmm. I thought thatd be worth a cheer. No Country for Old Men offers an embarrassment of riches. Jones, Bardem and Brolin all give award-caliber performances. Roger Deakins again proves himself a poet of light and shadow as director of photography. Carter Burwells insinuating score finds a way to nail every nuance without underlining a single one of them. Props are also due editor Roderick Jaynes, who no ones ever seen, since hes a pseudonym both Coen brothers hide behind.

OK, then. How does No Country for Old Men stack up against the best work of these artfully merry pranksters? Near the top, Id say. There are echoes of Fargo when a deputy declares, Its a mess, aint it, Sheriff? and the sheriff answers, If it aint, itll do till the mess gets here. And admirers of Blood Simple, Millers Crossing, Barton Fink and even The Big Lebowski will find tasty bits of bright and bleak to noodle on. But this landmark of a movie is fresh territory for the Coens, accused, often unfairly, of glib facility and lack of passionate purpose. Screw that. Not since Robert Altman merged with the short stories of Raymond Carver in Short Cuts have filmmakers and author fused with such devastating impact as the Coens and McCarthy. Good and evil are tackled with a rigorous fix on the complexity involved. Recent movies about Iraq have pushed hard to show the growing dehumanization infecting our world. No Country doesnt have to preach or wave a flag it carries in its bones the virus of what weve become. The Coens squeeze us without mercy in a vise of tension and suspense, but only to force us to look into an abyss of our own making.

Aaron Paul Surprised With Clip From His First Acting Gig


Aaron Paul received a slightly embarrassing surprise from Jay Leno last night when he dropped by The Tonight Show. Paul was on the program to talk about the final episodes of Breaking Bad, but Leno decided it would be more fun to air footage of the actors first big break: a kissing scene from Beverly Hills, 90210 that found Pauls character acting out lines from Romeo and Juliet.

Random Notes: Hottest Rock Pictures

Wilt thou leave me so unsatisfied? says his character before he and his co-star share a brief but sloppy kiss. Paul seemed mortified by the clip, and Leno later apologized for bringing out the vintage video, but this wasnt the first (and probably not the last) time Leno has pranked the actor. Pauls very first appearance on television, as an enthusiastic contestant on The Price Is Right, was aired the last time the actor appeard on The Tonight Show.

Breaking Bad returns to AMC for its final episodes on August 11th.

Tegan Quin on Her Awesome Vocals and Tegan and Saras Lego Song


When the musical comedy trio the Lonely Island reached out to Tegan and Sara with the prospect of recording a song for The Lego Movie, Tegan Quin remembers their reaction was, Legos, cool! The indie-pop sister duo worked on a demo and within two weeks, found themselves recording Everything Is Awesome with Devo frontman Mark Mothersbaugh.Two hours later, we watched the video and voila, Quin says.Theebullient hit singledebuted at Number 11 onBillboardsDance/Electronic Songs chart.

Go Inside Andy Sambergs Mind Squad, The Lonely Island

Quinsays they spent all of a couple of hours working on the song, futzing around with its tempo and its key to get it just right. She was happy with the result. Obviously we got to end up as Legos, she says. We saw a couple of scenes from the movie and I thought it was really smart and funny.Rolling Stonecaught up with Quin to put together (har har) how the song was recorded.

Did you think youd get the gig when you recorded your demo?
I thought we did a terrible job. I think it was in a different key. Then we stepped it down because I was just shrieking. Mark, the technician, was like, It sounds like youre screaming, I said, I am! [Laughs]We were like, Theres no way well get it. So we were really thrilled to hear our version got in the credits. And I love the Lonely Island, so I was pretty excited that they picked us because they were like, Oh, were throwing it out to a bunch of different people. It was, like, big rappers, and Im like, Theres no way. [Laughs]

So how hard was it to sing the word awesome and convey its sentiment at the same time?
The only vocal suggestion that they made was that we should sing it with as much excitement and jubilation as possible. Even though the movie ends in sort of a strange way, the lyrics are very, Even though things are going badly, Im still excited, Im still happy, and I kind of love that.

When I recorded the demo, I was in a basement in Croatia or something and it was extremely cold and I was cracking vocals in that room, trying to imagine the awesome Id sing if we actually got the song.

Are you surprised that people like the song so much?
Im kind of surprised and not surprised. First of all, I thought the movie was really cool based on the two clips weve seen. It seems really smart, really well written. Sara and I really like to do things that we feel are credible and also it feels like they were within the brand of Tegan and Sara. Were trying to move into this more upbeat sound. Sometimes the content is pretty sad, but we try to find things within the realm of Tegan and Sara and this felt like it really fit.

