Jack Nicholson: A Singular Guy


Jack Nicholson is ambling down the stairs of his place on Mulholland Drive, in Los Angeles, a little late, having just zipped up. Hes lived here for more than 30 years a two-story stucco-type pad bought for $80,000 that is packed to the gills with soft chairs, easygoing couches, priceless art, Oscars (three), books (The Popular Medical Encyclopedia, Primal Scream), a former para-Marine named Oz, who is now his cook, an eyeglasses case marked Reading (helpfully), a bowl of fruit (he doesnt eat fruit, but Oz hasnt given up), tubes of both Rembrandt and Close Up toothpaste (hes peripatetic that way), much fear for the world at large, and huge historical problems with even the general concept of monogamy, not to mention echoes of past orgiastic parties and overheated assignations too numerous to count. Its entirely his place. Its where, in the late Sixties, as a matter of self-help, he spent three months walking around in the nude, at all hours of the day, no matter who stopped by, his daughter included. Its where his closest neighbor, the late Marlon Brando, used to come calling when Jack wasnt home and root around in his fridge (usually because hed padlocked his own), and for some reason leave behind his underpants, which would then mysteriously turn up in the laundry. Its where today, after successfully negotiating the trimming of his toenails, he ends up in his living room, which is dominated by a white-brick fireplace smack-dab in the middle (so I cant be cornered, he says). Hes wearing a polo shirt, khakis and fuzzy black slippers, with his thin hair combed back flat, sixty-nine years old but looking good, despite a tummy on the round side and occasional issues with heartburn. He angles himself into a chair, settles, and in his great gravelly Jack voice gives further explanation for his late arrival.

Jack Nicholson: The Badass Hollywood Star

Oh, you know how it is, he rasps. At the last minute, those old boys bladders

Then he lights up a cigarette and leans back, never bothering to finish the sentence hes started, which is often the way it is with him, completion indicated only by the skyward hoisting of his thick pyramidal eyebrows. At other times, though, he gathers in a full breath of air, starts talking, usually in fat, orotund paragraphs, and never stops. For instance: On the topic of his latest movie, The Departed, directed by Martin Scorsese and co-starring Leonardo DiCaprio and Matt Damon, in which he gives another Oscar-worthy performance, as Boston-Irish mob boss Frank Costello, probably the worst, most criminal criminal ever in one gruesome scene, he steps out from behind closed doors covered in blood, well up past his elbows and over which he, the loosest and most experimental of actors, was expected to lock horns with Scorsese, the tightest and most controlled of directors.

My reaction to 9/11 was This is just a catastrophe, so Im just going to do comedy for a while, Jack says, sallying forth through a plume of cigarette smoke. Id done three in a row [About Schmidt, Anger Management and Somethings Gotta Give] and thought, Jeez, I really would like to play a bad guy. And the guy I play here, hes bad. Nothing is sacred, not the church, not children, nothing. I knew Leo from a while back and, in fact, hes the one who brought me in. Matt I knew too. I have very good feelings about both of them. At first I tiptoed in, but Marty was very inspiring in terms of how free he was with me. I thought itd be more frightening if my character had a sexual component, but all we put in the notes was Costello has wild sex. So I called Marty up and said, Look, I just thought of what would be an interesting scene of Costello having wild sex. And in this scene with two girls, one of the girls is wearing a strap-on, and he just hurls this handful of cocaine and says, Dont move until youre numb.And then later on, in a porno theater, as a sick joke, the guy turns to Matt Damons character with that same strap-on dildo sticking out of his pants. This was my idea and improvisational, and Marty went for it. But thats what these parts are for me: spicing the movie.

While hes talking, Im looking around. Its serene in here, simple, no sleazy leather couches, nothing like that, a guitar in a corner, with an intimate swimming pool glimmering in the twilight out back, and pretty soon I can hear Nicholson gliding by all the hottest recent topic Tom Cruises firing by Paramount, Mel Gibsons drunken anti-Semitic rant, Lindsay Lohans bad behavior on set breezily suggesting that he doesnt take much interest, really, in any of it. And all the time Im thinking, where could one possibly take Jack Nicholson, where could one possibly go, where he hasnt been before, lots of times, comfortably?

Of his early actor pals Warren Beatty, Dennis Hopper, Harry Dean Stanton, Peter Fonda, Art Garfunkel, Bruce Dern Jack is the only one who remains crucial to the current moviemaking scene. Hes still friends with most of them and they do talk, but more infrequently these days. And of those contemporaries who might be considered acting equals, like Al Pacino, Robert De Niro and Dustin Hoffman, he just seems to loom larger. Hes both a movie star and a cultural icon and in so being has singlehandedly managed to render meaningless such distinctions as Old Hollywood vs. New Hollywood. DiCaprio and Damon are great big movie stars in their own right, but as The Departed makes clear, Nicholson is bigger than either, and better. Pretty much, hes all things at all times, a sui generis lunatic force of nature who in his personal life is forgiven for all of his apparent sins his obsessive womanizing, his brutalizing of a car with a golf club, his evasions behind sunglasses even as they mount to the heavens above, because what else can you do with a guy like that?

It can hardly be said often enough: In terms of cool and its variants, Nicholson, inside the movies and out, has come to signify almost everything worth signifying. Hes the mythic rebel in Easy Rider (1969), his breakthrough performance, at the late-start age of thirty-two, after eleven years of trying; the laconic drifter dropout in Five Easy Pieces (1970); the self-hating misogynist in Carnal Knowledge (1971); the dogged too-nosy seen-it-all detective in Chinatown (1974); the anti-establishment loon in One Flew Over the Cuckoos Nest (1975), all the way up to the over-the-hill womanizer with the flabby rear end in Somethings Gotta Give (2003), with enlightening stops along the way to define the true nature of writers block in The Shining (1980), the murderous nature of lust in The Postman Always Rings Twice (1981) and the effects of aging on a party-hearty ex-astronaut in Terms of Endearment (1983). Plus, born in 1937, abandoned by his father, raised in rinky-dink coastal New Jersey, he didnt know until his late thirties that the woman he thought was his sister was actually his mother and that his putative parents were, in fact, his grandparents a set of mind-boggling personal circumstances that also seems to have broadly described many of the social and sexual perplexities of the day. In a sense, he has always operated as an advance man for behavior of the most outrageous, unconventional sort. Could Russell Crowe or Colin Farrell have behaved quite so libidinously in public without Jack, the Great Seducer, having paved the way? Of course, Jacks great pal Warren Beatty was himself no slouch in this regard. But the curious thing is, over time, young and old, all of them got married, or had kids and settled down, or otherwise became respectable, sort of, all but Jack. More good times is both my ethics and my morals, he likes to say. In other words, today is the same as it ever was, and to hell with what anyone else thinks.

