Rocket Man: Jared Leto on Mars, McCartney and Making Room for Oscar


Its been a transformative year for Jared Leto.

In May 2013, his band Thirty Seconds to Marsreleased their fourth album,LOVE LUST FAITH + DREAMS, and embarked on (yet another) world tour. A few months later,Dallas Buyers Clubpremiered at the Toronto International Film Festival, earning him critical acclaim and kicking off a run that culminated with a Best Supporting Actor win at the Academy Awards in March.

The Many Faces of Jared Leto

After all that, youd think Leto would be ready for a break. Instead, hes guiding Mars through their first foray as independent artists, gearing up for a return to the road, and getting used to life as an Oscar winner. Rolling Stone spoke with him about the year that was, and whats next for both his bandandhis career on the big screen.

In April, Thirty Seconds to Mars parted ways with Virgin/EMI, ending aninteresting relationship. Is it safe to assume youre going to be free agents for a while?
If you watchArtifact, you understand the battle that we had with the record industry, the $30 million lawsuit, the fight for our creative lives, and how that kind of changed us and put us on this path that were on now.We have been signed to a label since 1998, so for the first time ever we are actually free, and its exciting. There are limitless options out there. Tech options, crowd-funding options, but record companies are still a really great option too, because you have a group of people who believe in music, who help artists bring their dreams to life.

So I dont hate on record companies, Im just anti-corruption, anti-greed. And I think record companies can make fair, clear deals with artists and still be really profitable.So, were looking at our options; we have several labels that want to work with us, and yes, theyve seenArtifact. They know what weve been through.

So are you working on new music?
Always. I was in the studio two nights ago working on new ideas. I was talking to Paul McCartney at one of these events during awards season always great to drop Paul McCartneys name. Dont worry, Ill do Bono next [laughs]. Anyway, I was kind of prodding him for some advice. And he just talked about something Ive heard many creative people say before. He said You know what? Just write. Show up every day and write something. And keep writing. Even when you think you dont have something to say, just do it. And wonderful things will happen. So Im taking that approach.There are no rules right now. If a song is ready, we could release it. There might be a collaboration or a new song coming. You never know.

In a lot of ways, it seems like youre in a pretty enviable position.
Well, I would never take it for granted, but I do feel like Ive earned the right [to do what I want], and I would encourage anybody to embrace this perspective. Its up to us to define who we are and what our lives are, and to really do whatever the fuck you want to do, unless its hurting other people. Whether thats not making a film for six years, and deciding to make a couple of albums and fight an entire industry while they sue you for everything youve got; whether thats your path or its something else, you gotta do what youre inspired to do, and Ill continue to take that approach.

Im not going to jump into some film unless I think its going to be an interesting and challenging experience. And the same with music. Were out touring the world, going back out in August and September, playing amphitheaters in America with Linkin Park and AFI, because were excited to do it.

Youre definitely the first Oscar winner to tour with Linkin Park. Has your life changed since winning an Academy Award?
Oh yeah, in a lot of ways. Theres a lot of goodwill and joy and excitement that not only I get, but everybody around me gets. Weve known each other for so long, theres an investment as a co-conspirator and a friend, like Oh shit, my buddy Jared had something really wonderful happen. Its not just about me, its about all of us; it becomes a community thing. And you get a chance to take the light that shines on you and turn it back on your mom, or your friends, or people that have believed in you.

But another nice thing thats happened is theres been some clarity and some understanding and some reclamation of public image, where people have gotten to know me a little more, rather than an idea they may have had of me. Its a fringe benefit, but its also a really nice thing.

Jared Leto Gets Back

As an artist, which industry is more frustrating: movies or music?
Theyre very different. Theres traditionally been a lot more stability in the movie business, because there are many more examples of long-term careers. A musician can be a teenager, can come out and have more success than you ever thought was possible. And that success can often times be short-lived, so theres not a lot of time for people to stick around and use that influence and success to change the way the model works.

In recent years, theres been a lot of instability in the music business music companies become shells of their former selves, are a company in name only, and dont have a staff or a team or a maverick or a leader at the helm. Those people still exist John Janick at Interscope, Lucian Grainge at Universal, people who have a clear vision of how they want to do things and they go out and execute. There are people out there kicking ass and taking names.

I guess the answer is: there are parts of both that are frustrating, but I think anybody could say that about their job. You probably dont like typing. Or maybe you do, I dont know [laughs].

It seems like much is made about the politics of Hollywood. Did you experience any of that while promoting Dallas Buyers Club?
Honestly, I didnt. I know some people have had a negative experience, but for me, people were really nice, they were really genuine. You get to meet your heroes, people who have influenced you: Robert Redford, Meryl Streep. You meet people and you go Wow, these people are pretty incredible. And on top of that, theyre really nice. I was driving back from Coachella, and I got a call from Robert Redford, and he was calling me to tell me he had watched a film that affected him deeply, and it wasArtifact.So that was kind of cool. And he gave me some words of wisdom, too. It was very kind of him to take a few minutes of his day to call.

Now that youve won an Oscar, does it make you want a Grammy even more?
Ive never held out for any award in my entire life. Ive never thought Id ever get one; its funny, the thing I was initially criticized for the most is the thing Ive been awarded for the most. Ive won more awards for music that anything. So when the movie came out and it was supported, it was a pretty impactful and different experience for me. But I dont really pine for awards. Theyve never been part of any of the things that I think about.

Plus, theyre probably everywhere now.
Theyre all kind of shoved into the corner of my kitchen, because when you walk into the house, thats where you put stuff. So they ended up in the kitchen, and theyre there right now. Im looking at the back of the head of the Oscar and the MTV one; theyre keeping each other company. But theyre not in a very glamorous spot. I dont know what you do with these things.

Waynes World Returning to Cinemas for 25th Anniversary


Waynes World, the 1992 Saturday Night Live spinoff film starring Mike Myers and Dana Carvey, will return to select cinemas on February 7th and 8th for 25th anniversary screenings. The wacky comedy will feature a pre-recorded, post-film roundtable discussion with director Penelope Spheeris, Rolling Stone movie critic Peter Travers and select cast members.

The Waynes World 25 website offers a searchable theater guide for the screenings. Also marking the anniversary, Paramount Home Media Distribution will release a Waynes World double feature via DVD and digital HD on February 14th, Pitchfork reports. The films iTunes edition will include new digital extras like a directors commentary and making-of feature.

Waynes World stars Myers and Carvey as Wayne and Garth, a pair of rock-loving friends who host a local public-access show in Aurora, Illinois. The city is marking the anniversary with an expansive celebration running February 3rd through July 4th. According to The Chicago Tribune, Party On! 25 Years of Waynes World will include roughly a dozen events, including a look-alike contest, air-guitar competition, movie screenings and a doughnut tasting.

Tolkien Estate Sues Warner Bros. Over Lord Of The Rings Slot Machines


The estate of J.R.R. Tolkien is suing Warner Bros. over Lord Of The Rings-themed slot machines, according to The Hollywood Reporter. The lawsuit seeks $80 million in damages, accusing Warner, its subsidiary New Line and Lord of the Rings and The Hobbit rightsholder Saul Zaentz of copyright infringement and breach of contract. Tolkiens estate cites a decades-old rights agreement that allows the studio to exclusively make tangible merchandise based on the books. The estate calls the online slot machine and other digital properties highly offensive.

Tolkiens estate originally became aware of Lord of the Rings: The Fellowship of the Ring: Online Slot Game in September 2010, and later learned that Warner Bros. was planning physical slot machines with LOTR characters, among other products. The original contracting parties thus contemplated a limited grant of the right to sell consumer products of the type regularly merchandised at the time such as figurines, tableware, stationery items, clothing and the like, reads the lawsuit. They did not include any grant of exploitations such as electronic or digital rights, rights in media yet to be devised or other intangibles such as rights in services.

Though Tolkiens estate notes hotels, restaurants, travel agencies, ringtones, online/downloadable games and housing developments as categories of rights which plainly have not been granted to [Warner], its most concerned with gambling affiliations. Not only does the production of gambling games patently exceed the scope of defendants rights, but this infringing conduct has outraged Tolkiens devoted fan base, causing irreparable harm to Tolkiens legacy and reputation and the valuable goodwill generated by his works.

The Hobbit: An Unexpected Journey opens December 14th.

The Best Moments From The Newsroom Season One


HBOs journalism drama The Newsroombegins its second season tonight, promising more scandal and incisive political commentary from Aaron Sorkins cable news station. As the series heads into its new chapter, take a look back at the best moments from Season One.

Will Cuts America Down to Size
Episode 1: We Just Decided To

Opening scenes dont get much better than this. Regardless of what critics may say about the rest of The Newsrooms inaugural season, Sorkin thrust us into his latest political drama with a brilliant serving of, well, political drama. The debate at Northwestern established Will McAvoy (Jeff Daniels) as a world-weary patriot while delivering one of the most honest six minutes of television in recent memory.

The Therapy Sessions
Episode 6: Bullies, then ongoing

Most television grumps eventually reveal their sensitive side, and it was only a matter of time before News Night 2.0s curmudgeon-in-chief showed his. David Krumholtz (of Numb3rs fame) coaxes some important truths from Will with dialogue thats witty but not overheated a refreshing break from the high-octane goings-on at the office.