Since it came out, it seems like the average person who likes it is pretty young, which is pretty cool, too. I love the idea of like, an 8-year-old going to the movie and some of those kids ending up liking Tegan and Sara. But in the end, we didnt do it to become a bigger band; we did it because we thought the movie was really cool and we just loved the idea of contributing to something that would bring people happiness.

Who wouldve thought 10 years later youd have a hit song with The Lego Movie?
Who wouldve thought wed be playing music 10 years later, the way the industry is?

The Assassination of Jesse James by the Coward Robert Ford


For a movie that has sat on a shelf for two years gathering bad buzz, this quiet wow of a Western sneaks up as one hell of a satisfying surprise. Artfully exciting and compulsively watchable even at a butt-numbing 152 minutes, the film makes good on the promise New Zealand writer-director Andrew Dominik showed with Chopper in 2000. Brad Pitt totally nails it as Jesse James. He just picked up the Best Actor prize at the Venice Film Festival, and damn if he doesnt deserve it. Pitt is built to reveal Jesse as the tabloid celeb of his day (1881). Living at home with the wife (Mary-Louise Parker) and kids under the alias Thomas Howard, when hes not out robbing trains with brother Frank (Sam Shepard) and the gang, Jesse is one sick puppy, an insomniac given to psychotic f lare-ups and shooting enemies in the back. Its an irony that his biggest fan, the whiny nineteen-year-old hanger-on Robert Ford (the terrific Casey Affleck matches Pitt step for step), is the instrument of his doom. Adapting Ron Hansens 1983 novel, Dominik paints a richly detailed mosaic on locations in Calgary and Winnipeg, and you can only marvel at the visual miracles achieved by cinematographer Roger Deakins. But its in the scenes after Jesses death, when Dominik pits truth against legend, that this intimate epic shows its teeth.

Cardi B to Make Film Debut in Stripper Scam Movie Hustlers


Cardi B will make her feature film debut in the upcoming stripper scam flick, Hustlers, according to The Hollywood Reporter. The rapper joins previously announced co-stars Jennifer Lopez and Constance Wu, as well as fellow newcomers Julia Stiles, Lili Reinhart and Keke Palmer.

Written and directed by Lorene Scafaria (The Meddler), Hustlers is set in New York City in the aftermath of the 2008 financial crisis and follows a group of strippers as they scam their Wall Street clientele out of thousands of dollars. The film is based on Jessica Presslers 2015 article for New York Magazine, The Hustlers at Scores.

While Hustlers will mark Cardis first major acting role, she got her start on television, appearing as herself on Love and Hip Hop: New York for two seasons. In 2017, she made a guest appearance on Gabrielle Unions BET drama, Being Mary Jane.

As for her music, Cardi Bs most recent single, Please Me with Bruno Mars, arrived in February, just after she picked up the Grammy for Best Rap Album for her 2018 debut, Invasion of Privacy. Cardi also has a handful of festival dates scheduledfor this spring and summer, including slots at Hangout and Bonnaroo. Shell kick off a short tour of the Midwest July 24th in Wichita, Kansas

Q&A: Will Ferrell


Move over, Rick Santorums sweater vests! The funniest thing to emerge from the 2012 electoral season is the new Will Ferrell-Zach Galifianakis comedy, The Campaign, about two Southern politicians warring fiercely over a congressional seat. Ferrell, squarely in his sweet spot, portrays the blustery, buffoonish incumbent the kind of guy who pays lip service to guns and Jesus during stump speeches before shagging a blond constituent in a porta-potty. Its also Ferrells most gloriously filthy performance since his butt-naked suburban jog in Old School. Calling in from New York, he breaks down making politics funny, what it felt like to punch a baby onscreen, the upcoming Anchorman sequel and why he still savors any chance he gets to alienate audiences.

The villains in The Campaign are satirical versions of the Koch brothers, the Tea Party-backing billionaires. In your last movie, Casa de Mi Padre, the bad guy was a corrupt American DEA agent. It seems important to you to embed some real-world critiques within all the absurdity.
Comedy is an important tool for us to constantly look at ourselves, and to be aware that weve got a lot of things we need to fix. Ive always found it fascinating, that attitude of USA! Number One! Were the best! That always needs to be kept in check, and to be made fun of. Its a funny, ridiculous attitude. Even for as big as Chinas getting, as an economic power and this and that, I doubt they have the arrogance that we do.

Is that related to your love of playing arrogant, preening buffoons?
Absolutely. Even as a kid, when I was on the playground, the cocky kid always fascinated me. I always wanted to be a defender of the not-so-cocky kid.

