Serena


So you think Jennifer Lawrence and Bradley Cooper are invincible onscreen? Ha! Serena is damning evidence to the contrary. Lawrence shot this folly between two David O. Russell films, her Oscar-crowned Silver Linings Playbook and American Hustle, both with Cooper. They will survive. Audiences forced to endure the 109 coma-inducing minutes of Serena should bring an e-book or a soft pillow.

What led the actors astray? Ron Rashs 2008 novel won raves. And director Susanne Bier guided the Danish film In a Better World to a foreign-language Oscar in 2011. Maybe the script, by Christopher Kyle, would play better in Danish, since Lawrence and Cooper nearly choke on their dialogue.

He plays George Pemberton, a Depression-era logging tycoon who brings his bride, Serena (Lawrence), home to North Carolina to watch him make his fortune. Serena doesnt watch. Shes a doer. Rachel (Ana Ularu), the townie who spewed out Georges bastard kid, is screwed, especially when Serena miscarries. Serenas descent into madness and murder sparks a storm of overacting that makes the Macbeths look like introverts and reduces this misbegotten lumber-world tragedy to splinters. Left for dead since 2012, Serena would better serve its stars by burial, not resurrection.

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