If it happens that you need a condom, I ask him one evening, do you buy it yourself?

Ive never bought one, he growls. But if I needed a porn picture or something like that, my staff normally does that kind of shopping for me.

Have you ever even used a condom?

Sure.

Successfully?

Its always a problem. You cant feel your wanker. He sighs, takes a sip of iced coffee and goes on, Look, I have Reichian therapy in my background. Early on, I had problems with that most common kind of impotence, being quick, suddenness, which is actually a kind of jitter from holding on too hard and not feeling things, which is part of what were talking about. Its all about actually feeling it, not in some locality but in the larger sense of the experience passing through your being. In my lifetime, from World War II on, the world got freer, just by nature. And then came along, now we have the Death Fuck. And when this idea became popular, the sex-negative, pleasure-denial momentum of the world, I mean, it just got to the point where I cant do this anymore. It was no longer the full catastrophe. So I went to my doctor and got a very specific scientific analysis, which boiled down to, unless youre a shooter or something else, youre as likely to have this problem as to have a safe fall on your head. I mean, look at it logically. If you understand numbers at all, just by geometrical progression, if it were all true, everybodys dead by now.

He continues like this, leaving me frantically trying to parse his words. Its difficult, because if hes not clipping his sentences short, hes divesting his pronouns of most of their antecedents and doing away with transitional connectors altogether. What I think hes saying, though, is that when the AIDS crisis started, he tried wearing condoms, but they prevented him from feeling the full catastrophe of the sex act, so he went to a doctor, who told him not to worry about getting AIDS, so he no longer wears condoms. Anyway, at times like this, with him soaring off into the ether, I have noticed that the easiest way to bring him back down to earth is to sink him into the gutter.

Whats your favorite position?

Huh? Oh. Ha, ha, ha. Heh, heh, heh. Two arms and legs, he says, obliquely.

And at times like these, its best to raise your voice and start yelling something like, Oh, come on, Jack! God! Its missionary! Its every guys favorite position!

Yeah. Yes, he says. But as you get older its inverted missionary, because of other reasons. Look, Im less rambunctious these days, not because of a change in character, but your physiognomy changes. I am not as obsessed. I am not as, you know Im still very I have the same libido. But whether you want it to or not, that part of your life changes a bit. Throughout most of my life, though, I liked doing what I like to do. And Ive been fortunate because thats just the way it worked out for me.

You mean you got laid a lot just because it worked out that way?

Well, no. You know, I mean, I was very driven. I remember being at least mentally sexually excited about things from childhood, even sooner than eight, in the bath-tub. I mean, I had a large appetite.

As Kim Basinger once pointed out! I say. (What shed said was [Jacks] the most highly sexed individual I have ever met.)

Well, says Jack then, taking a long, deep breath, Ive never talked about it that much. I talk about the generality of it. But in all honesty, Im very tender in these areas. Lets use that word.

Altoid? I ask, offering one.

Sure, he says, and places it in his mouth.

And then for a few moments we let the day slip by, his ship of comfort seeming to rock just a little, in a little late breeze.

Lots of things are reverberating into the past around Jack Nicholson these days. For instance, the dildo-in-a-porno-theater scene he thought up for The Departed. The roots of it, you could argue, reach back twenty-five years, to 1981, when he was making The Postman Always Rings Twice, with Jessica Lange a highly sexed-up piece that nonetheless features no nudity whatsoever. Jack, however, was dead set on making it one of the naughtiest movies and decided that the solution lay in showing an erection this kind of bulging railer through his 1940s pleated pants. To that end, he asked director Bob Rafelson to craft him a conventional prosthetic, but no one took him seriously, so when the day to shoot the scene arrived, he found himself empty-handed and irritated. Said Rafelson, Well, jeez, if youre so red-hot about this, go upstairs and see what you can do there. And so Jack did, whipping away, he says, until he realized that some things were beyond even him.

And then theres Marlon Brando, the only actor to ever outsize him as icon. How odd it is to think that for three decades two such figures shared the same driveway and lived in homes only a few stumble-through-the-woods minutes apart (with their pal Beatty also living nearby, several houses away, the trio forming a kind of unholy trinity that once led local cops to nickname Mulholland Drive Bad Boy Drive). Jack idolized Brando. He called him the man on the hill and was always delighted, or at least not horrified, when he found Brandos underpants in his laundry. So when he died, in 2004, Jack bought his place, for $6.5 million. Its in terrible, falling-apart condition. He plans to get rid of it completely and plant frangipani where it once stood.

I rarely talked to him on the phone, he says. For the most part, hed come wandering down. We had many, many discussions other than Well, what are we going to do about the gate? and Well, I hear my kids came down here. But we were good neighbors because we werent up each others ass all the time. I mean, what can you say? Hes one of the most powerful presences in our lifetime, just sitting there, the big fella. After he died, though, I couldnt go up there for months or years. I just had this weird juju. He shivers, dramatically, to show what he means. Juju kinds of feelings. Then he pauses and says, For all thirty years, Marlons presence to me was this tree I see out the window in front of my toilet. I miss him.

He seems to be getting a little melancholy, so I change the subject and ask him to describe his mornings. He says that he usually wakes up around 11 a.m., when Gloria, his housekeeper, brings him breakfast in bed. On the breakfast tray is a glass of orange juice, a cup of coffee (cream, sugar), a container of diet chocolate pudding (but only on weekends) and his daily regimen of pills, which includes a baby aspirin, for all the good one baby aspirin a day can do a person; Lipitor, to deal with certain cholesterol issues; and a Celebrex, to ease the pain of arthritis, with a Prilosec waiting in the wings should heartburn develop. Now, at night, he usually doesnt go to sleep until 4 a.m. and most often spends the last two hours before lights out my ass-scratching hours with his nose deep into a book, most recently The Genesis Code, a thriller by John Case, and Charlie Wilsons War, by George Crile, about the nutty renegade congressman. Typically he does this reading up in bed, in the half of the bed thats been imprinted by his bulk and that he likes to call the dent.