Two of the funniest scenes in The Campaign involve profane family dinners, which echo the classic grace scene in Talladega Nights. Why are family dinners so funny?
Technically speaking, dinner scenes are advantageous to comedy because its a place where the movie can slow down and you can see and listen to all the characters. And then, I dont know, theres just something innately funny and awkward about saying horrible, inappropriate things while you eat dinner. It s just a perfect juxtaposition.

One of the biggest laughs in the movie comes when your character punches a baby after a debate. Were you worried people might not find that idea funny?
Anyone in comedy who says they know that something is gonna work is full of shit. That said, I would have bet everything that that joke would work. We had people going, I dont know about this, you cant punch a baby. But I knew it was the ultimate metaphor for how crazy politics is getting. In the end, it was all in how we showed it: the fact that we did it in slo-mo, almost like HD footage from an HBO fight, with the ripples on the babys face and the flying pacifier. That was how wed win with a joke like that. Just make it insane.

Youve been prepping an Anchorman sequel. Whats the latest?
Were currently banging out the script. Paul Rudd and Steve Carell have commitments through, like, January, so well start at some point after then. We watched Anchorman a couple months ago, prior to writing, and it was making us laugh, but we were like, God, its raggedy! I think thats the charm of the movie it was nonconformist and seemed to kind of go any direction it wanted. So I think this will be our main criteria: If we get to a point with the script and go, This just doesnt feel crazy enough, well go back and make sure it has that What the hell are they doing? factor. Thats where the joy comes from.

A lot of comedians follow a career path where theyll start with idiosyncratic work, then, as they get more popular, transition toward tamer, family-friendly comedy. That doesnt seem like its happening with you.
As long as I have some capital left in the business, Id like to use it in interesting ways. Not to knock those other types of movies, but yeah, I still want to make things where I potentially turn off part of the audience. When I run out of capital, Ill start driving a UPS truck.

Guardians of the Galaxy: Can Bautista End the Curse of Tor Johnson?


Marvel Studios is taking its biggest risk yet with Guardians of the Galaxy, banking on an obscure team of heroes to bridge the gap until the next Avengers flick roars into theaters. But theres an even larger obstacle standing in the way of box-office success: Dave Bautista.

To the uninitiated, Bautista is a six-time world champion in Vince McMahons wrestling circus, and one of the most iconic squared-circle stars of the last decade. In Guardians, he plays intergalactic warrior Drax the Destroyer, which is unquestionably his biggest role to date. A cursory glance at his IMDB page reveals parts in The Scorpion King 3, something called Wrong Side of Town (co-starring Ja Rule) and, well, thats about it. His nickname may be The Animal, but even scarier is the fact that hes a professional wrestler in a mainstream movie, and that isnt always a blessing.

Guardians of the GalaxyJeff Buckley's 'Grace': 10 Things You Didn't KnowTop 30 Stephen King Movies, Ranked

Why? Lets start with Tor Johnson. Born in 1903, he worked the ranks as a wrestler before transitioning into film, where he appeared in several uncredited roles (usually playing a strongman or some variation thereof). Later in his career, he became a muse of sorts for writer/director Ed Wood, appearing in Bride of the Monster and Plan 9 from Outer Space. And although weve come to romanticize Woods career thanks mostly to Johnny Depp its important to understand his films were tremendously terrible. And while Johnson had very little to do with that, the Curse was born.

Simply put, the Curse of Tor Johnson means that pro wrestlers are destined to make crappy Hollywood movies.

There are exceptions, of course Andre the Giant in The Princess Bride, the Rocks inexplicable rise to superstar status and parameters to observe (no WWE Studios films, since they control that mediocre themselves, and no movies about wrestling, since thats basically the industry coming down to their level), but the Curse is very real indeed. Is Guardians of the Galaxy doomed? Probably not, but for every Jesse Ventura, there are 50 Roddy Pipers, and Hollywood just hasnt been friendly to dudes who wear tights and boots for a living. Dont believe me? Heres are some examples of the Curse at its worst:

Big John Studd, Harley Davidson and the Marlboro Man

Its almost poetic to kick off this examination with one of the biggest box-office failures of the 90s. This buddy flick starring certified cool dudes Mickey Rourke and Don Johnson was an undeniable flop, earning just $7 million domestically, but costing well over $20 million to make. Studd, named Jack Daniels in the movie (because why not?) gets into a bar fight with Rourke and, in all honesty, isnt the worst actor in the world, but the two have a dynamic that rivals Tori Spellings marriage in terms of awkwardness. In the end, Studd wins the fight by throwing Rourke out a window, which is a pretty apt metaphor for the films fortunes.

