Little Fockers


The second sequel to 2000s Meet the Parents defines uncalled for. Little Fockers is upchuckingly unfunny. After nearly overdosing on Viagra, Robert De Niro gets it up. The movie never does.

Video: Peter Travers Blasts Little Fockers in This Weeks At the Movies

The plot? Ben Stillers Greg and wife Pam (Teri Polo) are prepping a 5th birthday party for their twins (cue the pee-poop-puke jokes). De Niros Jack, the ex-CIA guy and Gregs pop-in-law, arrives with wife Blythe Danner to celebrate. Dustin Hoffman and Barbra Streisand, as Gregs parents, just phone in it literally. Im falling asleep writing this. Director Paul Weitz, taking the reins from Jay Roach (who wised up and moved on after two of these fock-ups), seems equally narcotized. If there is another sequel, it better be called Fock the Fockers.

The 10 Best Movies of 2010

Memoirs of a Geisha


Rob Marshalls fluent film of Arthur Goldens 1997 best seller puts new luster on the word gorgeous. In telling the story of Sayuri (Ziyi Zhang), the geisha who wowed Japan in the years before World War II, Marshall, cinematographer Dion Beebe and costume designer Colleen Atwood sweep you off to a rapturous secret world where youll swear you can feel the texture of a kimono and the heat of a blush on a young girls cheek. After the hyper pacing of Marshalls Oscar-winning Chicago, his style here is fluid, measured and truth be told a little distant. The passion that the virginal Sayuri feels for the Chairman (Ken Watanabe) never catches fire. But the acting does. Zhang is loveliness incarnate. And the great Michelle Yeoh, her co-star in Crouching Tiger, Hidden Dragon, possesses a touching gravity as Mameha, Sayuris mentor. The scene stealer is Gong Li as Hatsumomo, the geisha Sayuri dethrones. Shes a live wire, and watching her try to destroy her rival gives the film the jolt it needs as Robin Swicords script strains to connect the dots. Any doubts about three Chinese actresses speaking English with Japanese accents vanish in the face of their deeply felt performances and the world Marshall conjures with magical finesse.

Song One


First-time filmmaker Kate Barker-Froyland trusts the silences that occur when two people arent talking. Thats a good thing. Whats not so good is when the talk grows enervating. That happens when Franny (Anne Hathaway), studying anthropology in Morocco, returns home to New York to see her brother Henry (Ben Rosenfield), a busker whos been in a coma since a cab hit him. Its Frannys plan to revive Henry by bringing him the sounds and smells that inspired his music. She also befriends and beds James Forester (Johnny Flynn), Henrys rock icon, which seems, well, a little creepy and a lot contrived.

Despite the delicate shadings Hathaway brings to the role, Song One moves inexorably from wan to wearying. Hoping to capture the bittersweet vibe of the 2006 cult hit Once, Barker-Froyland injects the fragile plot with songs written by the indie-rock duo Jenny and Johnny. Hathaway stares longingly as Flynn sings, but Once, Im afraid, is enough.

First They Killed My Father: Angelina Jolies Film Packs Visceral Impact


Will wonders never cease. A film about Cambodia told from a Cambodian perspective instead of through the heroic intervention of white outsiders. Yes, thats Angelina Jolie behind the camera, as director and co-writer, but First They Killed My Father, subtitled A Daughter of Cambodia Remembers, steadfastly honors its first-person account. The film takes the point of view of Loung Ung (newcomer Sreymoch Sareum), who was only five years old when the Communist Khmer Rouge entered the Cambodian capital of Phnom Penh in 1975, brutally executing fellow Cambodians with ties to the old regime and making life a living hell for Loung, her parents and siblings. Loungs memoir, published in 2000, is the basis for Jolies film. And except for Vietnam-era, Nixon footage, which Jolie uses to excoriate the U.S. role in the secret bombing raids on Cambodia, we stick with Loung, reading her harrowing story on the face of the extraordinary child who plays her.

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If Americans still have a hard time piecing together the byzantine civil wars of the time, image a childs confusion. In a bold decision, Jolie lets us see only what Loung sees. The effect is shattering, as Loungs father (Kompheak Phoeung) a former member of the military police in the U.S.-backed government is marked for death while she and her other family members are separated and forced to endure starvation rations and backbreaking labor in service to Angkar (the Khmer leadership). This also means Loung must bear witness to a genocide that wiped out a quarter of Cambodias population from 1975 to 1979. Jolies scenes of Loung being trained as a soldier are particularly chilling, especially when she is instructed in how to plant landmines and deliver a death blow.

You can criticize Jolie and cinematographer Anthony Dod Mantle for letting images that are merely picturesque poke through the suffering. But this film (in the Khmer language with English subtitles) is not a documentary. And the brightly colored dream sequences in which Loung imagines feasting at a banquet or being back at home with her family and her mothers soup and crunchy pork seem reasonable for a child. Indeed, its the planned corruption of an innocent that gives the film its shocking resonance to what the Taliban is doing now.