And of course, he continues, wolfish grin making an appearance, canines gleaming, I do like company when I have it. Thats always exhilarating.

And do you have a lot of company?

Im unattached for quite a while so I have varied company. In terms of age, you could say that over the last year, Ive probably covered the territory from twenty-one to sixty-one.

Sixty-one?

Yeah, Im good with my pals. You know theres certainly more than one person that Ive seen maybe thirty years, intimately. Unexpected by me. I have the normal things that people have. You know, Mom sitting on the toilet, scared, Gee, you know, when you were little, or whatever that is. You know what I mean, Oh, am I going to be able to deal with crepe? or whatever the fears are.

The Mom-sitting-on-the-toilet-scared-gee thing is so out of the blue and weird that I am struck senseless and dont think to ask him what he means by it. All I can manage to say is Crepe?

Crepe, he says. You know, any fears you may have about contacting mortality or the aging process, particularly in this area.

What he means, I suddenly realize, are his fears about coming into contact with wrinkly, baggy, crepe-y old skin, not his own but that hanging off an older woman.

Oh.

It sometimes seems, tellingly, perhaps, that all of Jack Nicholsons life has revolved around sex in one way or another. To begin with, theres his birth circumstances, the so-called illegitimacy of it, which was tucked away and hidden, the dirtiest of family secrets. Then, as an adult, theres his frantic pursuit of women, all women. Among those known to have succumbed are horror-movie actress Sandra Knight, his wife from 1961 to 1966, from whom came daughter Jennifer, 42; Mamas and the Papas singer Michelle Phillips, before she took up with Warren Beatty; actress Susan Anspach, from whom came son Caleb, 36; actress Anjelica Huston, daughter of his great friend, the late director John Huston, for seventeen tempestuous, topsy-turvy years; former waitress Rebecca Broussard, from whom came daughter Lorraine, 16, and son Raymond, 14; and, most recently, tweezer-thin actress Lara Flynn Boyle, who is thirty-three years his junior. Among the rumored have been Diane Keaton, as well as Margaret Trudeau, wife of late Canadian prime minister Pierre Trudeau. Among the most blabbermouthy was late Playboy model Karen Mayo-Chandler, who once said, Hes a nonstop sex machine. Hes into fun and games like spanking, handcuffs, whips and Polaroid pictures, and who added that he eats peanut butter in bed to keep his strength up. And among those he has mentioned as lust fantasies are President Jimmy Carters wife, Rosalynn, President Franklin Roosevelts wife, Eleanor, and hotsy-totsy New Age guru and A Womans Worth author Marianne Williamson. (He is also fond of the television preacher known as Reverend Ike, but not in the same way as the others, one hopes.)

As it happens, however, he has also defined what he does for a living in terms of sex. You have to determine, what is your sexuality in this scene? he said a long time ago. Everything else comes from that. Its the key. The total key. Naturally, his Mulholland Drive pad is a place also all about sex. In the early Seventies it was well known as the epicenter of the eras drug-soaked social scene, according to one report, and while living there then Anjelica Huston nicknamed Jack the Hot Pole. As well, its where, in 1977, with Jack out of town, director Roman Polanski allegedly raped a thirteen-year-old girl; after his arrest, he fled the country, never to return. And, finally, there are the choice words that Jack uses to spice up his normal, everyday conversation, two of his favorites being pussy and cunt.

I love those words! he almost shouts one day. I mean lately, I may ask someone, Well, look, do you have a response as to whether I say cunt or pussy or pookie? But I love being able to say things like, Cunt is an acronym. For what? For cant-understand-normal-thinking. Heh, heh, heh. Now, of course, Im sure I just made that up for goofy stuff. But the point is, I just happen to like those words.

And so it swirls, sex, all around him, constantly, if not in his bed so much as before, then in his head, always. Its not that sex is the primary element of the universe, he said in 1972. Its just that when its unfulfilled, it will affect you. Thats an interesting notion to contemplate, because, as a guy who for decades could not sleep alone, it seems fair to conclude that no one has been more affected by sex than him. In fact, seen in this light, he could be the most unfulfilled man of all time. Then again, maybe thats taking his reputation too much at face value.

A lot of it, I dont know how real it is, he says. Ive always allowed for that element in my public image to be to some degree overstated, because its good for business. He pauses, reaches for a cigarette and shifts gears a little. I mean, I get depressed like everybody, he goes on. I have angst. I have anxiety. I worry about the world. Nobody was expecting the kind of fearful times that we live in. Its really out of the blue. Its like, My God, what the hell is happening?

Im an American through and through, and I cant find any reason why anybody should be wanting to blow up everything. Saddam Hussein may have said, Well win this because the West worships life and we worship death. But I dont believe it. In my heart I know that nobodys that different that we would want whats going on now. And people can say, Thats easy for you to say, Jack. Youre one of the luckiest people on the planet. Well, yeah. I mean, so what? Im lucky, so because youre not you think murdering innocent people is great? I mean, in a lighthearted movie like Mars Attacks, as the president, Im in a condescending way trying to slip in the philosophy of Rodney King, saying to the little people, Cant we all just get along? But, I mean, cant we?

And so, in addition to sex, these are the kinds of things that are currently on Jacks mind along with basketball, of course, and his golf game, and, lately, his teenagers Lorraine and Raymond. With them, he tries not to be too overbearing, nor is he about to offer advice based on his life as a well-known pot smoker, a well-known one-time LSD user, a well-known pro-lifer (due to his own illegitimate birth), and so on. Instead, he says to them something like, Look, I remember myself as a teenager, so I know Im not going to be the first parent that ever outsmarted a teenager, and Im not trying. All Im going to say is, everything they say is bad for you, pretty much it is bad for you. And pretty much he leaves it at that.

A few things, at random, from inside Jacks world and head:

He often refers to himself as a hick from New Jersey.