Kevin Nash, Teenage Mutant Ninja Turtles II: The Secret of the Ooze

Hes since redeemed himself with a small role in 2012s Magic Mike, but Kevin Nash, also known as Diesel in the WWE, is a repeat thespian offender. He can be seen in 2004s Marvel misstep The Punisher, but his most embarrassing turn may be when he set Foot (for the record, thats a beautiful pun) in the Teenage Mutant Ninja Turtles franchise. Keep in mind, the first Turtles movie cost an estimated $13.5 million to make and grossed well around $135 million in the U.S. alone, making it one of 1990s most successful films. How can you lose with a sequel? Well, by casting Nash as Super Shredder, a mutated version of their arch nemesis. Nash didnt have a ton of responsibility, since his face was covered and he had only one line, but somehow he still got in the way, lessening the films profit margin by around 50 percent when compared to the original. Also, keep in mind; this movie does feature Vanilla Ices Ninja Rap, so theres a lot of blame to go around.

Hulk Hogan, Suburban Commando

There was a time when Hulk Hogan wasnt just a terrible reality star. Hulkamania really did run wild, and we all took our vitamins and said our prayers. Hogan was and always will be an awful wrestler, and fact that he still became a phenomenon says something about his charisma. He first appeared on the big screen in Rocky III, and when Arnold Schwarzenegger and Danny DeVito bailed on a genuine piece of crap called Suburban Commando to shoot a classic called Twins, it left Hulk with a movie offer he couldnt refuse (as if he refused movie offers). Christopher Lloyd picked up DeVitos scraps, and Hogan played Shep Ramsey, an interstellar superhero who crash-lands on Earth and has to hide with a family in the burbs, which, yes, is also the plot of ALF. This thing was a stinker for all 90 minutes (despite a small Undertaker cameo), and until Mr. Nanny came out two years later, I couldnt truly understand how his filmography could get worse. Luckily for Hogan, his sex tape doesnt show up on IMDB.

Goldberg, Santas Slay

Still not sure how this isnt a FunnyOrDie parody, but this 2005 holiday movie actually exists. Goldbergs WCW undefeated streak is legendary, so he can only hope that this movie never becomes enough of a cult classic to tarnish that legacy. Santas Slay details how Mr. Claus (played by the Jewish Goldberg) is actually an evil jerk who lost a bet with an angel forcing him to deliver toys and candy against his will. But once the bet ends after 1,000 years, he goes back to his evil ways, abusing animals and killing people. The whole movie is actually on YouTube to watch, mostly because I bet no one wants to admit ownership in order to claim infringement. It also features cameos from Fran Drescher, Rebecca Gayheart and Chris Kattan, so Ill assume they all have gambling problems.

The Great Khali, The Longest Yard

This Adam Sandler remake revolves around jail-yard football, which makes sense because everyone who saw it felt like a fucking prisoner. This flick is almost my own personal Mad, Mad, Mad, Mad World because it features Nash, Goldberg AND Khali, a 7-foot, 350-pound monster from India. His oversized features and intimidating presence harken back to the days of Tor Johnson, when looks trumped the ability to remember dialogue or know where the camera was. Most of The Longest Yard has Khali growling and avoiding lines the way Frogger avoided cars, which was probably the right move because one example of a wrestler talking in this movie has Stone Cold Steven Austin calling rapper Nelly the n-word.

Hello, My Name Is Doris


Watching Sally Field is one of the pleasures of going to the movies. From Norma Rae to Lincoln, Field has always used the camera lens to make direct communication with a character and an audience. Hello, My Name is Doris doesnt often give her the material she deserves. But even when the film fails her, Field never loses her focus.

The role of Doris Miller, a sixtysomething hoarder who lives on Staten Island and dresses like an explosion at a vintage discount store, is more a compendium of quirks than a character. Its Field who turns her into a human being to whom attention must be paid. As the film begins, Doris has just lost the mother shes spent her adult life caring for. Her brother Todd (the excellent Stephen Root) and his selfish wife, Cynthia (Wendi McLendon-Covey),went on with their own lives. Now Doris is adrift. A motivational speaker, expertly smarmified by Peter Gallagher, tells her to take risks. But wheres the opportunity? Not at her Manhattan fashion office where she toils in a cubicle as a data-entry drone while her co-workers nod politely and look right through her. All except John Fremont (Max Greenfield), a 30-ish art director just in from California. He triggers something in Doris that years of reading romance novels has kept under wraps.

25 Movies We Can't Wait to See at SXSW 201625 Songs That Are Truly TerrifyingSee 13 Rare Images From New Jim Marshall Book, 'Show Me the Picture'

And heres the point where the movie must decide where its heading. Director Michael Showalter (The Baxter), who cowrote the script with Laura Terruso as an adaptation of Terrusos short film Doris & the Intern,cant make up his mind. Will we see Doris blossom from her nonsexual friendship of a nice younger guy? Or will an oddball Harold and Maude relationship develop? Or will the film descend into Fatal Attraction stalker territory? Showalter seems to try on every genre for size. Its hell on the movie.