Will Does the News High
Episode 7: 5/1

Of course, the biggest story of the teams career would break while Will is more fried than a Paula Deen dish. Thankfully, he keeps his cool while reporting the death of Osama bin Laden, despite coming dangerously close reporting the assassination of our president instead. In days to come, youll look back and think that this moment was funny, he chuckles. Were laughing right now.

Sexual Tension between Jim and Maggie
All episodes

At the center of the newsrooms love quadrangle are good-guy Jim Harper (John Gallagher, Jr.) and taken-but-wishes-she-werent Maggie Jordan (Alison Pill). They manage to eschew the Halpert-Beesly dynamic from The Office by delightfully torturing us: settling for sub-par relationships, bumbling like adorable children mid-flirt. Even when they come tantalizingly close, things somehow never work out, building our anticipation to a peak before frustrating us to no end.

Neals Conspiracy Theories
Episode 4: Ill Try to Fix You

Lovable Slumdog star Dev Patels Neal represents what may be the future of journalism: He knows the World Wide Web like the back of his hand, and he covered the London Underground bombings via camera phone. When hes not corresponding with foreign sources, though, hes pushing his hilariously sincere belief in Bigfoot on the entire staff. That, and his semi-serious Internet forum trolling make for some of Season Ones funniest moments.

Mock Republican Primary Debate
Episode 9: The Blackout Part II: Mock Debate

The Newsroom gets its sheen in part from the content it works with; most of the stories presented on News Night are still fresh in the minds of viewers. The mock debate staged for RNC executives plays out like a liberals dream of an alternate political reality, as right-wing stand-ins are, for once, given the tough questions. As Will puts it: If baseball players testifying about steroids in front of a House subcommittee are subject to perjury, I dont know why presidential candidates arent.

Sloans Brutal Questioning in Japanese
Episode 6: Bullies

Dont mess with Sloan Sabbith (Olivia Munn). When a translator deliberately changes a Fukushima reactor technicians statement during an on-air interview, the economist begins interrogating the technician in Japanese before using quotes he had designated off-the-record. If it sounds like incomprehensible journalism jargon, it is, but the little stunt gets Sloan suspended from the network. The scene is a fascinating look at some of the toughest calls in news judgment.

Will and Nina on New Years Eve
Episode 4: Ill Try to Fix You

Weve all been there: its New Years Eve, the clock is fast ticking toward midnight and there seem to be no smooching prospects in sight. But wait, that cute gossip columnist looks available! Sir McAvoy the Righteous embarks on an anti-gossip crusade against his female match (Nina Howard, played by Hope Davis) in this awkward flirtation that ends up seriously backfiring. No kiss for Will, but he does leave with a drink in the face to show for a cringe-worthy pickup attempt that bites him in the butt for the next six episodes.

The American Taliban Speech
Episode 10: The Greater Fool

Ever since a little show called The West Wing, Aaron Sorkin has made it a habit to inject his political persuasions into the characters he creates. Sometimes its just plain annoying, but this lengthy psychoanalysis of the Tea Party acts as a vehicle for Jeff Daniels to fully embrace the sarcastic papa bear persona he was born to play.

Anything Charlie Says, Ever
All episodes

Im a Marine, Don! I will beat the shit out of you, I dont care how many protein bars you eat! Its outbursts like this that make division president and bearhearted whiskeyman Charlie Skinner (Sam Waterson) The Newsrooms consistent standout. Casting the Law & Order alum has paid off in more than just comic relief; Waterson knows when to give silent support to his team and when to go absolutely ham on Leona Lansing (Jane Fonda). Charlies loyal temperament and hysterically-written lines make him an easy favorite.

Watch Tracy Morgans Funniest, Freakiest Clips


In our current issue, Rolling Stone profiles TVs biggest superfreak, Tracy Morgan. After sitting down with the 30 Rock star and hearing about how his wild nights as alter ego Chico Divine nearly killed him, Jason Gay compiled a rundown of Morgans greatest clips, from Brian Fellow and Tracy Jordan to his own wacky self.

30 Rocks Tracy Jordan in Therapy
One the most stupefyingly politically incorrect sitcom scenes made since Archie Bunker left town, this moment shows the incongruous 30 Rock comedy team of Alec Baldwin and Morgan at their lunatic heights. Alec is one of the five greatest actors of all time, says Morgan. Hes a five-tool player. He can run, catch, throw all of it.

Tracy Morgan Versus Ben Wallace
This 2005 ESPN campaign also featured spots with football star Warren Sapp and hockeys Jeremy Roenick, but were partial to this ad with hoop hero Ben Wallace, then of Detroit, in which Morgan plays a stalkery fan with a wandering eye. People wrote that role, but I said, We have to do something different with this guy,' Morgan says. So I got the bad eye and the big gut.

Tracy Morgan on El Paso Morning TV
Perhaps you were forwarded this old 2007 clip of Morgan appearing on a Texas TV morning show; its gotten more than a million and a half hits. People thought Morgan was under the influence, but the man himself says its simply Tracy being Tracy. I wasnt drunk, Morgan says. People thought that. But I wasnt. I was being funny.

Tracy Morgan as Brian Fellow
An inspired but deeply under-appreciated SNL character, Fellow was not an accredited zoologist but simply an enthusiastic young man with a 6th grade education and an abiding love for all of Gods creatures. Its also an early sign of Morgans hard-to-pigeonhole, sui generis style. Check out that lip gloss!

Tracy Morgan on Letterman
Morgan at his rambling, all-over-the-place best swerving from the Wolfman to Oprah to the Winter Olympics to his transgender cousin Kevin to claiming hes the child of Jack Lemmon and Lee Remick. Daves in love.

Werewolf Bar Mitzvah
You didnt know 30 Rocks Tracy Jordan recorded a novelty hit? Here it is in full glory (sadly, its just audio with a few photos)

Darren Aronofsky Defends Mother! After F CinemaScore: Its a Punk Movie


Darren Aronofsky has been talking a lot about the meaning behind his new film, Mother!, following harsh critical response and a weak opening weekend at the box office, and in a recent interview, he contended that the film was meant to provoke, not please.

How, if you walk out of this movie, are you not going to give it an F? he said in an interview with radio host John Horn following a recent screening at the Academy of Motion Picture Arts and Sciences. Its a punch. Its a total punch.

CinemaScore recently rated Mother! an F, putting it in the company of such films as Solaris, The Devil Inside and Fear Dot Com. There have been a total of 19 films that received Fs since 1986.

We wanted to make a punk movie and come at you, Aronofsky said. And the reason I wanted to come is because I was very sad and I had a lot of anguish and I wanted to express it. Filmmaking is such a hard journey. People are constantly saying No to you. And to wake up every morning and get out of bed and to face all those Nos, you have to be willing to really believe in something. And thats what I look for in my collaborators and what I pitched the actors.

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The premise of Mother! was largely shrouded in secrecy leading up to its September 15th release. The basic narrative follows the lives of a couple, played by Jennifer Lawrence and Javier Bardem, living in a remote countryside home, and the series of events that unfold in increasingly bizarre fashion as unexpected visitors (Ed Harris and Michelle Pfeiffer) arrive.

Criticism of the film has ranged from perplexed (roller-coaster-of-weird exhibitionism) to outright derisive (I hesitate to label it the Worst movie of the year when Worst movie of the century fits it even better.)

We always knew it was a strong cocktail, Aronofsky told Horn in the interview. When I was trying to tell the history, or the story, of people on Mother Earth, I was like, Oh, the Bible could be a really kind of good blueprint to sort of hang all these stories. Whatever you believe, it doesnt matter. But theres power in those stories because we can relate to them and they have different types of meanings for different types of people.

Aronofsky noted that the threat of climate change played a big role in inspiring him to create the film.

It scares me, and its time to start screaming. So I wanted to howl, he said of channeling his emotions into the film. And this was my howl. And some people are not going to want to listen to it. Thats cool.

Comic-Con Day One Recap: X-Files, Game of Thrones and Dexter


During its heyday, The X-Files could be a truly frightening show. Airing from 1993 to 2002, the groundbreaking sci-fi series found FBI agents Fox Mulder and Dana Scully investigating all manner of ghouls, monsters and aliens, all the while digging into a vast government conspiracy that would give any little kid nightmares.

But for all of the shows intense subject matter, X-Files stars David Duchovny (playing the true believer Mulder) and Gillian Anderson (the more science-minded Scully) also had plenty of funny moments. And their famous comedic chemistry was on full display at San Diegos Comic-Con International yesterday, as they cracked jokes and reminisced with X-Files producers and writers in a panel celebrating the series 20th anniversary.

On the Scene at Comic-Con 2012

Right off the bat, the moderator Michael Schneider of TV Guide threw a hardball, asking Duchovny and Anderson if they have a different perspective on anything from the show after all these years. Seemingly flustered, the two actors paused for a moment before Anderson looking nice with blond hair and in a black dress said something saucy.

I guess I didnt realize that Mulder was so cool until a few years later, she said. And I thought, Damn, shoulda got there sooner.' (They did eventually hook up towards the end of the series.)