He laments the thirty-year tenure of melodrama in the movies but understands it. Once you start blowing up almost every other building in a picture, the audience, they jones without it. Its their rhythm.

He suffers from claustrophobia, and if youre at a restaurant with him and paying attention you may notice him angling for the outside seat at a booth. Hes OK if he gets trapped inside. It just makes him uncomfortable.

When he looks in the mirror, what he generally notices first is that I cant see myself too clearly these days. Sometimes I go ahead and put the glasses on.

That time he spent three months hanging around his place in the nude: I felt it was totally necessary. Im self-conscious about body image. I dont have a great body shot. And it was an era ofLets get free. I know it drove my oldest daughter insane. I just wanted to be more relaxed within my skin. But it didnt totally resolve all that, like many experiments you think youve concluded on yourself but you havent really.

Those times he took acid, which was done in a clinical setting, what the experience taught him: Just let it be. Release. Kind of be where you are, where we are, where it is, in a kind of fearless, unconscious way.

The TV show Deadwood: I love that show. Its a tough morality play. You should see it.

Girls with cigarettes: Theyve used them to hold me off. Distract the predator. The Great Seducer.

Mona Lisa, with that smile on her face, what shes thinking: I know you. I know what youre thinking. Dont try to fool me.

A recent big panic: I havent lived out every fantasy that ever came into my empty, er, echoing head, but enough of them that Im relaxed about it. The only thing lately is, I got to the point where I couldnt in any way conjure up a fantasy. It was like, Ohhh, Id love to but there was, like, nothing in that department in my head. And as a man who has been attracted to Eleanor Roosevelt, it really panicked me out.

So, there it is, a bit more of Jack, whats going on with him and making him tick.

One more thing. He says he likes it a lot, a whole lot, when women in his bed call him by his name. I cant help but notice that women, especially when theyre in any sort of amorous mood, dont say my name that much, so I like it when they do. I like being called Jack. I like being identified by my name. At that moment.

Before it gets too dark, can I see that view you were talking about, Brandos tree from your bathroom?

Heh, yeah, sure, he says, looking somewhat startled.

So, up a flight of stairs we go. Halfway down a narrow hallway, he hooks to the right, into a bathroom, and ushers me close to a tight little interior cubicle with a toilet that faces, up high, a smallish rectangular window. You see this pine tree right there? he says. But from where Im standing, its obvious that I cant. Sit on the throne there, he says. I do. See it up there? he says. I do, vaguely. Its a tall, wide-spreading pine, with maybe some wind dancing into its branches. Jack turns down the lights. Can you see it better now? he asks. Its just a view. But youre repetitively in that big pine tree. And it gets bigger all the time. He leads me out again past his twin-sinked vanity with its three large mirrors and a countertop displaying all of his toiletries, neatly arrayed, a bottle of Listerine, shaving gear, two kinds of toothpaste, his Prilosec and into his bedroom. He turns on a TV. As long as were up here, he says, Ill just show you this. What he shows me is the strap-on-dildo scene from The Departed, with him saying to the girls, Are you ready, pony girl? and Want some coke? and Dont move until youre numb.

Afterward, he says, That scene is something thats being discussed. Is it gilding? Is it too much? My reason for it is an old moviemakers instinct but also, unfortunately, an audience will find it more corrupt that the man whos buried in blood up to his throat, see, so thats the reason why I have a certain amount of passion for having it in. Martin and I both happen to feel the same way: Its the perimeter of his corruption. Hes a bad man. And I always want that to be clear.

I ask him to tell me about all the cool-looking little figurines sitting on top of his TV cabinet. Oh, the gimcracks? he says, and reels off the names of several well-known, big-money artists. And see this little one here? he goes on. I dont know how good your eyes are, but hes holding his dick in his hand. Meanwhile, Im looking around Jack Nicholsons bedroom, the place where he has gotten so much business done. I look at his bed, the four blue pillows heaped on it, and the blue duvet pulled back on one side to reveal the dent. The dent! I feel a little woozy, just as a girl might upon seeing it for the first time.

And, indeed, right around then, Jack clears his throat and says, I dont know if Ive ever had someone like you in my bedroom before. Feels a bit intimate.

Dont worry, Ill be gentle on you, I say, nervously. So, whats in the top drawer of your bedside table?

Pencils, Jack says, nervously, too, largely caught off guard for once, I can see. Phone. Phone things.

Do you want to open the top drawer?

Er, no, he says. Well, I dont know whats actually There are drawers over here youd be more interested in.

OK What about those drawers?

Well, he says, his gravel voice turning more gravelly by the second, there are some things youre better off not knowing, and then without taking a breath he quickly adds, I sit here a lot and sketch, for instance. Sometimes at night instead of reading Ill paint a bit.

No matter. Weve had a moment, I can tell that much. As for me, I know Ill never be the same. As for Jack, regardless of what he says, I know that Im probably just one of hundreds or thousands who have been up here. So be it. Im not ashamed or embarrassed. Ill always have my memory of our time together here. No one will ever be able to take that away. If only at some point I had remembered to call him by his name, Jack. If only.

A little later on, both our composures regained, Jack lights up a cigarette, and through an occluding haze I ask him, Do you think youre a good guy?

He doesnt hesitate. Yeah, I do. Im pretty consistently well-intended. Itd be hard for me to recall where Ive been underhanded.

Dont you think cheating on your girls is kind of

I didnt. I didnt think so, no.

You didnt think what?

That it was underhanded. I knew, for instance, when I got married, because of my libido I was silently emanating to the above, This does not mean theres not going to be other women in my life. Im taking certain vows here. [But] between you and me, let me be at least clear. There have been many times Ive been totally sure, not having been put to the test, that it would be no problem for me to be, uh, what do you call it?

Monogamous?

Monogamous. Yeah. But many times Ive thought, This is impossible for me. Someone once said, Its not loving that you miss. Its being loved. I dont have that primary sense. I havent given up hope, but most of my friends think Im a little goofy in that area, which is why I knew I would be singular at this point in my life.

I think what he means to say is single at this point in my life, not singular, as in deviating from the customary, or without equal or rival, or far beyond what is usual and normal. Im not sure, though. And either way, it works out the same.