At first, it all seems innocent enough as the teen granddaughter (Isabella Acres) of Doris best friend (a fine, feisty Tyne Daly) instructs Doris on how to track Johns activities through social media. She fakes an interest in an EDM band he likes on Facebook and that sets up a chance meeting at the club where the musicians are playing. Greenfield, of TVs New Girl, is an appealing actor, but the script allows him to seem clueless about the crush that Doris has on him and what might have made her break up his affair with a younger woman (Beth Behrs). The film didnt need the fantasy scenes of Doris macking on a shirtless John. All it really needs is Field. And when shes allowed to hold the screen without gimmicks and detours into curdled whimsy, Hello, My Name is Doris is a movie well met.

Operation Finale Review: Oscar Isaac Hunts Nazis in True-Story Thriller


Nazis remember when they were largely a thing of the past? As Chris Weitzs true-life thriller reminds us, long before there was an unfortunate smattering of irresponsible The Nazi Next Door articles clogging up your Twitter feed, there were literal Gestapo bigwigs and German war criminals living, secretly but side by side, among the postwar population of South American countries. (Sympathies to fascist ideologies, lax extradition laws, yadda yadda yadda.) Men like Adolf Eichmann (Sir Ben Kingsley), a former lieutenant colonel and a particularly nasty National Socialist who was the brains behind the Final Solution; after fleeing Europe, he settled in Buenos Aires under the name Ricardo Clement, living with his wife (welcome back, Greta Scacchi!), their teenage son Klaus (Joe Alwyn) and a toddler. Occasionally, Ricardo will regale the local anti-Semites with tales of Hitler and extermination. Mostly, he goes to his job or stays at home.

Oscar Isaac: The Internet's Boyfriend Becomes a Leading Man'Support the Girls' Review: The Great American Breastaraunt Movie Has ArrivedWar of the CrowesCan DNA Tests Help You Find the Best Weed?

Once Klaus takes his new girlfriend, Sylvia (Haley Lu Richardson), to an informal gathering of Nazism enthusiasts, however, word makes its way back to Israel that the SS-Obersturmbannfhrer theyve been looking for may have been located. A team of Mossad agents, led by a redemption-seeking secret agent named Peter Malkin (Oscar Isaac), travel to Argentina to verify the intelligence. Once the targets identity is confirmed, the group gets their marching orders: do not kill Eichmann. This is a strictly catch and extract operation. He is to be brought back to Israel to stand trial for war crimes in the country of his victims. For the first time in history, a character says, we will judge our executioner.

Anyone with a cursory knowledge of 20th-century history or access to Google knows how this story ends. Weitz and screenwriter Matthew Orton are more interested in detailing how everything almost went wrong at every turn, from an amateur-hour abduction in front of Eichmanns house to relying on a commercial airline to transport everyone home which turns into a 10-day waiting period when the plane wont show. Meanwhile, Klaus and the cops are trying to locate the missing old man, the team needs Eichmanns signature on a free-will transport form to flee the country and hes actively trying to get inside Malkins head to mess with him.

Its those scenes, in fact, that give Operation Finale its finest moments, as Isaac and Kingsley engage in a sort of Silence of the Lambs interrogatory rapport imagine Clarice Starling as a Nazi hunter and Hannibal Lecter as the architect of the Holocaust, and youre halfway there. Theres a wonderful give-and-take to the way these actors tango with each other, especially when Kingsley gets a line of dialogue he can swish around and savor like a fine Syrah (he refers to the euphemisms the S.S. officers used for killing Jews as flippant terms for dirty work). The more these performers engage in their psychological tte--tte, or remind you that every scene is improved tension-wise by the addition of a shaving someone with a straight razor, the more you engage with the film. Despite the fact that the movie is stocked to the gills with screen talent both Nick Kroll and Melanie Laurent stand out as fellow team members; Simon Russell Beales cameo as David Ben-Gurion deserves its own three-hour movie its really a two-man job.

Past those sequences, however, what youre left with is a functional historical drama, one with car chases and narrow escapes and one eye on being the sort of tony prestige project that Hollywood used to produce on the regular. At its best, its something to see if theres nothing new to watch on The History Channel a perfectly adequate movie about a major intelligence coup and a turning point in terms of providing closure, if not justice, for those who suffered incalculable loss. At its worst, Operation Finale is a somewhat familiar, borderline banal representation of the banality of evil. Theres a slight tinge of urgency to it, thanks to the world outside of the theater: Just because brownshirts have not been marching in the streets of Poland (not officially, anyway) for decades doesnt mean they ever really went away. Its hard not to think of the our current moments cretinous goons slithering out of the woodwork and into POTUS retweets as you watch Eichmann casually dismiss and/or try to reduce genocide as some sort of get-over-it incident to be brushed aside.