Speaking to a packed house in a cavernous ballroom at the San Diego Convention Center, Duchovny and Anderson were joined onstage by X-Files writers and producers Darin Morgan, Glen Morgan, John Shiban, Howard Gordon, Jim Wong, James Amann and Vince Gilligan, who has since become the mastermind behind the hit AMC series Breaking Bad. Gilligan said he learned the TV ropes while writing X-Files episodes.

Thered be no Breaking Bad without The X-Files, Gilligan said. It was like going to film school, except getting paid to attend, and I was lucky as hell I was a part of it.

X-Files creator Chris Carter was also onstage, and he said he crafted Scullys character based on the idea of his fantasy woman: Strong and smart and opinionated and resourceful. Tough. All those things that I like.

Later, during a Q&A session, one woman told Anderson that she was inspired to pursue a doctorate in physics because Scullys character had majored in the subject.

Duchovny seemed open to pairing up with Anderson for another round of paranormal investigations at some point in the future. The show is so flexible, and could encompass so many different ideas, that I think we could do it forever. I always thought, whenever we can do it come back together we would.

So, we will, as much as we can, he added.

But Carter, when pressed repeatedly by Schneider, never said hed actually want to work on a third X-Files movie. Though he didnt say he wouldnt, either.

I have to say, just being here today and seeing all these people . . . You need a reason to get excited about going on and doing it again, because its hard, hard work, he said, before getting cut off with loud applause and cries of Do it again!

The X-Files panel was one of the highlights of the day. Some fans had arrived to the Convention Center as early as 6 a.m. to ensure they could get into the ballroom. But when it all wrapped up, many cleared out to make way for another batch of fans, these eager to see a handful of iconic young TV stars Matt Smith of Doctor Who, Steven Yeun of The Walking Dead, Tyler Posey of Teen Wolf, David Giuntoli of Grimm and Kit Harington from Game of Thrones sitting in on Entertainment Weeklys Brave New Warriors panel.

Harington, who plays the tough, canny, kind-hearted bastard Jon Snow on Game of Thrones, opened up about the heart-wrenching scene in the final episode of Season Three in which he breaks up with his wildling girlfriend, Ygritte, only to have her shoot him with a bow and arrow.

I dont know if it was brave or cruel, but when he had to leave . . . her, Harington said about Snow, when a fan asked what his most defining moment of the series was thus far. He was doing it for her, essentially, he added, as the audience erupted with a mix of angry cries and sympathetic awwws.

Harington also revealed that he and Snow share a similar, sensitive outlook. I can be quite emo, he said. If Jon had an iPod, it would have exactly same type of music I would listen to.

Rounding out the night in another packed ballroom, producers and cast members of Dexter bade farewell to thousands of fans in a panel commemorating the shows eighth and final season. Michael C. Hall, executive producer and star, described how it might be hard letting go of his character, Dexter Morgan, the police blood-spatter specialist whos been moonlighting as a serial killer since 2006.

Our conscious minds are aware that its over. And as much as it is for some of us, there are people involved in the post-production process who still have work to do, he said. Probably our bodies, five months from now, will start knocking at the door, wondering why were not doing Dexter again. I think theres probably some unconscious part of us that hasnt accepted it yet, or even recognized it yet.

Asked by a fan how he handles stress, he said he isnt quite sure now that the shows coming to an end.

Honestly, pretending to be Dexter has been a stress-reliever in its way, so I dont know what Im going to do now, he said. Exercising is good. You know, anything that gets your heart beating.

Video: Travers Praises the Best and Trashes the Worst Movies of 2010


Peter Travers has some very nice things to say about say about his favorite film of the year, The Social Network namely, that the main cast members all deserve credit for giving some of 2010's best performances but entertainingly enough, he spends much of this look back trashing the "most vomitous chick flick" (guess which one that was) and threatening to release the Kraken on a host of other movies.

What Maisie Knew


Hard-partying rock star Susanna, played by a firecracker Julianne Moore, divorces Beale (Steve Coogan), a self-obsessed art dealer, each uniting only in the neglect of their six-year-old daughter, Maisie (the remarkable Onata Aprile). Would you believe this film is an update of an 1897 Henry James novel? Believe it. Directors Scott McGehee and David Siegel (The Deep End), abetted by an astute scriptfrom Nancy Doyne and Carroll Cartwright, find something sadly timeless in a child torn apart in a custody battle that no one wins, least of all the child.

Its Maisies resilience that earns our rooting interest. Aprile never stoops to the tricks of kid actors. Her feelings emerge naturally, notably in her funny and touching scenes with the effortlessly charming Alexander Skarsgrd as Lincoln, the studly bartender Susanna marries on a whim. Or it might be spite, since Beale has run off with Margo (Joanna Vanderham), Maisies pretty nanny. There are times, especially when Lincoln and Margo seem in danger of becoming idealized surrogates, that the film slips into fable. But the filmmakers take care not to sugarcoat the pain inflicted in the name of love. What Henry James knew 116 years ago stays sorrowfully relevant for the here and now.

Real Steel


The year is 2020, and the world of Real Steel is ruled by Michael Bay. Im only half-joking. Boxing is illegal and audiences pay up to watch robots turn each other into scrap metal. Its Transformers Live! To soften the horror of bot-boxing in a Bay world, the PG-13 Real Steel based on a waytougher short story by Richard Matheson offers a human angle. Hugh Jackman plays Charlie Kenton, an ex-boxer reduced to hustling bot matches. He sucks at it. He also sucks at fatherhood, having abandoned his son, Max (Dakota Goyo). Now Maxs mom has died, and the kid-hating Charlie inherits an 11-year-old he cant wait to dump. Can s.o.b. Charlie learn to love his son? Ya think? Jackman gets a fair amount of screen time to play a total dick, and hes damn good at it. Director Shawn Levy, whose box-office hits give critics meltdowns (Cheaper By the Dozen, The Pink Panther, both Night at the Museum movies), puts frisky energy into the fights, especially when Charlie and son take a junk-pile robot named Atom and build him into a contender. Atom learns his moves by shadowboxing Charlie and Max. Sugar Ray Leonard helped with the motion-capture, and it shows. Good stuff. But the tear-jerking in Real Steel is as shameless as its product placement. Were being hustled.

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This Is the End Cast Spoofs The Real World


What happens when six people who mostly know each other stop being polite and start being real, and its also the apocalypse? You get The Real World: This Is the End edition, a spoof of MTVs reality show by James Franco, Seth Rogen, Danny McBride and Jay Baruchel. Their send-up comes just in time for Rogens directorial debut with Evan Goldberg on the apocalyptic comedyThis Is the End,which hits theaters today.

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Its hard to imagine things ever really being polite, but it definitely gets real-ish among this group, which also includesAverey-Lee Jane and Joi Niemeyer,two new housemates from the Portland cast whoarealumni of Hooters and Playboy, respectively. The guys spend their time competing for the womens attention as drama emerges over toilet seat etiquette, peanut-butter violation and McBrides fondness for urinating wherever he pleases. By the end of the spoof, the jokesters all wish it really was the end.

Godzilla: King of the Monsters Review: Destroy All Mediocre Franchise Cash-Ins


Damn straight you want to go to the movies, shove popcorn in your face and watch giant creatures from a digital lagoon kick each others ass. The title alone means most of us are in the tank for Godzilla: King of the Monsters. Besides the jolly green giant lizard, we get Mothra, Rodan, the three-headed Ghidorah, a.k.a. Monster Zero and the barest hint of King Kong (we have to wait till next March to see Kong and Godzilla go head to head as part of Legendry studios MonsterVerse).

What does arrive in the sequel to the latest of countless, pointless reboots of the Godzilla franchise is a bloated and humorless script, lazy-ass directing from Michael Dougherty (who co-wrote the alleged dialogue with Zach Shields) and slumming actors who are forced to scream in terror when theyre not shoveling tons of mind-numbing exposition. Its weird that a series that began in 1954 with a low-budget Japanese quickie featuring a dude in a rubber suit came still survives as primo kaiju escapism.

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The monsters called Titans eventually show up, and when they do theyre a fun crowd. Scary? Not really. But theyre still technical marvels. Its a shame the plot mechanics dont have a whit of the imagination the FX team brings to the party. And the titans dont have any lines. How lucky can a monster get!

The story, such as it is: Dr. Emma Russell, a scientist played by Vera Farmiga as if what shes saying actually makes sense (thats acting!), has an invention called the Orca. It makes sounds that can communicate with monsters and hopefully control their behavior. Emma has less luck communicating with her teen daughter Madison (the wonderful Millie Bobby Brown from Stranger Things), who correctly thinks that her mom has gone bonkers. Madison is equally sad to have lost her brother in the battle that ended the last movie. But Mark (Kyle Chandler), her divorced dad, has it worse. Hes been drowning his sorrows in booze, but now returns to restore sense to the universe.

In short, the war comes down to those who believe humans should live in peace with the monsters (Ken Watanabe, Sally Hawkins), and those, represented by the villainous eco-terrorist Colonel Jonah Alan (Charles Dance), who want to blow the creatures off the face of the earth. For fun and profit, of course. The movie globetrots from Antarctica to Boston see: Ghidorahs destruction of Fenway Park but rarely gets anywhere.