The Artist


Nothing heats up an Oscar race like an underdog for Best Picture. On the surface, The Artist limps out of the gate with a host of handicaps: Its a silent film (OMG, subtitles!) in black-and-white about Old Hollywood when talkies killed the silent-screen star. But it doesnt take this captivating and steadily surprising movie very long to tickle your funny bone, take a piece of your heart and pull you in deep.

The Artist is a total pleasure, written and directed by Michel Hazanavicius with a keen eye for detail. French actor Jean Dujardin, who collaborated with Hazanavicius on two OSS 117 spy satires, is simply marvelous as George Valentin, the dashing star of countless silent-movie epics. George resists the efforts of studio chief Al Zimmer (a wonderful John Goodman) to try talkies. Stuck in a loveless marriage, George is sparked by Peppy Miller (Argentine beauty Brnice Bejo), a bit player who hits it big in the sound era while Georges career crumbles. Dujardins face is a resonant reflection of Georges subtitled rage (Im the one people come to see. They never needed to hear me). Only Clifton (the peerless James Cromwell), his driver, and the stars dog Uggy (a scene-stealing Jack Russell terrier) stick with George through his fall. It takes Peppy Bejo is dazzling in every particular to save the man she loves.

Its A Star Is Born blended with Singin in the Rain, and yet somehow bracingly fresh. Credit the tantalizing magic of Hazanavicius, who only twice breaks the no-sound rule (Ill never tell) and creates something unique and unforgettable. Gorgeously shot by cinematographer Guillaume Schiffman and with a vivacious score by Ludovic Bource, The Artist encapsulates everything we go to movies for: action, laughs, tears and a chance to get lost in another world. It just might leave you speechless. How can Oscar resist?

Related
The Travers Take: Reviews and Interviews From Peter Travers

Elvis & Nixon


On December 21st, 1970, Elvis Presley, the King, met with Richard Nixon, the Leader of the Free World, in the Oval Office for about 40 minutes. The photo of the two icons shaking hands is the most requested in the National Archives. What was discussed? This was before Nixon started taping all his conversations. No one knows what transpired during that meeting. So Elvis & Nixon, directed by Liza Johnson (Hateship Loveship) from a script by Joey Sagal, Hanala Sagal and actor Cary Elwes, imagines what happened. It aint fact, but it is damn entertaining fiction.

Even when I didnt buy a word being said, I went with the flow. Why? Two reasons: Michael Shannon as Elvis and Kevin Spacey as Tricky Dick. Watching great actors swing for the fences is something special. And, boy, do they go for it. Shannon is at a disadvantage, since he doesnt look or sound like Elvis, whose Southern charm doesnt match up with Shannons dark-eyed threat. But Shannon eases into Elvis humor and finds his heart. Spacey, a natural mimic, nails Nixon from the get-go, all paranoid pauses and suspicion about devil rock and the counterculture. Its a deft characterization that never drifts into caricature.

Elvis & Nixon feels padded when its not focusing on the two kings. Colin Hanks and Evan Peters show up as White House staffers. And Alex Pettyfer and Johnny Knoxville play members of Elvis Memphis Mafia. But only when the two giants collide does the film find its surreal comic footing. Elvis wants to join the FBI as an undercover agent to root out whos selling drugs in high schools. Spaceys reaction is a thing of beauty. Elvis & Nixon is a mixed bag as a movie, but Shannon and Spacey are not to be missed.

Zero Dark Thirty Director: Film Couldnt Ignore Torture


In a piece penned for the Los Angeles Times, director Kathryn Bigelow addressed the criticism directed at her latest film, Zero Dark Thirty, which tells the story of the manhunt for Osama bin Laden, saying the movie could not ignore the subject of torture.

As for what I personally believe, which has been the subject of inquiries, accusations and speculation, I think Osama bin Laden was found due to ingenious detective work, Bigelow wrote. Torture was, however, as we all know, employed in the early years of the hunt.

Secrets of Zero Dark Thirty

The movie has drawn fierce criticisms for its depictions of torture, with Senators Dianne Feinstein (D-California), Carl Levin (D-Michigan) and John McCain (R-Arizona)
calling them grossly inaccurate and misleading in its suggestion that torture resulted in information that led to the location of bin Laden. A Senate panel is now investigating correspondence between CIA officials and Bigelow and screenwriter Mark Boal, and whether the two were given inappropriate access to secret material.

In her letter, Bigelow addressed those concerns, positing that they might be more appropriately directed at those who instituted and ordered these U.S. policies, as opposed to a motion picture that brings the story to the screen.

Calling herself a pacifist as well as a supporter of every Americans right to the First Amendment, Bigelow added that depiction is not the same as endorsement, and that confusing the two is the first step toward chilling any American artists ability and right to shine a light on dark deeds, especially when those deeds are cloaked in layers of secrecy and government obfuscation. The director pointed to Hollywoods long tradition of searing war films that wouldnt have been possible if directors had avoided showing the harsh realities of combat.

On a practical and political level, it does seem illogical to me to make a case against torture by ignoring or denying the role it played in U.S. counter-terrorism policy and practices, she continued.

Bigelow closed her letter by saying that she and her filmmaking team were not interested in portraying this military action as free of moral consequences, and acknowledged both those who lost their lives on 9/11 and in other terrorist attacks, as well as the work of those in the military and intelligence community who risked their lives in the fight against terrorism.

Bin Laden wasnt defeated by superheroes zooming down from the sky, she wrote. He was defeated by ordinary Americans who fought bravely even as they sometimes crossed moral lines, who labored greatly and intently, who gave all of themselves in both victory and defeat, in life and in death, for the defense of this nation.

Walking Dead Recap: Welcome to Zombie High


Where we left off Shane and Otis went to scavenge medical supplies from a FEMA trailer at a high school overrun by zombies. Carl the Kid needs surgery to remove bullet fragments. Little Girl Sophia is still missing in the woods.

Where we pick up Someone is taking a hot shower! This must be a flashback because who has power to run a water heater in the zombpocalypse? Shane is shaving his head. He breathes heavily and stares at himself in the mirror. It is very much like the end of Twin Peaks and you sort of expect him to smash his head into the glass and cackle, Hows Annie?