Thankfully, Weitz and co. do not tack on a contemporary coda a la BlacKkKlansman, as much as it would be satisfying to watch a neo-Nazi get punched one more time. (Its not that kind of movie. Still, the then-and-now parallels, regrettably, are all too evident.) They opt for the usual roll call of what-happened-after text and footage of the real-life Eichmann, Malkin, et al. But what happens right in front of that end-credits litany of shout-outs is interesting. Theres a brief near-silent sequence, one last beat before we fade out, that defies easy description its enough to say that its haunting, and lyrical, and a callback to the flashback moments weve seen sprinkled throughout. You find yourself moved by what the filmmakers are doing, lingering on the way space and sound are used to grant a final moment of peace. And then you wonder why, as you leave the theater, youve almost completely forgotten the movie that came before it.

The 10 Best Movies of 2004


1. Sideways: Two washouts a failed novelist (Paul Giamatti) and a horn-dog actor (Thomas Haden Church) dreading his impending marriage hit California wine country, get wasted and pick up two waitresses (Virginia Madsen and Sandra Oh). And this Im calling the best movie of the year? You better believe it. Sideways has it all: Sublime acting; acutely perceptive direction by Alexander Payne, who wrote the model of a script with Jim Taylor; and a way of getting inside the heads of its characters until the details of their obsessions, their language and their coping mechanisms for failure in life and love hold up a mirror for all of us to gaze at our flawed selves. Its the only perfect movie of 2004.

2. Eternal Sunshine of the Spotless Mind: It seems impossible that Charlie Kaufman (Being John Mallovich, Adaptation) can keep turning out such innovative scripts, each finding the harsh reality in fantasy. Sunshine, directed with visual wizardry by Michel Gondry, raises the bar by being his most deeply felt work to date. A subtly moving Jim Carrey and a flamboyantly superb Kate Winslet work miracles as ex-lovers who seek medical help to erase each other from their bruised memories. The film juggles so many ideas that it threatens to spin out of control. But watch out it sneaks up on you and knocks you flat.

3. Million Dollar Baby: It sounds like pure clich: a cranky, no-bull fight trainer (Clint Eastwood) grudgingly takes on a girl boxer (Hilary Swank) with the help of a retired champ (Morgan Freeman). But Eastwood, as actor and director, cuts out every ounce of formula fat and replaces it with unsparing intelligence and rigorous attention to emotional detail. The film hits you like a surprise left hook. And Eastwoods performance nudges past Unforgiven, Tightrope and In the Line of Fire to rank as the best of his career.

4. The Aviator: You have to look hard to find the fiercely violent rumblings of the director of Raging Bull, Taxi Driver and GoodFellas in this propulsively entertaining biography of eccentric billionaire Howard Hughes (Leonardo DiCaprio, in his most mature and mesmerizing performance). But Martin Scorsese puts his indelible stamp and a fresh spin on this tale of old Hollywood and an obsessive-compulsive aviation tycoon with a visionarys eye on the future. Hughes tormented genius powers the epic weve been waiting for all year.

5. The Incredibles: Red-staters have tried to claim this Pixar animated classic as their own. Screw that. Kiddies may thrill to this tale of a superhero family that comes out of retirement to kick ass. Let them. But writer and director Brad Bird, a gifted and wicked original, pulls in themes of midlife crisis, marital angst and parental dysfunction that give the movie a depth charge you wont find in Shrek 2, Shark Tale or SpongeBob. Only a sequel-begging ending disappoints.

6. Kinsey: Red-staters wont go near this potent and provocative biopic about Alfred Kinsey (a never-better Liam Neeson), the researcher who revolutionized America in the 1940s by laying out every kinky detail of the dick-pulling, pussy-licking and acrobatic sex positioning going on in the nations bedrooms and often right out in public. Laura Linney gives a knockout performance as Dr. K.s wife (I never see him since he discovered sex). Director-writer Bill Condon (Gods and Monsters) takes playfully perverse joy in showing how sexual hypocrisy is still alive and well.

7. Closer: More sex. This time from four gorgeous actors (Julia Roberts, Natalie Portman, Clive Owen, Jude Law) unafraid to tell it like it is. Mike Nichols, working from Patrick Marbers play, orchestrates this sex-swapping quartet like a maestro of twisted eroticism, showing how truth can heal and also hurt like hell. With dialogue that singes the ears, Closer isnt interested in offering comfort to the confused. It wants to sting. And does it ever.