Do you care? Probably not. The chance to see giant monsters go apeshit a few more are added near the end is almost worth the price of admission. Seeing, however, is part of the problem. Godzilla: King of the Monsters is often so lost in the shadows of digital muck that it makes the squinting chaos of the Battle of Winterfell in Game of Thrones look like a lightshow. Still, when the Titans emerge from the sludge and go at it full tilt you may give in just to watch them let it rip. All thats required is a mandatory suspension of critical judgment.

Murderball


A smashing documentary about quadriplegics in wheelchairs wait, it's not depressing. These are quadriplegics who play rugby for the U.S. Paralympics team wait, it's not sappy. Fierce action, foul language and even quad sex come under the microscope of filmmakers Henry-Alex Rubin and Dana Adam Shapiro as the film builds to the battle between the U.S. and Canadian teams. Wait it's not like something you've already seen. It's original, outrageous and murderous fun.

American Idol Recap: Cut Down to Size


Its the dwindling hour of American Idol, when one of the final five drops, leaving what Ryan Seacrest calls the coveted top four positions. Quit trying to make the Top Four happen, Ryan. If you wouldnt get a medal at the Olympics, it doesnt count. Seriously, Top Four is not a thing.

That said, Coldplay and Carrie Underwood are most definitely a thing a thing that will finally be together! Finally! Its what the world has been waiting for, right? Wait, they arent going to sing together at all, are they?

Before my dreams of an Every Teardrop is a Cowboy Casanova performance can be dashed, Ryan pulls Joshua Ledet out into the middle of the stage. The chances of Joshua going home after the judges declared him the best singer in America present company and their friends and spouses excluded, of course are pretty much zero. However, there were a lot of weird performances, and America has some strange voting tendencies (insert your own political joke here!) and anything is possible.

Jimmy Iovine reports from his luxury Armageddon bunker that Joshua nailed it last night, and then he mumbles something about the unlikelihood of Randy Jackson as a jockey winning the Kentucky Derby, which I think we can all agree is unlikely to happen but we would totally watch. Joshua is safe, and Jimmy pinky-swears with America as his witness that he and Interscope are going to do everything they can to do right by Joshua, who stands there as blank-faced as ever. Kid, The Man just offered you a job. Smile! Then Ryan asks Joshua what kind of album he wants to make and Joshua announces right there in front of everybody that he doesnt want to make an album for radio. A slow wail issues from Jimmys bunker.

Now that we are in the final stretch of Idol, the Ford commercials are really kicking into gear. I guess they just take a while to get up to full speed, you know, like an Escort. In this ad the Idol contestants get to wear real costumes and act. Once again Phillip Phillips is missing. Maybe he gets his medical care during Ford commercial filming? Thats sneaky. Now dont all rush away at once, but you can watch all of the American Idol Ford commercials on Idols website.

Coldplay plays their song Paradise in what looks like the blacklight, graffiti-splattered bathroom of a dive bar. Well done, Idol set designers. You sure know how to bring it when it comes to atmosphere. No Gwyneth sighting.

Ryan then calls Hollie Cavanagh and Phillip up to center stage. Its an intriguing combination, like staring at a freezer with only a meatloaf Hungry Man dinner or a Salisbury steak Hungry Man dinner. Both are only so-so, so which do you eat first? Phil-Phil gave a mediocre performance yesterday, while Hollie is on the rise, but also forgettable. Before we can find out, Jimmy generously reminds America that Phil-Phil has been very sick and a lesser man would have dropped out of the competition. That said, he sucked last night and should be packing his bags.

In response, Phil-Phil hands notorious germaphobe Ryan Seacrest his gum, and Ryan chucks it at Jimmy Iovine on Phillips behalf. Ryan finally gets around to telling Hollie that she is in the bottom two. Phil-Phil is safe to ignore a melody another week. Ladies, HE HAS A GIRLFRIEND.

Carrie Underwood and a giant fan show up on stage to sing the title track off her new album, which is either called Blown Away or just has blown away as the chorus over and over again. The judges get off their duffs for her, because respect yo, even though two of them had nothing to do with her success whatsoever. Ryan jokes that the results just blew away, a joke that the contestants politely applaud from the sidelines while giving Ryan the death stare.

Thats when Ryan calls up Skylar Laine and Jessica Sanchez. Ryan asks Jimmy for his opinion on which of these unlucky ladies will join Hollie in the bottom. Jimmy thinks Skylar is a fighter who suits up (in Nanas bedazzled afghan) and prepares for battle. That said, he didnt like her rendition of Dusty Springfield. However, technically Jessica is the best singer in the competition, despite the fact that she murdered Tina Turner. While he has our attention, though, he would like to point out that Jessicas dress was too mature for her, and then he calls out the stylists for dressing a tiny teen in a racy ensemble that could put Middle America off their supper or land all of Middle America in the confessional. Dirty-minded Middle America.

J.Lo and Randy agree that the dress was a little over the top and tight. It was tight! J.Lo adds, while Jessica stands and nods as the big scary grown-ups tell her she was dressed inappopriately. Good grief, it was a sheath dress covered with modesty beads. Ive seen worse on practically every episode of Toddlers & Tiaras, and we would never judge those little ladies. The best thing about this conversation? None of it matters, because Jessica is safe. Whatever social commentary J.Lo was making about Middle America (and why they wont watch QViva!) was for naught and will probably just make Middle America never watch QViva even more.

Either Skylar or Hollie is going home, but we wont find out until Coldplay does another song. They are doing Every Teardrop Is a Waterfall, which is a fine song, but I like Robyns version so much more that its always slightly disappointing to hear Coldplay sing it. That said, Chris Martin does some excellent yoga moves on stage, so clearly Gwyneth is having a positive impact on him. Or maybe he just subscribes to Goop?

As Hollie and Skylar stand arm in arm awaiting results, Hollie looks like shes going to yarf on Ryans shoes. Even in Sofa City Joshua has his head in his hands.

Randy knows they sang their faces off last night, which I dont think is a thing that people say. Steven Tyler, who has been especially quiet tonight, sadly notes that the Top Five has never been better than this, which is a hilariously endearing thing for Steven to say. I mean, what are the chances he could name anyone in the Top Five from two years ago? Or last year? Or anyone in the Top Thirty from this year? Oh Steven, just go back to counting in prime numbers or meditating, or whatever it is you do there.

Finally Ryan, announces that Skylar is going home. Hollie and Skylar hug each other for a long long time. Then Skylar tries to comfort Hollie, and then she pries her friend off of her and sends her to the couches, because its getting a bit awkward. The judges stand up and applaud Skylar and her journey.

Then Skylar grabs the mic and sings about going home to load her shotgun, which are the actual lyrics to Gunpowder and Lead, though they still sound kind of ominous, considering the circumstances. J.Lo is crying, because whatever it takes to get rid of the water weight. And then there were four.

Last episode: Five for Fighting

Damsel Review: Warped Western Is Winner for Robert Pattinson


Its hard to figure out where this whatzit Western is going exactly. David and Nathan Zellner, the brothers who wrote and directed Damsel,arent trying to scare the horses or rattle your nerves but they clearly like springing surprises. Their deadpan tone makes the stately pace of, say,Dead Mandirector Jim Jarmusch look positively manic in comparison. This warped horse opera begins with a great scene of two men talking in the desert, one of them an old-coot preacher (Robert Forster) who ends up pulling off his clothes and running for salvation. The other is, well never you mind.

Robert Pattinson gets right in the groove as Samuel Alabaster, a stranger in this dusty frontier town who hires Parson Henry (played by David Zellner) to marry him to his fiance Penelope (Mia Wasikowska). Off they go, with a miniature horse named Butterscotch, to find her. It seems shes been kidnapped, but despite the title, the lady is no ones damsel in distress. And our lovelorn young man keeps singing this song about her that goes from cute to acutely disturbing, repeating the word honeybun to the point of madness. Pattinson, sporting a gold tooth and a menacing grin, is now truly whisper closer to obliterating his dreamy Twilight image for keeps.

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Wasikowska also gets in her licks, comic and grisly. She and Pattinson were creepy to infinity and beyond as a mental patient and a Hollywood limo driver in David Cronenbergs Maps to the Stars. But here they really let their freak flags fly, shattering expectations as to just where this Old West love match is going. Hint: Be on the lookout for the kidnappers psycho brother (Nathan Zellner) whos not making things easier.

Are we being ambiguous enough? The Zellners (Kumiko, the Treasure Hunter) keep things intellectually curious and devilishly clever, as if theyve just watched Coen brothers Raising Arizona for the first time while reading Samuel Becketts Waiting for Godot aloud to each other. Their teamwork lets the comedy chips fall where they may in between bursts of bloody action and subversive provocation.

Damsel wont work for everyone. Its too quirky for that. But it goes its merrily deranged way with prankish enthusiasm and a genuine sense of the absurd. Pattinson and Wasikowska fire up the game so well that you almost dont mind when the film gets bogged down in the mid-section. Cinematographer Adam Stone (Take Shelter) lets the gorgeous Utah landscapes bleed into surreal visions geared to throw you off balance, just like the ethereal, electronic score from the Octopus Project. In a Hollywood of formulaic hack jobs, the Zellners know how to keep you guessing. Dont knock it. Its a gift.