Oh wait! Were back at the high school. Shane and Otis run through the halls, chased by zombies. Good gracious, there are so many scary zombies.

Now were back at the farm. Sheriff Rick eats a sandwich and drinks some milk, because I guess the zombies didnt eat the farms cows. Carl the Kid looks very pale. Come back, Shane! Come back with the medical supplies!

On the highway, Carol weeps in the RV. Andrea cleans Daryls gun (thats what she said). Daryl announces that hes going to walk the road and keep looking for Sophia. It seems rather foolish to go outside and sweep a flashlight around an area they know is crawling with zombies. Wouldnt a zombie in the woods see the light and run up to devour you? And if you shot that zombie, wouldnt that noise notify other zombies? You people in this TV show! You consistently make choices that seem crazytalk.

At the high school, Shane and Otis run through the gym. A high school gym is always a terrifying place, but this one is the WORST because it is filled with nasty, snarling zombies. Shane and Otis decide theyll divide and conquer Otis will draw the zombies attention and flee via the locker room, while Shane jumps out of a 20-foot-high window. Otis starts to run and a zombie grabs his leg! The zombie grabbing his leg has no legs! There must be a leglessness theme! Maybe someone read their Owen Meany! Shane starts climbing to the window and zombies chase him up the stairs. He breaks the window and climbs outside, pausing to steel himself before he jumps.

AND THEN A ZOMBIE GRABS HIS FACE and I screamed and knocked over my seltzer onto the cat. Hoo boy. Shane shoots the zombie in the face and falls to the ground. He falls from such great heights. Ouch.

Meanwhile, Glen and T-dog arrive at Greene Farm. The farmhouse is all ablaze. One). They must have a lot of fuel to power that generator that they must own? How would the grid still be up? Two). Why would you keep your secluded farmhouse all lit up like Vegas? Wouldnt that attract zombies! Again, do I have to tell you people in this TV show everything? Doc Hershel tells Sheriff Rick and Lori that Carl the Kid is running out of time and theyre going to have to choose between waiting for the medical supplies or going ahead and operating.

In the woods, on the never-ending Sophia quest, Andrea asks Daryl if he thinks theyre actually going to find the little girl. Daryl answers that when he was a kid he was lost in the woods for nine days, wiping his ass with poison oak. And look how great he turned out! Surely, Sophia will be a-okay. Also, besides, these are the woods of Georgia, not the mountains of Tibet. Nice Tibet reference, Daryl!

Lori, who really ought to be wearing a sweater, is having some sort of existential crisis. Shes thinking about how the CDC Guy (whose name was Jenner, like the bad rat in Secret of Nimh) offered them the choice to give up and die instead of facing the terrible zombpocalypse. She thinks that maybe they could let Carl the Kid die instead of living in a world full of hunger, anger, struggles, and terrible horrible zombies who want to munch their flesh. Does Sheriff Rick agree? Lets take an extremely long pause before we

Cut back to the high school! Shane is surrounded by zombies! There is a never-ending stream of zombies. Shane hurt himself in the fall and now he is limping just like the zombies. Perhaps the zombies are not so different from you and me, eh, Shane? Shane tries to find a way to escape but there doesnt seem to be a way out. Suddenly, a shot rings out behind him. Otis is there! Hes okay! And hes shooting the zombies! Hooray for Otis.

Lori and Sheriff Rick hear Carl coughing and they run into the bedroom. Carl the Kid is awake! Hes in a lot of pain but he starts talking about that damn buck. The deer was so pretty, mom! And so close! And Carl the Kid has never been oh wait, Carl stopped talking. Is he dead? Did he go gently into that good zombie-ridden night? No wait, hes just having a seizure. Schwoo.

In the woods, Daryl and Andrea discover a tent. Is it the same tent they found last time? No, its a new tent! There are so many people who camp in tents near the highways in Atlanta! This tent features a hanging zombie. A man suspends from a noose with the letter Got bit / Fever hit / World gone to shit / Might as well quit pinned to his chest. Stupid zombie. You should have shot yourself in the head. Now you are a zombie in a noose.

At the farmhouse, Maggie sneaks up on Glen and startles him while hes trying to pray. They talk about god and being religious but it seems like an awfully flirty McBerty conversation to me. And, seriously, theyre outside and they left all the lights on in every single room of the house. Thats a serious waste of energy and also, oh my god, the zombies might see you, you fools!

Sheriff Rick tells Lori that when Carl the Kid came to, he was talking about that deer. He was so overcome with joy at the moment of seeing that buck that he had to tell his mom about it! As in: duh, Lori, Carl the Kid was talking about beauty and life and you have to stop being so pessimistic and maybe you should start taking Lexapro if the good doc has any.

Shane and Otis discuss how much ammo they have left four rounds and five rounds, respectively. They need to make it to the truck to drive back to the farmhouse and save Carl the Kid, but there are, holy shitballs, so very many zombies.

Doc Hershel tells Lori and Sheriff Rick that they need to make the choice whether to operate on Carl without the supplies, or let him die. Lori is like Yes, the deer! The deer was a thing of beauty and life! Do the surgery! (She doesnt say that with her mouth, but you can hear it coming out of her eyes).

But the truck is back! The truck! Surely Shane and Otis have miraculously returned with the surgical equipment and the respirator and the clankety-clanky oxygen tanks! Oh no, only Shane emerges. He explains that they ran out of bullets and he ran and he turned back and so long, Otis. Its been good to know you.

We dont get to see the surgery (I really wanted to see them use the respirator) but Doc Hershel tells us that Carl the Kid is stable. Hooray! Shane limps in to the bedroom and Lori tells him to stay (big picture stay, she means). He limps out of the room and Maggie gives him a clean set of clothes. (Otiss clothes! Let the body get cold, Maggie! I guess theres no body because the zombies ate it, but still!)

Shane runs the tap. Oh, wait; THIS is what we saw at the beginning of the show. This farmhouse has a functional hot water heater! Shane takes off his shirt, and dude, that guy is cut. And then he peers at his head and his head is also cut? He is certainly missing a patch of hair.

Very-recent-flashback! At the high school, Otis and Shane talk about their ammo and flee from zombies! I remember! You have four rounds and five rounds apiece!

In the bathroom, Shane rummages through the vanity until he finds an electric shaver.