8. Finding Neverland: Theres a terrific irony in this fact-based tale of Peter Pan author J.M. Barrie (a beautifully nuanced turn by Johnny Depp) being sold as a feelgood fable. Barrie, trapped in a loveless marriage, uses a young widow (Kate Winslet) and her four sons, especially Peter (the superb Freddie Highmore), as a model for his most famous work. The film, directed by Marc Forster (Monsters Ball), is gently and quietly moving. Its power comes not from sentiment but from its compelling grip on loneliness and its effect on more than one lost boy.

9. Kill Bill Vol. 2: The academy will probably never recognize Uma Thurman for her tour de force as the Bride in Quentin Tarantinos gritty and grand tribute to the grind-house fun of action-revenge tales from Hong Kong to Japan. Vol. 2, which supersizes David Carradines slithery brilliance as Bill, does more than add to 2003s Vol. 1 it completes the picture in high style. Tarantino is drunk on the disreputable thrill of movies that arent supposed to be good for you.

10. Fahrenheit 9/11: The biggest documentary moneymaker ever ($120 million) is the blue-state movie of the year. Its also a film with historical, humanist and cinematic value far beyond its brave but futile attempt to boot George W. Bush from the White House. That failure may mean that Moore will lose his bid to see Fahrenheit 9/11 become the first doc to win an Oscar nomination as Best Picture. Come on, you Academy slogs, make a little history, why dont you? Whatever you think of Big Mike, his film is seriously funny and influential. Look at the nonfiction films, from Super Size Me to Control Room, that thrived this year. Moore has put a Woodward-and-Bernstein spin on a neglected form and made docs a cool place to be for film rebels spoiling to be heard.

Other bests for 2004

10 Best runners-up: Before Sunset, Collateral, The Door in the Floor, Ray, Hotel Rwanda, Vera Drake, In Good Company, Broadway: The Golden Age, Metallica: Some Kind of Monster, Team America.

Best foreign-language film: Bad Education, Pedro Almodvars haunting film noir, tops fierce competition from Maria Full of Grace, The Sea Inside, House of Flying Daggers, Infernal Affairs, Red Lights, Notre Musique, Since Otar Left, The Motorcycle Diaries and, yes, the overwrought but over-whelming The Passion of the Christ.

Best first film: Tarnation, Jonathan Caouettes astonishing home movie of his own young life. High praise to Garden State (Zach Braff), Maria Full of Grace (Joshua Marston), Napoleon Dynamite (Jared Hess) and Primer (Shane Carruth).

Best critic Jack-off movie (that audiences dont get): David O. Russells I Heart Huckabees, tied with Jonathan Glazers Birth. Best movie song: Mick Jagger and Dave Stewart should win the Oscar for Old Habits Die Hard (Alfie), but dont write off those immortal ditties from Team America: Im So Ronery, You Are Worthless, Alec Baldwin and America Fuck, Yeah!

R. Kelly Continues the Trapped in the Closet Saga


R. Kellys drama-filled R&B soap opera Trapped in the Closet is headed to IFC with new chapters set to begin airing in 2014. Everyone from Rosie the Nosy Neighbor to Pimp Lucius are returning with more secrets, infidelity and unyielding passion to save their relationships, according to a press release. The channel will start showing the salacious tales 33 previous chapters on December 7th at 5:15 p.m. EST. All 33 are also currently streaming on IFCs website.

Watch R. Kelly Sing Ridiculous Sex Songs

When he hasnt been writing new stories for Trapped, Kelly has been keeping a busy schedule recently. In addition to collaborations withLady Gaga,Justin BieberandBruno Mars, Kellys releasing his 12th studio album, Black Panties, on December 10th (though the album is streaming now). The 13-track album signals a return to form of sorts for the singer with autobiographical songs and others proclaiming hes a sex genius and it is a musical departure from the classic soul and R&B LPs he had been putting out most recently, 2010sLove Letterand 2012sWrite Me Back. I love that I can play around with all types of music, Kelly recentlytoldRolling Stone. I didLove LetterandWrite Me Backand those were fun albums for me to do, because they took me back to music I love. But I wanted to change lanes with this new album and remind people of theTP-2.comand12 Playstyle of music I can do Kellz music!'

Kelly even made time to conceive of a few songs for Rolling Stone about bizarre subjects like Sex Dolphin and Italian Hero Sandwich of Love.His a cappella creations were so compelling, a DJ even remixed them.