Dwayne Johnson: The Pain and the Passion That Fuel the Rock


If the world seemed a little bit sluggish this morning if the birds werent singing as sweetly, or the sun hung a bit lower in the sky it might be because Dwayne Johnson didnt work out.

On any other day, Johnson would be up before dawn, clanging and banging on the 45,000 pounds of equipment in the torture chamber of a home gym he calls his Iron Paradise. But not today. Today Johnson slept in until the downright slothful hour of 6 a.m., in a hotel suite in Beverly Hills under the alias Sam Cooke, where he now sits perusing the newspaper while his longtime girlfriend, Lauren Hashian, enjoys a bowl of room-service granola.

The reason for this uncharacteristic idleness? Johnson and Hashian have a two-year-old daughter, Jasmine, and a second child arriving in a few weeks. Were in the home stretch, says Hashian, rubbing her belly so they left the toddler with the nanny for the night and snuck off for a little romantic getaway. Were getting it in now before its too late. Johnson, padding around the suite in gym socks and a T-shirt that reads BLOOD SWEAT RESPECT, says he and Hashian were originally going to get married this spring in Hawaii. But then we got pregnant, he says. And Mama dont wanna take wedding pictures with a big belly Mama wanna look good. They werent exactly trying to have another baby. We were talking about it, he says. And then all of a sudden I get a text from her with a [picture of a] pregnancy test. Apparently it didnt take much. All I did was look at her, Johnson jokes. Guess what. Youre pregnant. Baby in you now.

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He just gave me the eyebrow, says Hashian. Pew. Heres a baby.

Johnson says hes excited. I had Simone when I was 29 his older daughter, now 16, whom he had with his ex-wife, Dany Garcia, whos now his manager. (They make it work.) Guys dont mature until much, much later, so its nice to be in my fourth level and have babies again. Fourth level thats a new one. Johnson, 45, grins. Its better than saying the actual number.

Do they have a name picked out? I think we do, Hashian says. Were thinking about Tia. Its simple, its Polynesian-ish. And I feel like she might come out looking like a Tia. I mean, she could come out any which way, because were complete opposites shes fair and delicate, hes brown and colossal. I love that name, I tell her.

Yeah? says Johnson, sounding pleased. Thank you. Youre probably the fourth person whos heard it. It was funny we were having dinner with Emily Blunt, who Im getting ready to work with [on Disneys Jungle Cruise], and I said, What do you think of Tia? And she went beat, beat, beat No ones gonna fuck with a Tia Johnson.

Especially not when her father is Dwayne Johnson, roughly the size of a grain elevator. When he was in high school, other kids were suspicious of him because they thought he was an undercover cop. (For the record, a pretty solid pitch for a Dwayne Johnson movie.) Even now, as the most beloved star in Hollywood not named Tom Hanks, Johnson and his giganticness can still give pause. Director Brad Peyton, whos worked with him on three films including the new monster romp Rampage says the first time they met, Johnson was dressed as Hobbs, from the Fast & Furious franchise. I was like, Oh, my God this guy is frighteningly large, Peyton says. I was shitting myself he looked so intimidating. It took me, like, 15 minutes to get over it.

As if to combat this, Johnson carries himself with an abiding gentleness, like a grizzly bear who rolls over so you can rub its belly. On our way to the hotel restaurant for breakfast, we pass a manager who apologizes to him for last night. Oh, its all good! Johnson says. Only after were out of earshot does he reluctantly relate what happened. It turns out when he got back to the suite around 2 a.m., following a long day of work, Hashian was still wide awake, thanks to a mysterious buzzing near the bed. I shut the AC off, we called for earplugs, maintenance came, Johnson says. Finally they had to move us at, like, three in the morning. It was a whole thing.

Dwayne Johnson parents

What a bummer and on their special night, too. One night! Johnson says. He throws his hands up, mock-exasperated. The hits just keep on coming.

They do, actually. Johnson is riding a wave of success as the most bankable star in Hollywood the closest that movies in 2018 have to a sure thing. A recent Wall Street Journal report revealed that his upfront payday for an upcoming film would be $22 million; a source close to Johnson says that figure is low by two bills. But the most surprising part of the news may have been how unsurprising it was: Of course the Rock is worth $20 million-plus. After all, theres a reason last years Jumanji sequel grossed nearly $1 billion worldwide, and all due respect, its not Jack Black.

As producer Beau Flynn, whos made six of Johnsons films, says, even at that price, Dwayne is a massive steal and a bargain.

Hes a freak of nature, says Johnsons Rampage co-star Jeffrey Dean Morgan. It seems like every month hes in a movie and making a killing. In the middle of shooting Rampage, hes off hosting SNL and doing ads for Apple and running for president and whatever else. He works out at 3:30 in the morning so he can get to set on time. I dont know how he does it. And the other thing is, hes a family dude, so not only is he juggling the 9 million things hes got on his plate for work, hes also raising kids and got a happy marriage. Jesus Christ. I kind of fucking hate him.

Spending time with Dwayne Johnson is pretty much as uplifting as youd expect. He will give you a fist bump that makes your humerus vibrate. He will ask your spouse and/or childs name and then make a point to repeat it 17 times. His warmth and enthusiasm will be infectious, and you will leave with newfound inspiration to wake up earlier and exercise more and be kinder to people and also maybe join the Marines? Thats just the kind of guy he is.

When I first met Dwayne, one of the first things he said to me was Lets elevate and dominate, Peyton says. If most people said that, youd be like, Are you kidding me? But when Dwayne says it, Im like, Yes! Elevate and dominate!

Out at Johnsons regular table on the patio, he asks for Fiji water with lemon on the side, then produces an aluminum takeout container. If we could just take that back to the chefs and have it heated and plated, he tells the waitress.

OK, she says. I have to check with them first, because we dont take outside food.

Oh, they will, Johnson says, smiling confidently.

It will be fine? she asks.

It will be fine, he says. And she trusts him, because when Dwayne Johnson tells you something will be fine, it will be.

(A few minutes later, a waiter returns with the heated-up breakfast. I ask what hes having. Right here? he says. This is chopped-up lion heart. Thats buffalo placenta. And these are goat balls. From the Andes. He laughs and shakes his head. So stupid. But, no that actually is buffalo.)

When Johnson was in college, playing football at the University of Miami, he majored in criminology and wanted to be an FBI agent or a CIA officer, so he could put bad guys away. Since then, he has played both onscreen, as well as a lifeguard and a Green Beret. In 2015s San Andreas, he was an L.A. fire-rescue pilot trying to save his daughter from a terrifying earthquake. Says Flynn, One of my favorite comments online was This movie is so unrealistic. Dwayne would just go to the center of the Earth and hold it from quaking.

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Johnson has found a sweet spot with the characters he plays: highly skilled bad-asses who are also sensitive and vulnerable, flawed yet decent men with big biceps and bigger hearts. No ones going to see me play a borderline psychopath suffering from depression, he says. I have friends I admire, Oscar winners, who approach our craft with the idea of Sometimes it comes out a little darker, and nobody will see it, but its for me. Great. But I have other things I can do for me. Im gonna take care of you, the audience. You pay your hard-earned money I dont need to bring my dark shit to you. Maybe a little but if its in there, were gonna overcome it, and were gonna overcome it together.

As a wrestler, Johnson spent years traveling the country performing in stadiums and arenas, learning what people wanted from their heroes. And the number-one goal in all those towns, from Paducah, Kentucky, to Bakersfield, California, was always take care of the audience. You find that today in anything I do. Never send an audience home unhappy.

Theres a moment in Rampage that illustrates this perfectly, but its impossible to talk about without discussing the ending of the film. But if theres a way to put it in, feel free, Johnson says. Because I think its interesting how we got there.

In the movie, Johnson plays Davis Okoye, a former special-forces-soldier-turned-anti-poaching-commando whos now a primatologist. (Hey, it could happen.) His best friend, a lovable albino silverback gorilla named George, gets infected by an evil corporations genetic experiment and transforms into a 40-foot monster hellbent on destroying Chicago, a pursuit hes joined in by a mutant crocodile and a giant flying wolf. Davis reunites with George and reminds him that hes a good guy, and together the two of them team up to take down the crocodile and the wolf before they destroy the world. So the script comes in, and Im reading it, Johnson says. And at the end of it George dies! Im like, No. Did I miss something? George cant be dead. But I go back, and yeah.

Johnson says this moment became the number-one topic of discussion between himself, the director and producers, and the studio. I dont like a sad ending, he says. Life brings that shit I dont want it in my movies. When the credits roll, I want to feel great. His concerns went up the chain of command, and we had a big meeting where they gave me all the reasons they thought George should die, he says. He sacrifices himself saving the world. Killing these animals who had ill intentions to harm mankind. He sacrifices himself like a brave soldier. OK. But this is a movie! Theres a crocodile the size of a football stadium were not making Saving Private Ryan.