Very-recent-flashback, continued: Otis and Shane are down to their last bullets. Shane shoots Otis in the leg (leglessness!) and now Otis is going to be zombie food. Otis digs his hands into Shanes scalp as they struggle. He yanks out a patch of hair just as the zombies start to dig in. As the zombies devour Otis, Shane gets away.

As the farmhouse, Shane shaves his head. He stares into the mirror. Its about to get seriously Black Lodge up in here.

Scoreboard:

Humans: We lost Otis. Sophia is still missing. Carls going to be okay.

Zombies: at least 15 killed in the high school; one hanging zombie took an arrow to the head to end his misery.

LAST EPISODE: The Doctor Is In

See Jared Letos Menacing Joker in Eerie Suicide Squad Trailer


Jared Letos grotesque take on the Joker provides a menacing high point in the trailer for the upcoming super-villain flick Suicide Squad. The preview, which made its way online after debuting at Comic-Con, shows the green-haired goon holding adastardly-looking tool and saying, Im not going to kill you. Im just gonna hurt you really, really bad.

The rest of the trailer sets up the plot for the highly anticipated flick, which is due out August 5th, 2016 and finds a band of baddies from the D.C. Comics universe who are forced to carry out black-ops mission with the hope of getting clemency. The casts notable antiheroes include Batman staples Harley Quinn (played by actress Margot Robbie), Enchantress (Cara Delevingne), Deadshot (Will Smith) and Amanda Waller (Viola Davis), among others. Ben Affleck, whos set to portray Batman in next years Batman v Superman: Dawn of Justice (see that movies trailer here), will also portray the Dark Knight in Suicide Squad.

The trailer begins with Waller bragging that shes finally assembled the worst of the worst, and she goes on to suggest that theyd make a good task force, ensuring that she can control the most dangerous people on the planet to do some good. Getting people to act against their own self-interests is what I do for a living, she brags. The clip then shows the villains coming together as Harley Quinn sings the Bee Gees I Started a Joke, making for a fitting lead-up to Letos character.

The movies director, David Ayer (The Fast and the Furious, Fury), previously shared a first look at Leto in makeup in April via Twitter. The Suicide Squad wishes you a Happy Anniversary Mr. J, he wrote, referencing the 75th anniversary of the Jokers first appearance in a comic book.

True Blood Season Premiere Recap: Shaky Ground


The decision to reduce the number of True Blood episodes from 12 to 10 this season made plenty of sense in theory (accommodating Anna Paquins pregnancy, etc.), but I fear, judging from Who Are You, Really?, that were going to be stuck with sensory and character overload not only in some episodes but all of them. At least for now, the vampire-human-faerie conflict remains the most intriguing. In a nutshell:

Shape-shifters
Luna
s dead, and Sam and Emma are in hiding now that Lunas onscreen transfiguration from Steve Newlin back to herself has brought shape-shifters into the spotlight. Also, I hereby declare that everyone follow Lafayettes lead and refer to Emma as Shorty-pop from now on.

Humans
Andy
s four half-faerie babies are exhibiting a Renesmee-esque growth timeline (theyre talking toddlers within several hours of being born). Only thing saving these scenes are Andys exclamations of Hog tits and references to poop class.

The Best of True Blood: The Darkest, Sexiest Moments From Bon Temps and Beyond

Werewolves
Alcide
, newly installed as Shreveport packmaster, is enjoying the perks, like watching his girlfriend, Rikki, and another she-were, Danielle, make out naked. But any hopes he might have had for a three-way are crushed when Rikki pushes Danielle to the ground (is she blowing him? not sure) and reminds her lover that shes still his number one bitch.

And now on to the vamps

Six Vampires, Two Humans and One Part-Faerie
As with all True Blood premieres, we pick up immediately where last seasons cliffhanger left off. But instead of watching Eric and Sookie run for their lives, we open on blood-drenched Bill/Billiths red-hazed POV as the 1,000-year-old Viking and part-faerie waitress gape at the reincarnated vampire/god hybrid in horror. Bills new ability number one to see light shoot out of Sookies mouth is probably his only harmless additional power, as his second new ability is starting a fire with his eyes, causing the Authority building to burn to the ground. The Scooby-Doo gang consisting of Eric, Sookie, Pam, Jessica, Tara, Nora and Jason make their getaway in a spare SUV, but just as Eric is about to floor the gas, his vampire sister orders him to stop. The still-blood-soaked passengers stare out the window, dumbfounded at the crimson creature emerging from the flame-engulfed building. Is that Bill? croaks Jess. Sookie, having only witnessed his transformation minutes earlier, pithily replies, Not anymore. Eric Grease Lightnings the car into the darkness just before Bill (new ability number three) flies up toward the heavens (wrong way, dude).

But these vamps have an even bigger problem on their hands than Bill Compton 2.0. As Eric steers the car back to Bon Temps, the radio announces the arrival of Louisiana Gov. Truman Burrell as the True Blood universes latest villain. The governor, a fictionalized version of the far-too-many right-wing nut jobs who hold political office in this country, institutes a statewide vampire curfew, shuts down all vampire-run businesses and encourages all human citizens to buy a gun (as many as you can!). The Scooby crew then pulls over near the beach to figure their way out of this latest shitstorm. For Nora, the resident Vampire Bible expert, the answer is simple: If Bill is indeed a version of Lilith walking the earth, then he has to be destroyed. Except Jess aint so keen to Kill Bill (yep, she says it). Eric wasnt kidding last season when he warned Pam how the bond between a maker and progeny is stronger than any other. By the season finale, Jess was hardly a Bill fan he reminded her too much of her Bible-crazed human family, not to mention that parent-child physical abuse thing thats frowned upon in most societies. But now shes balking at the idea of her maker being eliminated.