6 Keys to Jimmy Fallons Tonight Show: Timberlake (And Fun Insanity)


Next month, Jimmy Fallon inherits NBCs revered Tonight Show, bringing his unbridled energy, musical talent and long list of celebrity pals to the 60-year-old late-night institution. Over the past five years close to 1,000 shows the Saturday Night Live alum honed his craft as the host of Late Night With Jimmy Fallon, and if last nights two-hour retrospective of his Late Night tenure is any indication, were in for a hell of a ride when The Tonight Show relocates from Los Angeles to New York on February 17th. What makes Fallons unique blend of comedy, music and viral videos such a recipe for success? Based on last nights lookback, weve come up with six key ingredients that will ensure Fallon a seamless transition from a.m. to p.m.

From the Archives: Jimmy Fallons Big Adventure

1. Everythings better with Justin Timberlake
Bookending The Best of Late Night With Jimmy Fallon with clips featuring the Suit & Tie singer was a no-brainer. From History of Rap Part 2 (which opened the show) to Hashtag (closer), not to mention everything theyve done on SNL together, Fallon and Timberlake are poised to give Tina Fey and Amy Poehler some stiff competition for best comedic duo of the 21st century. Of course NBC couldnt include every genius Fallon-Timberlake musical moment last night, but if youve never seen Three Michael McDonalds Sing Row, Row, Row Your Boat,' please rectify that matter immediately.

2. Staying friends with Barack and Michelle Obama
Two clips that were awarded prime real estate on Best of starred none other than the president and first lady, proving they could hold their own in comic timing while promoting their respective platforms in physical fitness and student-debt relief. In The Evolution of Mom Dancing, Mrs. Obama showed up a cardigan-clad Fallon (dressed as his Real Housewives of Late Night character) with her mad Dougie skills, while her husband, a.k.a. the Preezy of the United Steezy, gave Brian Williams the night off back in 2012 when he slow-jammed the news with Fallon and house band the Roots.

3. Duets with musical legends never get old
Especially when someone like Fallon can persuade them to parody their seminal classics or dress up as their 1970s (and 1980s) selves and sing the latest pop hits of the day in his signature growl. One of the most memorable musical appearances on Late Night was in 2010, when Bruce Springsteen donned a beard, his Born to Run-era sunglasses and a newsboy hat to join Fallon-as-Neil Young in a rendition of Willow Smiths girl-power anthem Whip My Hair. Not to be outdone, Paul McCartney showed up a few weeks later to perform Scrambled Eggs, the original version the Beatles Yesterday, with added verses about waffle fries and chickenerm, tofu wings (Sir Pauls a vegetarian through and through, even in his songs).

4. Keeping the Digital Original Parody factory in operation
Late Night With Jimmy Fallon is a world of many layers. Who knew that after Fallon bid the audience good-night in Studio 6B, he slipped into white tie, tails and a British accent, and entered the inner sanctum of Downton Sixbey? Or that announcer Steve Higgins moonlighted in oversize sweats as an underground joke dealer out-bitch-ing Aaron Paul himself (Joking Bad)? And since we need a good Scandal or The Americans spoof in time for their return at the end of February, I would love to see how monologue intrigue and cue-card sabotage are fixed backstage at The Tonight Show.

5. Insanity works
Like most talk shows, Late Night With Jimmy Fallon initially got off to a rocky start when it premiered in 2009. But it was the appearance of Mark-Paul Gosselaar in the guise of his Saved by the Bell alter ego Zack Morris (blond wig, cuffed acid-wash jeans, jumbo mobile phone) that helped Late Night find its quirky pop-culture groove. Not sure if Let Us Play With Your Look which always featured a blond, Louise Brooks-bobbed Fallon singing the Swedish-porn-esque theme song in falsetto is appropriate for the 11:35 p.m. timeslot, but I would gladly watch Bryan Cranston smear grease paint into an unsuspecting audience-members hair on The Tonight Show anytime.

6. The Roots
There is no question that the Roots have been instrumental bad pun intended in making Late Night With Jimmy Fallon such a hit. Whether its the arcane choices for the guest stars walk-on music (which can sometimes get the band into trouble) or performing Blurred Lines or Call Me Maybe with classroom instruments like a toy xylophone, the Philadelphia crew has revolutionized the role of a talk-show house band. Viewers tune in to hear the Roots as much as they do to see Fallon impersonate Justin Bieber or Tom Cruise crack raw eggs on his perfectly coiffed head, so it was a relief when it was finally reported that Questlove and Co. would be making the move over to The Tonight Show.

Creed Bratton Dishes on Season Eight of The Office

A few months ago, Creed Bratton sat down with the entire cast of The Office to read through the script of last seasons penultimate episode ...