Dwayne rarely digs in, but on this he was very adamant, Flynn says. It was back and forth for about two months.

According to Johnson, it was about more than just George. My problem is I have a relationship with an audience around the world, he says. For years Ive built a trust with them that theyre gonna come to my movies and feel good. So every once in a while, you have to drop this card, which is: Youre gonna have to find another actor. We need to figure something out, otherwise Im not gonna do the movie.

In the end, they landed on a compromise that made both sides happy. But everyone agrees that Johnson had the right instinct. He understands the audience and his relationship with the audience better than anyone, Peyton says.

Thats Dwaynes genius, says Flynn. And watching it with an audience, he was 100 percent right.

Johnsons other big hallmark, in addition to being strong and hard-working and able to laugh at himself, is that hes a good dad. Its built into his brand: Hes the guy who can punch out 20 dudes in a prison riot or divert a torpedo with his bare hands while hanging from a speeding truck, then make it home for his little girls soccer game. He says hes learned a lot from being a father, especially a father of girls: empathy, sensitivity, how to listen better. As Hobbs puts it, The only thing that I love more than saving lives is my daughter.

His own dad was a little more reserved. Soulman Rocky Johnson was a wrestler too, part of the first black tag team to win a WWF championship. Before that, he was kicked out of his house at age 13 and forced to live on the streets. My dad was tough, says Johnson. Tough, tough, tough, tough. Johnsons earliest memory is from when he was two, and his dad was filling up a kiddie pool with a hose. He was like, Hey, come look at this, so I went over and he pushed me in. Johnson laughs. Thats why I need therapy. (These days theyre close enough that Johnson bought his dad a new Cadillac after hip surgery.)

Back then, wrestlers were like nomads, eking out a living in Memphis or Allentown for a few months before moving on to the next territory. Johnson lived in five different states by kindergarten, 13 by the end of junior high. It sucked, he says. I would just be getting settled, and then its the anxiety of a new school, new friends.... When he was 12, they moved to Hawaii, where his moms family lived. Thats when it got rough, he says. His dad worked less. His parents fought. Times were lean, Johnson says. Frustrated with being poor, he started stealing, then getting arrested. Later, he began getting in fights more, and turning into an angry kid. An only child, he found it hard to talk about his feelings.

Johnson says hes been to therapy a few times now. Ive had a few bouts of depression, as happens to a lot of us, he says. The first was around the time of his divorce: Around 2008, 2009, I was going through a lot of personal shit that was really fucking me up. I was just struggling, man. Struggling to figure out what kind of dad am I gonna be. Realizing Id done a piss-poor job of cultivating relationships, and a lot of my friends had fallen by the wayside. I was just scared. Personally, everything was in a very bad and challenging place. And then professionally, I couldnt bet on myself. I wasnt used to that. Id always felt like I could put in the work and fix the scenario with my own two hands.

Hed made a splashy entrance in Hollywood, earning $5 million for his first starring role, in 2002s The Scorpion King. But after a string of slightly embarrassing kids movies, it seemed he might be done. My career was a little shaky really shaky, he says. Returning to wrestling wasnt an option, because I didnt want to go back deemed a failure. So Im making these movies, my third family movie in a row, which is often considered career suicide for someone who started in the world of action. Like, Check, please youre done.

Johnson called a meeting with his agents and said he had a plan. He wanted to be Will Smith, only different and bigger. I dont know what that means, he said. But I can see it, and I have these he held up his hands and I need everybody to see it with me. The silence was profound. Pretty soon he had new agents. But 10 years later, what kind of career does he have? Will Smiths, only different and bigger.

When Johnson started wrestling, he didnt want to use his real name because it didnt have any pizazz. Now its practically its own genre. People just know its the new Dwayne Johnson movie, and theyre in, says Toby Emmerich, chairman of Warner Bros. Pictures Group. Blair Rich, the studios president of worldwide marketing, agrees: Hes a brand unto himself.

Dwayne

Through it all, hes never stopped improving working with acting coaches, learning about business and marketing. Its kind of amazing to see how far hes come as an actor, Morgan says. A couple of weeks ago I was flipping through channels, and one of his first movies came on, this movie Doom, from the mid-2000s it was old enough to where he had hair. To see the subtleties he brings now I give mad props to him.

Dwayne started as an athlete, so hes used to being coached and pushed, says Rawson Marshall Thurber, who directed Johnson in Central Intelligence and this summers Skyscraper. He responds really well to that. Hell give you a hundred takes if you want.

By all accounts, Johnson is a dream on set remembering everybodys name from craft services to the camera operators, taking pictures with the second prop department guys brother even though no one asked. After two movies together, Thurber says hes seen Johnson get truly mad only once, when there was a miscommunication about when he would be done shooting, and he wasnt gonna be able to get on his flight to go see his little one. It was the most upset Ive ever seen him. But the way he handled it was really cool. He brought everybody together in the middle of the set and said, Im disappointed in all of us that were here at this point. How can we solve this and move forward?

It was pretty tense, Thurber says. Hes a big guy everyone was staring at their shoes. But what he didnt do was say screw it and storm off, or sit in his trailer and have his people make a fuss. Hes a giant movie star he could just walk out. But he called everybody together and said, Lets figure this out. I gained a lot of respect for him in that moment.

All of which may help explain the drama that boiled over on the set of The Fate of the Furious in 2016. During the last week of filming, Johnson posted a message on his Instagram slamming anonymous co-stars who fail to conduct themselves as stand-up men and true professionals and were too chickenshit to do anything about it.... Candyasses.

It soon became clear Johnson was referring to co-star Vin Diesel. When the film came out, eagle-eyed viewers noticed the pairs scenes were shot in such a way that they might not have been on set at the same time. That is correct, confirms Johnson. We were not in any scenes together.

Dwayne will give you a lot of latitude, Beau Flynn says. You can push and push and push. But theres a line in the sand with him close to his toes, probably and if you cross that, thats one of the rare times he gets upset.

Johnson says their beef came down to a disagreement about professionalism. Vin and I had a few discussions, including an important face-to-face in my trailer, he says. And what I came to realize is that we have a fundamental difference in philosophies on how we approach moviemaking and collaborating. It took me some time, but Im grateful for that clarity. Whether we work together again or not.

Does that mean he might not be back for the ninth installment? Im not quite sure, he says. Right now Im concentrating on making the spinoff as good as it can be Hobbs and Shaw, co-starring Jason Statham, due next year. But I wish him all the best, and I harbor no ill will there, just because of the clarity we have. He considers this, then lets out a big, sly laugh. Actually, you can erase that last part about no ill will. Well just keep it with the clarity.

On the day of the nationwide March for Our Lives to protest gun violence, Johnson posts for his 102 million Instagram followers a picture of the marchers in D.C., along with a caption that reads (in part), Very proud of our youth leading this movement. . . . very strong day. Johnson rarely chooses to weigh in publicly on political issues, but the massacre of 14 students and three adults in Parkland, Florida, hit close to home, literally. His daughter Simone goes to school just half an hour away.

She was absolutely terrified, he says. A lot of her friends friends died. Its heartbreaking. Theyre still going through it. I ask him what he thinks we should do. You gotta do something, right? he says. I dont think giving teachers guns is the answer, because then were just bringing more guns into school. I dont know, man. I dont have the answers. But weve gotta keep our kids safe.

I mention how moving its been to see kids leading the way. Incredibly moving, he says. And powerful and emotional. But like with anything, weve gotta have people who will meet them in the middle. Its frustrating. Weve gotta see better leadership.

Johnsons idea of leadership includes a few things. Empathy. Inclusivity. Being open to other views. Staying calm and avoiding knee-jerk reactions. I also feel, at some point, like we just need good-quality human beings, he says. I think when youre a good-quality human being in your DNA and your constitution, it leads to more effective decision-making.

As an example, consider the clash between President Trump and the NFL players who knelt during the national anthem. Johnson (who says if he were in the league, he would either have knelt or raised my fist in solidarity) says that what those protests were about namely, African-Americans being killed by police was misunderstood. I felt like our presidents responses were being dictated by the noise, and not the actual problem, he says. At their core, he adds, the protests were a cry for help: As one human being to another, were having this issue thats affecting our country and our little kids, and I need your help. And I think when human beings are in jeopardy, and they ask for help, good-quality human beings, whether locally or at the highest level of office, they help.

Johnson doesnt know Trump. They met once, 15 or 20 years ago, at a wrestling event at Madison Square Garden. (Saw him, shook his hand. That was it.) But politics aside, Trump seems like exactly the kind of guy Johnson would have little patience for. As his character in Central Intelligence says, I dont like bullies. Can you imagine the Rocks reaction if a man on his set mocked a person with a disability, or bragged about assaulting a woman? Youre gone, Johnson says angrily. Youre done. I dont have friends like that, nor is it anywhere in our business.

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That kind of behavior, he says, is why I didnt vote for him.

Johnson says he voted for Obama twice, but he didnt vote in 2016. At the time, I just felt like it was either vote for the [candidate] I thought would make a better president than the other, even though I would rather have someone else, or not vote at all. I wrestled back and forth with it. We were on the set of Jumanji in Hawaii, and it really was like calling on the gods. Give me the answer. Ultimately, it was [to not vote].