Meanwhile, thanks to a little glamouring, Nora gets Jason to spill on Warlow. But once hes revealed the ancient vampire killed his parents and is out of the trance, Jason goes (understandably) batshit on Erics sister, fed up with vampires brain-raping him and admitting that he doesnt care if Eric and Nora suck him dry, because hes felt dead inside ever since [he] found out that vamper killed [his] parents. You cant not feel sympathy for Jason, but as Sookie reminds him, when she puts herself between Nora and Jasons wooden-bullet-loaded gun, murdering all other vampires isnt the answer. Jasons not having any of this, so he bolts only to be picked up by new cast member Rutger Hauer while hitchhiking back home. Rutger lets Jason tell him his life story, even though he appears to know the Stackhouse family very well. Plus hes got the ability to apparate out of a car. Friend or foe? Well find out more next week. But before Jason takes off, we get a major clue as to why Warlow is such a big deal according to Nora, he was Liliths progeny, one of the first-ever vampires. So were talking more-powerful-than-Russell Edgington here. Like, Sookie, you in danger, girl, powerful.

At this point, weve gone way too long without seeing what this Col. Steve Austin version of Bill is really capable of probably because Stephen Moyer directed this episode, thus necessitating a limited onscreen appearance. So he comes roaring back with new ability number four: a supercharged version of summoning his progeny by making her feel like his fist is squeezing my heart! All the vampires present, save for Tara, are willing to sacrifice Jess if it means stopping Bill, but Sookie, unwilling to allow Jess to become a martyr, agrees to accompany her back to Compton Manor. Eric orders Pam and Tara to return to Fangtasia while he and Nora fly off into the unknown.

Sookie and a weakened Jess arrive at the vampire kings palace, only to find Bill, dressed and scrubbed clean of blood, a vision of his former self, sitting quietly on his back porch. Bill insists he just wants to talk, his voice dripping with old-world Southern charm, but Sookie isnt buying it, and shes wisely got a stake at the ready. But before any talking can happen, Eric and Nora swoop in, except (new ability five), 175-year-old Bill is able to overpower 1,000-year-old Eric, and (six), when Sookie stakes Bill to save Eric, the wood doesnt even leave a splinter.

Seeing that her ex-boyfriend is now some invincible godlike being who cant be goo-ified, Sookie just wants this syrupy-mouthed old-timer out of her life. Permanently. So with steel in her voice, she orders Bill to get the fuck out of Bon Temps, because to her, Bill Compton is dead. Like, OMG dead. And, yeah, remember what I was saying earlier about the bond between maker and progeny, even if it borders on abusive? Well, Jessica got over that whole having-her-heart-squeezed thing pretty damn quickly, because she turns around and announces shes staying with Bill and everyone can just get the hell off his property. Heart-squeezing is one thing, but staking her maker? Thats a dealbreaker for Jessica Hamby. Heh, not only does that rhyme, but it puts Pat Benatars Heartbreaker in a twisted new light. Oh, and Bill gets Sookie, Nora and Eric to comply to his progenys demands by (new ability number seven) making the earth shake.

Back at Fangtasia, the romance that had us so enthralled at the end of last season is already unraveling. Pam is heartbroken over Erics betrayal regarding Nora (in 100 years he never bothered to mention he had a vamp sister), and Tara just isnt getting it. This isnt going to be some epic fucking love story, Pam informs her progeny. You cant replace him, and you never will. But this lovers quarrel is interrupted when a SWAT team bursts in with orders to carry out Gov. Burrells edict of shutting down all vampire-run businesses. And for the first time, the humans finally have the upper hand on the heretofore more powerful vampires: When Tara tries to defend Pam, she is shot in the chest by a mysterious bullet that leaves her alive but screaming in agony.

Eric walks Sookie home, but before he signs ownership of the Stackhouse place back to her in his own blood (talk about an unbreakable contract!), his demeanor harkens back to amnesiac Season Four Eric, as he tenderly reminds Sookie of his still-burning love for her. But Sookies in no mood to reminisce about last month. As shes been saying for six seasons now, Sookie adamantly proclaims that she wants her life back, which of course means there is no way thats going to happen anytime soon. Especially because once Eric leaves, Nora, who, naturally, was waiting outside, announces how she wants to use the faerie to help them destroy Bill and she knows she can because Sookie is Erics weakness. And when Eric tells her to leave Sookie out of this fight, its pretty much an open announcement that Sookie will be leading the charge. But, for one night at least, Sookie will remain in control of her destiny. She rescinds Erics invitation to her house in an unintentionally hilarious moment, thoroughly reminiscent of this scene from The Blues Brothers.

At Compton Manor, Jess is now comfily ensconced in her room, making it just the right moment for Bill to discover another new ability: when she accidentally spills her glass of TruBlood, Bill goes all Carrie White by stopping it and its contents in midair, and returning the glass to the night table intact. Jess admits that hes freaking her out, and Bill, in his charming, gentlemanly manner, insists that he needs her help to stay on the straight and narrow. He then launches into a bizarre comparison between himself and Civil War Gen. William Tecumseh Sherman, claiming that Sherman became crazy as he acquired more power, and he doesnt want the same to happen to him. So he implores Jessica, I need you to keep me honest. Yeah, Bill, youre no Peter Parker. And who even knows if hes telling the truth with all this Youre the only one I can trust malarkey. Jess is one of the few vampires who still has such a good heart, so it would be awful to see that heart, to use a Once Upon a Time reference, blackened as this season progresses.

Later that night, Bill hears a voice calling his name, beckoning him into his study. Three blood-soaked vampires who are not Lilith appear, only to zip into his body as we go to credits. Great, now hes the reincarnation of four godlike vampires?

Favorite Couple: Rikki and Danielle. Their lip-lock was one of the few sexy moments in a hardcore episode that promises more pain than pleasure this season.

Winning Species of the Week: Humans. Gov. Burrell is one slimy, scheming son of a bitch. Not only has he reduced vampires to second-class citizens, but hes looking to make money off them. He makes a deal with the Japanese company that makes TruBlood to start up production again so the vampires can return to being law-abiding, tax-paying citizens. Why does he need revenue so badly? Well, any politician needs money if hes going to be re-elected. Arliss Howard is doing a fantastic job with this role one episode in and already I despise Burrell.

Losing Species of the Week: Vampires. Humans now have the ability to bring vampires to their knees, as Pam can attest. And its not like they have an ally in Bill anymore more like a potential dictator.

Previously: The Rapture

Creed Bratton Dishes on Season Eight of The Office

A few months ago, Creed Bratton sat down with the entire cast of The Office to read through the script of last seasons penultimate episode ...