See Linda Hamilton, Mackenzie Davis Kick Ass in New Terminator: Dark Fate Trailer


Linda Hamilton is at the center of a new trailer for Terminator: Dark Fate. The actress, who returns as Sarah Connor, takes the reins in a new story directed by Deadpool director Tim Miller. In the latest clip, Hamiltons characters explains her backstory to Mackenzie Davis enhanced human as they work to protect a young girl. The pair reunite with Arnold Schwarzenegger as he promises to help.

The film picks up after the events of James CameronsTerminator 2: Judgment Day,ignoring a few other installments in the franchise and giving the female characters the spotlight. In the new trailer, there are plenty of moments where both Hamilton and Davis showcase their impressive action skills. After one explosive moment, Hamilton quips, Ill be back in homage to the original film.

Cameron recently told Deadline he sees Dark Fate as a sort of reboot of the series.

One of the things that seemed obvious from looking at the films that came along later was that we would need to get everything back to the basics and that we would need to avoid the mistakes of making things overly complex and that we needed to avoid stories that jumps around in time and one that goes backward and forward in time, he said. Lets keep it simple in the relative unity of time. With the story, lets have the whole thing play out in 36 hours or 48 hours. In the first two movies everything plays out in less than two days in each one so theres energy and momentum.

He added that he sees more films to come after this one. We rolled up our sleeves and started to break out the story and when we got a handle on something we looked at it as a three-film arc, so there is a greater story there to be told, Cameron said. If we get fortunate enough to make some money with Dark Fatewe know exactly where we can go with the subsequent films.

Terminator: Dark Fate, which also stars series newcomers Natalia Reyes, Gabriel Luna and Diego Boneta, is in theaters November 1st.

Janelle Mones Wondaland Pictures Inks First-Look Production Deal


Universal Pictures has inked a first-look production deal with Janelle Mones Wondaland Pictures, Deadline reports. The new teaming will focus on underrepresented voices and innovative perspectives for the multi-genre content it will develop.

The agreement furthers the companys relationship following her starring role in Universals forthcoming Robert Zemeckis-directed film, Welcome to Marwin, which hits theaters on December 21st, and Universal affiliate Focus Features Harriet Tubman documentary, Harriet, which is expected in 2019.

There is an exciting, artistic revolution taking place in our industry, and Janelle and the talented team at Wondaland are at the forefront, Chairman of Universal Pictures Donna Langley said in a statement. Their forward-thinking, inclusive approach to content and storytelling make them a perfect fit for our studio.

The CEO of Wondaland, Mone recently told Fast Company that everyone on her Wonderland team works both in the film division (Wondaland Pictures) and music division (Wondaland Records) sides along with the endorsement side and the activism side and it begins with a Vision Board idea.

Say its an album, or a movie we [then] bring it to the management team and say, Help us execute, keep us on schedule, she said of the workflow. All I want is to make sure the creative part of the enterprise is protected from people who dont understand the metamorphosis the many stages it takes to create art.

New Order Explore Bizarre Love Triangle on Kimmel


With a week to burn between Coachella performances, New Order stopped by Jimmy Kimmel Live last night to keep sharp with a performance of their 1986 single "Bizarre Love Triangle." Clad in a black New Order T-shirt, frontman Bernard Sumner danced along while singing over waves of synths and a steady pulsing rhythm.

New Order Seek to Balance Writing and the Road

New Order's performance last Saturday was among the highlights of the first weekend of Coachella thanks to a set that mixed their own hits with a selection of Joy Division classics. The second weekend of the Indio, California, festival begins on Friday.

Oblivion Suffers From Derivative Elements


The sci-fi epic Oblivion arrives in theaters this Friday and though its not quite summer, Peter Travers notes its massive scale and impressive visuals feel like June blockbuster material.

Review: Oblivion

Tom Cruise plays Jack Harper, a man who seemingly lives alone on Earth gathering resources from a wasted, post-apocalyptic planet. Hes accompanied by an assistant (Andrea Riseborough) who doesnt descend from their sky-high offices. Then Jack meets Malcolm (Morgan Freeman), the leader of an underground resistance movement, and he learns the truth about Earths destruction and his role in the current world.

Though it boasts big names and a big premise, Oblivion feels derivative and cobbled together from other futuristic fare, says Travers: Its every other sci-fi movie thats ever been made. Director Joseph Kosinski previously helmed Tron Legacy, which felt inhuman to Travers, and this film suffers from the same issues. It steals from better movies; it wouldve been better off stealing from worse movies, Travers says. It makes you think how much you enjoyInception orThe Matrix orWall-E. Meanwhile, youre sitting there saying, Whats going on in this movie?'

RZA, the Black Keys Battle to Determine The Baddest Man Alive


RZA's martial arts movieThe Man With the Iron Fists premieres on November 2nd, but the hip-hop mastermind starts the battle early in the video for the "The Baddest Man Alive," from the soundtrack: The Wu-Tang leader faces off with the Black Keys in a restaurant to determine who really is the baddest.After a quick intro snippet from the film, the blues rockers start brawling with the rapper-producer, taking the fight from the tables to the kitchen and wielding dangerous weapons including fish and heads of lettuce. But at the end, the title is bestowed on the restaurant owner, who boldly boots the three troublemakers from his establishment with ease.

W.E.


Madonna directs again! Oh, no! Oh, yes! A hard lesson should have been learned after Filth and Wisdom, but heres Madge one more time doing something for which she is eminently unsuited directing. Madonnas tenacity deserves praise, unlike anything else in this torturously torpid costume drama, except the costumes which gleam with period elegance. There is an idea here. Madonna and co-screenwriter Alek Keshishian (director of Madonna: Truth or Dare) are telling the true story of Wallis Simpson (Andrea Riseborough, rising above the mud), the American socialite and divorce who King Edward VIII (James DArcy) gave up his throne to marry. W.E. stands for Wallis and Edward get it? In last years Oscar-winning The Kings Speech, Eve Best and Guy Peace took those roles. Not content with going deeper into that bizarre romance, Madonna adds a new wrinkle in the form of a contemporary Manhattanite, Wally Winthrop (Abbie Cornish), who sees herself in the other Wally, prompting director Madonna to interlace their stories. By the time you realize you dont know whats going on you will have stopped caring. Consider that a mercy. To close the film, Madonna co-wrote a song, Masterpiece, which won her a Golden Globe award. Elton John and his partner seemed irked by the choice. Im irked at the title of song. Nothing having to do with W.E. has any right to be called Masterpiece.

Tom Pettys Career on Film: Watch the Trailer for Runnin Down a Dream


Creed Bratton Dishes on Season Eight of The Office

A few months ago, Creed Bratton sat down with the entire cast of The Office to read through the script of last seasons penultimate episode ...