But it sounds like he may be having second thoughts. The next elections, in 2020, I think Ill be a little bit more vocal in who I support, he says.

Its hard to have this conversation without addressing the elephant in the room, which is Johnsons own political aspirations. For the past few years, stories have come out floating him as a future commander in chief. It makes sense: Hes popular, smart, charming, a natural leader and all-around good guy. Hes spent years touring small cities across America wrestling at state fairs, flea markets, barns, high school gyms. He was born in California, has deep ties to Hawaii and Florida, has lived everywhere from Texas to Georgia to Pennsylvania, and currently resides part-time in Virginia thats 153 electoral votes right there. A poll last year showed him beating Trump head-to-head, 42 to 37.

But lets be honest: Dwayne Johnson is not going to be president anytime soon. As much as wed all love to see him drop the Peoples Elbow a few Novembers from now, everyone needs to just calm down.

I mean, look, says Johnson, people are very excited, and its so flattering that theyre excited. I think its also a function of being very unsatisfied with our current president. But this is a skill set that requires years and years of experience. On a local level, on a state level and then on a national level. I have the utmost respect for our country and that position, and Im not delusioned in any way to think, Oh, absolutely, if Trump can do it, I can do it, and Ill see you in 20-whatever, get ready. Not at all.

Besides is it even a good idea? More than a year into our first celebrity presidency, most Americans would agree that its not going supergreat. Have we not learned our lesson? I think in a lot of peoples minds, what Trump has proved is that anybody can run for president, Johnson says. And in a lot of peoples minds, what hes also proved is that not everybody should run for president. What Im sensing now is that we have to pivot back to people who have a deep-rooted knowledge of American history and politics and experience in policy and how laws get made. I think that pivot has to happen.

So there you have it. Dwayne Johnson knows he probably shouldnt be president right now. And yet...maybe someday?

Johnson says hes been taking under-the-radar meetings with experts from across the political spectrum: Republicans, Democrats, independents, mayors, strategists, you name it. Just soaking in and listening. Trying to learn as much as I possibly can. I entertain the thought, and thank you, Im so flattered by it. But I feel like the best thing I can do now is, give me years. Let me go to work and learn.

Johnson smiles. I will say this really quick, which is cool. So theres a well-known political figure who said, All right, listen. If and when you want to run for president, when you text me this word, Ill come running. Dont text any other word not hi, not how you doing, not whats up. Just this word.

So whats the word?

The word is fr I cant say the word!

Is it freedom?

Johnson smiles again. Freedom patriot. Two words.

In 2032, he will have just turned 60. Freedom patriot. Mark it down.

The last time I see Johnson is on a rainy L.A. morning, when he picks me up at a Whole Foods near his house in a black Escalade with Hank Williams Jr. on the stereo. Hey, brother, he says, opening the door. We pull out of the parking lot and onto the freeway, and he checks his mirrors before merging across three lanes of traffic. Very smooth, Johnson says. Please note that.

Were on our way to the practice facility of the Los Angeles Lakers, where hes due to give a Genius Talk one in a series of TED-style lectures that the Lakers GM, Rob Pelinka, has organized to spark players curiosity for subjects outside basketball. Speakers so far have included Elon Musk and former Disney and Dreamworks CEO Jeffrey Katzenberg. Today its Johnsons turn.

When he walks in, waiting to greet him is the Lakers president of basketball operations, Earvin Magic Johnson (no relation). Whats up, baby! Magic says.

How you doing? says Johnson, hugging him. Theyve known each other for years, since Johnson came to Lakers games when he was just starting his transition from wrestling to Hollywood. To see what hes doing now, see it just, boom, explode, number one in the world they need to hear that, Magic says. Were trying to become number one in the world ourselves. The Lakers are waiting for Johnson in the video room rookie sensation Lonzo Ball up front in sweats and sandals. Its one of the few gatherings on Earth where Johnson looks small. The team has struggled this year, 30-36 as of this morning. But the Lakers are young, and improving, and they have a lot of potential.

Thank you, boys, for having me, Johnson says to the room. I really didnt know what to say to you today, because you guys are already successful. So instead, let me just tell you whats worked for me, and maybe some of it might work for you.

For the next 40 minutes, Johnson delivers a heartfelt, extemporaneous speech cataloging his lifetime of failures. How he was arrested multiple times as a teenager. How he failed to get drafted into the NFL, his dream crushed at 22. How he made it big in wrestling, but then quit to star in movies and struggled, and two years later wondered, What the fuck did I do with my career? He says he carries these failures close. You gotta keep that shit in the front of your mind. When shit goes bad or sideways, when you get booed out of the building, it should form you. It should drive you.

At one point, Johnson looks around the room at the hungry young faces looking back at him. You guys are on the come-up, he tells them. Youre on the rise. But at some point, you gotta be fucking tired of not being number one. You gotta play angry. Im cool and calm when I step on a set. But when it comes to business and when it comes to executing he raps his fist against the wall every day my back is up against this motherfucker. And when my back is against this motherfucker he raps again I dont give a fuck whos in front of me. I wont stop.

That night, the Lakers win by nine.

Proof


David Auburn won a Pulitzer for Proof onstage deservedly so. His play about the daughter of a math genius had humor and bite and benefited from an electrifying performance by Mary-Louise Parker. The sparks go out in John Maddens film version, with a script by Auburn and Rebecca Miller and ring a wan Gwyneth Paltrow. The Oscar winner plays Catherine, a math prodigy who drops out of school to care for her father (a business-as-usual Anthony Hopkins), only to watch his beautiful mind be devoured by dementia. Now, as she prepares for his funeral, Catherine feels she is also losing her grip. A visit from her controlling sister Claire (a shrill Hope Davis) doesnt help. Neither does a quickie with Hal (a callow Jake Gyllenhaal), her dads former student. He may be using her to gain access to a new proof. Did Daddy write it or did his daughter? Madden directed Paltrow in the play on the London stage, but he does his Shakespeare in Love goddess no favors by filling the screen with big close-ups that betray the theatrical origins of the piece and drain the movie of life and urgency. Proof hasnt been filmed at all its been embalmed.

Jon Favreaus Wall Street Education


Every actor wants to work with Martin Scorsese, and so, it seems, does every director. Jon Favreau, the Swingers star who spent the last decade directing big Hollywood productions like Elf and Iron Man, is one of several directors who have acting roles in Scorseses new film The Wolf of Wall Street. It was a bucket-list moment for me, Favreau said of working with his idol.

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In the film, which recreates the sex-and-drug-fueled rise and fall of stock fraudster Jordan Belfort (Leonardo DiCaprio), Favreau plays Manny Riskin, the attorney Belfort turns to when hes in trouble with the Securities and Exchange Commission. Favreau says he never met the real-life model for his character, but he brought to bear his own experience working on Wall Street in the late 1980s, the same time Belfort was there before he struck out on his own.

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A man whos worn many hats, Favreau will soon be seen in a chefs toque in Chef, a film that required him to learn how to run a restaurant kitchen. Due for release this May, Chef, which Favreau wrote, directed, and stars in, marks his return to his indie roots. The 47-year-old recently phoned Rolling Stone from his office in Santa Monica to discuss the lessons hes learned from Scorsese to the world of big-budget blockbusters and his return to more personal filmmaking.

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What was your experience on The Wolf of Wall Street like?
Scorseses been a hero of mine since I was young. If you saw Swingers, you know I was definitely fixated on his body of work. So to be asked to work with him was great.It turns out there are a few directors who ended up in this film. Spike Jonze is in there, and I was working with Rob Reiner.I was just a small piece of a large ensemble, but it was a treat to be a part of it and to watch a master direct to see what his personality was like. Its fun to see how other people run their sets. I was not disappointed. It was great to watch him working with both Jonah [Hill] and Leo [DiCaprio] and also to be able to work with Rob Reiner, whos another hero of mine. To be part of one of Scorseses classic Steadicam shots was also great. It was a dream come true. It was a bucket-list moment for me.

What did you learn from Scorsese that you can bring back to your own directing?
He brings a real enthusiasm. Hes a generous laugher. He runs a loose set when it comes to the exchange of ideas. He doesnt attempt to control everything. He puts a lot of work into his casting and story, but dialogue is loose, which I like. Theres an energy to the set and the camerawork. Ill just try to emulate him even more.

The truth is, Id asked so many people whod worked with him what his set was like and how he worked. Long before Id ever been on his set, I was emulating his process, just from anecdotal experience. When I worked on [IFC series] Dinner for Five, anybody who worked with Scorsese, I would grill them about what the experience was like. Ive had Kevin Pollak tell me the story of Casino on several occasions because it was so fascinating to me.

But actually being there, it was hard to do my role, because I was spending so much time observing and paying attention. As an actor, you have to be off in your own world and fixated on what youre about to do, but I was so drawn in to what was going on around me. It was very distracting.

Do you still find yourself getting starstruck?
Not usually, but that was a hard one for me, because I didnt want to drop the ball. I was in a scene with a big monologue between Leo and Rob Reiner, neither of whom I knew too well, with Scorsese directing. I had flown out to be in this scene. So it was one of those moments where you dont want to let anybody down, but its also one of those moments that makes you nervous. That particular configuration of people definitely made it feel like my first day of work, ever.