Jolie is often patronized as a humanitarian who makes worthy films to rouse an indifferent public, like thats a bad thing. It also denies the visceral impact of her work and the artful shape of her compositions, as seen in Unbroken and In the Land of Blood and Honey. First They Killed My Father, which opens this week at the same time that it begins streaming on Netflix, is clearly a passion project for Jolie. Her adopted son Maddox, 16, was born in Cambodia and served as executive producer on the film. If there is such a thing as a cinematic labor of love, this is it.

Waiting for Superman


It's war! and the enemy trying to bring down public education in America is within. That's the premise of Waiting for "Superman," an electrifying call to action from Davis Guggenheim, whose An Inconvenient Truth won an Oscar. Guggenheim writes his devastating story on the faces of children in New York, L.A. and D.C. whose lives are being ambushed by bureaucracies. This movie isn't just a necessity (listen up, do-nothing politicians) it might change your future.

At the Movies With Peter Travers: The A-Team and Karate Kid


This weekend At the Movies, Peter Travers jumps into the Hollywood time machine back to 1984 with a pair of big budget reboots: the explosion-happy The A-Team, based on the action TV series starring Mr. T, and an updated take on the Ralph Macchio classic The Karate Kid. The verdict: neither film lives up to its original predecessor.

The A-Team director Joe Carnahan assembles a pretty stellar cast Liam Neeson as Hannibal, Bradley Cooper as Face, District 9 star Sharlto Copley as Murdock and UFC fighter Rampage Jackson in the Mr. T role of B.A. But fans of the TV show will be turned off by the films shoot to kill mentality.

As for The Karate Kid , starring Will Smiths son Jaden, Travers points out the film focuses on kung-fu and not karate. Despite a decent turn by Jackie Chan in the Mr. Miyagi role previously filled by Pat Morita, The Karate Kids biggest crime is that it clocks in at a whopping two-and-a-half hours. The original version is a cult classic, however this new version is predictable formula.

There is one must-see movie in theatres this weekend, and it comes from the unlikeliest of people: Joan Rivers: A Piece of Work is one of the most shockingly funny movies out there now, Travers say. With its in-depth look into Rivers life off camera, the documentary reaches Borat-levels of comedy. For those who know Rivers only from her red-carpet interviews, this doc will be a revelation, Travers wrote in his three-and-a-half star review of A Piece of Work. Rivers is more than a pioneering funny lady who paved the way for the likes of Kathy Griffin and Sarah Silverman.

Read All of This Weeks Reviews:
The A-Team
The Karate Kid
Joan Rivers: A Piece of Work

Pixels and Paul Blart Lead 2016 Razzie Nominations


Nominations for the 36thAnnual Golden Raspberry Awards were announced on Wednesday morning, and the critically derided likes of Jupiter Ascending, Fifty Shades of Grey, Pixels, Fantastic Four, and Paul Blart: Mall Cop 2 will vie for the top dishonor at the February ceremony thats meant to celebrate the worst of the year in movies. Each of the Worst Picture nominees were recognized in six different categories of failure, save for Fantastic Four, which managed a comparatively terrific five.

The Oscars of awfulness, the Razzies are the one Hollywood award that nobody wants to win, and as per usual this years nominees have been culled from a small handful of major studio disasters. (Kudos, then, to gross-out indie Human Centipede III, which merited consideration for both Worst Director and Worst Remake). And as per tradition, at least one of them stars Adam Sandler, who landed his 13thWorst Actor nomination for his roles in Pixels and The Cobbler (Chevy Chase was similarly recognized for his work in both Hot Tub Time Machine 2 and Vacation). The most amusing nods could be found in the Worst Screen Combo category, in which Paul Blart star Kevin James was nominated alongside EITHER His Segway OR His Glued-On Mustache.

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Several of this years major Oscar contenders managed to pick up Razzie nods as well, as Johnny Depp (Mortdecai), Eddie Redmayne (Jupiter Ascending), and Rooney Mara (Pan) were each recognized for their other performances from 2015. For some other respected actors and filmmakers, the nominations even brought some surprisingly good news: One Hollywood talent will walk away as this years Razzie Redeemer, a coveted distinction awarded to the celebrity who best pulled themselves out of their creative tailspin over the last 12 months. This years nominees are Elizabeth Banks (Love & Mercy), M. Night Shyamalan (The Visit), Will Smith (Concussion), and Sylvester Stallone (Creed, for which he could potentially win an Oscar and a Razzie for the same performance).

Visit the official site of the Razzies for a full list of nominations. The winners will be determined by an online vote, and formally announced on Feb. 27th at 11 p.m. ET/8 PT. The Razzie committee consists of 900 people, and can be joined at the cost of a $40 membership fee.

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