What sort of research did you do to play your Wolf role?
I grew a mustache that was my character work. I played him like me, if I was a lawyer.
I actually worked on Wall Street. I was there the day depicted in the film, when the market crashed in 87. I was in facilities planning at an investment banking house. It was already a week into my two-week notice. It wasnt for me. I was getting out of there. I was in my twenties, and I went back to school. But I did see it all shift and change.

S0 does the film depict that era on Wall Street accurately?
I wasnt a trader on the inside. I was there in a support capacity. But it was interesting to be there and know the fashion and know what that moment was like. I cant really speak to the accuracy of the behavior. I know the look of it was right. I know the costumes and the equipment on the trading desks. It looked very familiar. I was the guy they called if the air conditioning wasnt working. I was sort of floating through.

In Wolf, you get a taste of [that moment] before the market crashes, when [Belfort] was a cold-caller. And I remember what those floors were like. It just seemed really loud and busy and amped up. There was a lot of adrenaline pumping because there was a lot of action. But the debauchery, that I never witnessed. That wasnt taking place in the work space. The movie implies that it took place after hours.

Tell us about Chef.
Its an independent ensemble comedy about a guy who is a very established and talented chef, who ends up losing his gig at a French restaurant in Brentwood after getting into a bit of a flame war on social media with a critic. He loses his job, publicly humiliates himself and has to start all over. He ends up going across the country with his 10-year-old son from a divorced marriage, in a food truck, stopping in different cities, learning about the music, the food, and the culture, and reconnecting with his family.

Was it nice to return to independent filmmaking after a decade of big-budget movies?
It really was, because as the films got bigger and more successful, there was also more collaboration and more voices. It was nice to tell a story purely from the heart to do it at a budget level where I had control of casting and how the film was made and where it was made. It was challenging logistically, but it was an incredibly gratifying experience. Im at that point where its all finishing up and Im about to share it with an audience. Even though its a small movie and doesnt have to make as much as the big ones to be successful, its amazing how invested I am in hoping that people will like it and connect with it. It was truly personal and a big labor of love.

Why Daniel Day-Lewis Retirement Is a Major Loss to the Movies


Daniel Day-Lewis has earned many accolades and awards over the last 35 years, but perhaps no one has more perfectly encapsulated this actors appeal than comedian Paul F. Tompkins. Cast in a tiny part in 2007s There Will Be Blood opposite Day-Lewis, the stand-up comic later related what their first on-set encounter was like. Now, I had been told that Daniel Day-Lewis was kind of an intense person, Tompkins says. And hes really not. Hes really THE MOST INTENSE PERSON that has ever lived on Earth. Hes not doing anything hes just sitting in a chair and I am terrified of him, as if a jungle cat has wandered onto the set.

Its funny, yes but theres something incredibly accurate about Tompkins observation. If its true that Day-Lewis is indeed retiring after Phantom Thread, his latest collaboration with Paul Thomas Anderson, hits theaters in December, then well miss the sleek, jungle-cat ferocity he brought to his best roles. Other tributes will praises this peerless performers obsessive preparation learning Czech for The Unbearable Lightness of Being, living off the land for months for The Last of the Mohicans and while thats an indication of the commitment he brought to his characters, such testimonies make the performances themselves feel like burdened ordeals. Nothing could be further from the truth. Part of the pleasure in watching him on screen was being able to sit back and savor as he devoured a role with ravenous glee. Other actors pour themselves into their parts; few brought such lip-smacking gusto. He made the craft of acting look like so much damn fun.

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Starting in 1985, with A Room With a View and My Beautiful Laundrette, Day-Lewis began wowing audiences and critics. In the former, he played a haughty twit; in the latter, he was a gay, soulful street tough. In his review of Laundrette, Roger Ebert noted that seeing these two performances side by side is an affirmation of the miracle of acting: That one man could play these two opposites is astonishing. Miracles never ceased with him onscreen. Day-Lewis soon won his first Best Actor Oscar the first of three, the only man to date to make such a claim for My Left Foot, in which he played Christy Brown, an artist born with cerebral palsy. Its the sort of part that frequently leads to awards, but its a testament to his restlessness that what, for other actors, would be a career-defining performance became merely a jumping-off point. Along the way, he often looked like he was having a ball.

And its not that he couldnt play men being torn apart by their passions The Age of Innocence and In the Name of the Father bear that out. But Day-Lewis is almost second to none in his ability to make suffering feel revelatory and cathartic. Watch Martin Scorseses adaptation of the Edith Wharton novel about desire and class structures, and youll feel how his refined, muted Newland Archer is inextricably pulled toward the melancholy tractor beam that is Michelle Pfeiffers Ellen Olenska. But Day-Lewis renders the characters romantic anguish with such crisp urgency that it goes beyond Masterpiece Theatre mannerisms. Hed Initially balked at the part I was hoping hed ask me to do something more rough-and-tumble, he later admitted but the actor figured out how to bring raw energy to a restrained role. Rather than folding Archers misery in on itself, Day-Lewis projected it outward. You are ensnared by the same spell the Countess had weaved on him.

He was just as remarkable in other new guises. As Hawkeye in The Last of the Mohicans, he internalized his months of preparation to give us a bracingly authentic portrait of a rugged individualist, one dashing and thrilling all at once. With his broad chest exposed and sporting a flowing ponytail, the man looked like a three-dimensional replica of those hunky heartthrobs you see on the covers of period romance novels. Yet he figured out how to ennoble that clich, imbuing this action hero with soulfulness and undeniable physicality, becoming the embodiment of director Michael Manns muscular, grandiose filmmaking.

Day-Lewis seemed to walk away from the profession in the late 1990s after The Crucible and The Boxer, well-meaning dramas that didnt deserve the actors lethal focus. But he rebounded triumphantly. If the Eighties were Day-Lewis coming-out party and the Nineties his flirtation with Hollywood, then this century has seen him embrace larger-than-life characters that put his bravado on rich display. Gangs of New York started the run. His Bill the Butcher is a right bastard who rules 19th-century Gotham through violence, intimidation and a cocky grin that suggests he secretly (or not-so-secretly) wants to slit your throat. This reteaming with Scorsese started what you might call the jungle-cat period, the actor melding intensity with beautifully modulated showmanship. His turn as Bill was theatrical because Bill himself is in another life and another era, this gangland murderer could have been in pictures.

After 2005s The Ballad of Jack and Rose, a gentle father-daughter drama he made with his longtime partner Rebecca Miller, Day-Lewis delivered a trilogy of unbridled turns that occasionally made even Bill the Butcher seem timid. The greatest of the bunch is Daniel Plainview, the manically driven oilman of There Will Be Blood. Recently topping The New York Times list of the centurys best films, writer-director Paul Thomas Andersons compulsively fascinating portrait of capitalism and religion at war for the soul of America strives for greatness at every turn and Day-Lewis recognized that subtlety had no place in such a searing vision. Its the monstrous, oversized performance that speaks directly to this epics themes, as if the actor (who won his second Oscar for the role) had absorbed all of the countrys grand contradictions to bring us this raging entrepreneur so full of ambition, so lacking of compassion for his fellow men. It wasnt just Tompkins who was terrified and delighted by Day-Lewis volcanic stillness he was merely the first of many viewers utterly absorbed in his mastery.

A different kind of showman emerged in Day-Lewis gutsy turn as the conceited director Guido in Nine, an overblown, ill-conceived big-screen musical adaptation of the Broadway redo of 8 1/2. Its far from the mans finest hour, but Guido captures the actor at his most dreamy; you can forgive the guy for, on occasion, deeply digging the fact that hes a glamorous movie star. That light palate cleanser, however, merely set the stage for his monumental turn in 2012s Lincoln, taking on one of Americas most iconic and beloved figures. Nobody remembers now how daunting that task could be: Day-Lewis (winning his third Oscar) gave us a president beaten down by political and personal difficulties who, somehow, maintained his wonderfully dopey sense of humor in the thick of the Civil War. Who else other than the actor could have played Honest Abe with such offhand gravitas that you looked past the venerable president to see the very human, sparklingly intelligent man underneath the top hat?

Throughout his career, each time Day-Lewis essays a new role, audiences are greeted with a litany of tales regarding his infamous reluctance and mythic levels of preparation. (For instance, he first turned down Lincoln, writing director Steven Spielberg a lengthy letter articulating his reasons for why he didnt feel up to the task.) These stories are passed around with a kind of hushed awe, as if these external factors are a key to his brilliance. As we await Phantom Thread, lets take a moment to forget that sturm und drang and focus, instead, on the ripping elation his full-bodied performances have evoked.

Lord knows thats what Day-Lewis would prefer. Speaking with Rolling Stone after Gangs of New Yorks release, he seemed frustrated by the legend thats built up around his acting choices. People talk, apparently on my behalf, about this torturous preparation period, he said, but it misses the point, because for me its sheer pleasure. All this time, the agony we thought hed been experiencing was actually ecstasy. It was his pleasure and he made sure it was ours as well.

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